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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Like It Is - Kygo
Non classifié
2 413
Piano & claviers
Piano seul
1 569
Piano, Voix
548
Piano Facile
534
Piano, Voix et Guitare
513
Instruments en Do
130
Orgue
82
1 Piano, 4 mains
42
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
12
Accordéon
9
Piano (partie séparée)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano grosses notes
6
Clavecin
4
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
172
Guitare notes et tablatures
126
Ligne De Mélodie, (Paroles) et Accords
45
Ukulele
37
Basse electrique
23
Mandoline
11
Guitare (partie séparée)
11
2 Guitares (duo)
11
4 Guitares (Quatuor)
7
Banjo
7
Dulcimer
5
Ensemble de guitares
5
Piano, Guitare (duo)
4
Paroles et Accords
4
Mandoline, Guitare (duo)
2
Cithare
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
2 Ukuleles
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
603
Chorale 3 parties
185
Chorale TTBB
126
Chorale 2 parties
88
Chorale SSAA
62
Chorale Unison
46
Voix Soprano, Piano
21
Voix haute
16
Voix Alto, Piano
16
Voix duo
13
Voix duo, Piano
13
Voix Tenor, Piano
8
Voix Baryton, Piano
7
Voix moyenne, Piano
6
Voix Soprano
4
Chorale SSAATTBB
4
Voix basse, Piano
3
Voix seule
3
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Voix basse
1
Chorale
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
201
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
198
Flûte traversière et Piano
162
2 Saxophones (duo)
147
Quintette de Saxophone: 5 saxophones
142
Clarinette et Piano
120
Ensemble de saxophones
116
Flûte, Hautbois, Clarinette, Basson
116
Hautbois, Piano (duo)
115
Quatuor de Clarinettes: 4 clarinettes
109
2 Flûtes traversières (duo)
87
Saxophone Alto et Piano
86
Flûte traversière
85
Clarinette
82
Ensemble de Clarinettes
71
Saxophone Tenor et Piano
68
2 Clarinettes (duo)
58
Saxophone (partie séparée)
54
Saxophone Alto
52
Saxophone Soprano et Piano
48
Ensemble de Flûtes
45
Quatuor de Flûtes : 4 flûtes
44
Hautbois (partie séparée)
40
Saxophone Tenor
40
Saxophone Baryton, Piano
37
2 Hautbois (duo)
31
Clarinette Basse, Piano
29
Cor anglais, Piano
29
2 Flûtes traversières, Piano
26
Quintette de Flûte : 5 flûtes
26
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Clarinette (duo)
21
Saxophone, Clarinette (duo)
19
3 Saxophones (trio)
19
3 Clarinettes (trio)
17
Clarinette, Violon (duo)
16
Flûte à bec Soprano
14
Trio de Flûtes: 3 flûtes
14
2 Flûte à bec (duo)
13
Flûte, Violoncelle
12
Flûte, Trombone (duo)
11
Clarinette et Alto
11
Flûte et Guitare
11
Hautbois, Clarinette (duo)
10
Clarinette (partie séparée)
10
Flûte, Alto (duo)
10
Clarinette, Trompette (duo)
10
Flûte à Bec
10
Flute (partie séparée)
10
Flûte, Violon
10
Hautbois
8
Harmonica
8
Hautbois, Basson (duo)
8
Clarinette, Guitare (duo)
7
Clarinette, Basson (duo)
7
Quatuor de Flûtes à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Violon, Piano
6
Flûte, Saxophone (duo)
6
5 Flûtes à bec
6
Flûte, Trompette (duo)
5
Flûte, Hautbois (duo)
5
Saxophone Soprano
4
Hautbois, Flûte
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Alto, Piano
4
2 Clarinettes, Piano
4
Flûte et Trio à cordes
4
Hautbois, Violoncelle
3
Saxophone et Harpe
3
Flûte, Basson et Piano
3
Clarinette, Harpe (duo)
3
Piccolo, Piano
3
Hautbois, Harpe
3
Piccolo
3
Cor Anglais
3
Saxophone Baryton
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto
2
Saxophone
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette, Violon (trio)
2
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Flûte, Harpe et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Hautbois, Violon, Piano
1
Flûte, Clarinette et Basson
1
Cornemuse
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Clarinette, Orgue
1
Clarinette Basse
1
Hautbois et alto (duo)
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
229
Quatuor de Cuivres : 2 trompettes, trombone, tuba
164
Trombone et Piano
86
Trompette
83
Trompette, Piano
78
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Cor et Piano
60
Euphonium, Piano (duo)
44
Ensemble de Trombones
43
Tuba et Piano
40
Cor
39
Trombone
39
Quatuor de Cuivres
38
Trompette (partie séparée)
36
2 Trombones (duo)
34
Trombone (partie séparée)
33
Ensemble de Trompettes
30
Cor anglais, Piano
29
2 Trompettes (duo)
29
Tuba
23
2 Cors (duo)
19
Trompette, Trombone (duo)
17
Quatuor de cuivres: 4 trombones
15
2 Tubas (duo)
11
Quatuor de cuivres: 4 cors
11
Trompette, Saxophone (duo)
8
Euphonium
8
Ensemble de Cors
7
Cor (partie séparée)
7
Tuba (partie séparée)
5
Trompette, Cor (duo)
5
4 Tubas
4
Quatuor de cuivres: 4 trompettes
4
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor Anglais
3
Trio de Cuivres
3
Trompette, Tuba (duo)
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Trompette, Harpe
2
Tuba et Orgue
2
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
Trombone basse
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
3 Trompettes (trio)
1
2 Trombones, Piano
1
2 Cors Anglais Et Pianoforte
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
517
Violon et Piano
159
Violon
132
Violoncelle, Piano
108
Alto, Piano
108
Violoncelle
87
Harpe
87
Violon, Violoncelle (duo)
75
2 Violons (duo)
61
Trio à Cordes: violon, alto, violoncelle
54
Trio à Cordes: 2 violons, violoncelle
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
43
Alto seul
42
2 Violoncelles (duo)
38
2 Altos (duo)
37
Violon, Alto (duo)
32
Contre Basse
31
Contrebasse, Piano (duo)
24
Ensemble d'Altos
21
Ensemble de Violons
20
Violon (partie séparée)
15
4 Violoncelles
14
Harpe, Flûte (duo)
13
Alto (partie séparée)
13
Alto, Violoncelle (duo)
12
2 Contrebasses (duo)
12
Contrebasse (partie séparée)
10
Quatuor à cordes : 4 altos
9
Quatuor à cordes: 4 violons
9
Harpe, Violon (duo)
8
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 violins
8
2 Harpes (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Guitare (duo)
5
Alto et Harpe
4
Trio à Cordes: 2 violons, alto
4
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Trio à cordes: 3 altos
3
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Harpe (partie séparée)
2
Violoncelle (partie séparée)
2
Alto et Basson
2
Violon, Orgue
2
4 Contrebasses
2
Harpe et Piano
1
Violon, Tuba (duo)
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
545
Ensemble Jazz
225
Orchestre à Cordes
203
Orchestre
193
Ensemble de cuivres
90
Orchestre de chambre
56
Jazz combo
54
Cloches
45
Ensemble de Percussions
37
Fanfare
23
Batterie
14
Batterie (partie séparée)
6
Marimba
5
Percussion (partie séparée)
4
2 Xylophones
2
Big band
2
Xylophone, Piano
2
Xylophone ou Marimba ou Vibraphone
2
Conga
1
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Vibraphone
1
Instrumentation Flexible
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Piano et Orchestre
1
+ 22 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Like It Is - Kygo
Cor et Piano
Partitions à imprimer
60 partitions trouvées
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51
'Wie Melodien zieht es mir (It moves like a melody)' Op.105-1 for Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
#
Brahms, Johannes
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Kamada, Mikio
#
'Wie Melodien zieht es mir
#
ACORDO Sheet Music
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.778003 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pag...
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French Horn,Piano - Level 3 - SKU: A0.778003 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #4786503. Published by ACORDO Sheet Music (A0.778003). Wie Melodien zieht es mir (It moves like a melody) is the first one in Fünf Lieder, Op.105. The melody is so beautiful, fluent and gentle. It is also suitable for playing with instruments.
$6.20
Like A Lion (God's Not Dead)
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Cor et Piano
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FACILE
#
Contemporain
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Daniel Bashta
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Jeff Tincher
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F and Piano
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Like A Lion
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Jeff Tincher
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.582785 Composed by Daniel Bashta. Arranged by Jeff Tincher. Contemporary. Score and part. 25 pages. Jeff Tincher #...
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French Horn,Piano - Level 2 - SKU: A0.582785 Composed by Daniel Bashta. Arranged by Jeff Tincher. Contemporary. Score and part. 25 pages. Jeff Tincher #3490343. Published by Jeff Tincher (A0.582785). This is a F and Piano arrangement of one of the most popular Contemporary Christian songs out. This arrangement is the Newsboys' version in the original key from their God's Not Dead CD. The original title is Like A Lion (God's Not Dead) but it's become more familiar as God's Not Dead (Like A Lion) since the Newsboys recorded the song as well as the movie series. The arrangement is great for both sacred and secular venues !!! Duration=4:09. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
This Is What Autumn Feels Like
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Cor et Piano
#
INTERMÉDIAIRE
#
Jvke
#
César Madeira
#
This Is What Autumn Feels Like
#
Sheet Music To Play Editions
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1306747 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by César Madeira. Children,Contemporary,Contest,Fe...
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French Horn,Piano - Level 3 - SKU: A0.1306747 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by César Madeira. Children,Contemporary,Contest,Festival,Pop,Singer/Songwriter. Score and part. 21 pages. Sheet Music To Play Editions #896079. Published by Sheet Music To Play Editions (A0.1306747). This Is What Autumn Feels Like by Jvke. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Do It Again
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Cor et Piano
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FACILE
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Musique Sacrée
#
Steven Curtis Chapman
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Jeff Tincher
#
Do It Again
#
Jeff Tincher
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1469135 By Steven Curtis Chapman. By Caleb Chapman, Steven Curtis Chapman, Will Chapman, and William Franklin Chap...
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French Horn,Piano - Level 2 - SKU: A0.1469135 By Steven Curtis Chapman. By Caleb Chapman, Steven Curtis Chapman, Will Chapman, and William Franklin Chapman. Arranged by Jeff Tincher. Christian,Contemporary,Pop,Praise & Worship,Sacred. Score and part. 15 pages. Jeff Tincher #1047156. Published by Jeff Tincher (A0.1469135). Here is the latest (7/1/24) single from one of the pioneers of Contemporary Christian Music. What I like about Steven Curtis Chapman is that he seems to always be on the cutting edge of the CCM music scene. Duration = 2:51, Visit my website: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
It Came Upon a Midnight Clear--horn solo
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Cor et Piano
#
AVANCÉ
#
Richard Storrs Willis
#
Beka Wilson
#
It Came Upon a Midnight Clear-
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Beka Wilson
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.786841 Composed by Richard Storrs Willis. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 5 p...
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French Horn,Piano - Level 5 - SKU: A0.786841 Composed by Richard Storrs Willis. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 5 pages. Beka Wilson #6616589. Published by Beka Wilson (A0.786841). This lullaby-like arrangement of It Came Upon a Midnight Clear for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 4 minutes (suggested 100 bpm)Level: advanced for most instruments due to range and a brief clef change for some bass/alto clef instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
What Child is This?/Greensleeves--horn solo
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Cor et Piano
#
INTERMÉDIAIRE
#
Noël
#
W
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Beka Wilson
#
What Child is This?/Greensleev
#
Beka Wilson
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.786445 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred...
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French Horn,Piano - Level 3 - SKU: A0.786445 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036653. Published by Beka Wilson (A0.786445). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.
$6.99
Feel It Still
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Cor et Piano
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INTERMÉDIAIRE
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Rock
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Portugal
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Lawrence H Underwood
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Feel It Still
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Lawrence H Underwood
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1091942 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Ja...
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French Horn,Piano - Level 3 - SKU: A0.1091942 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696074. Published by Lawrence H Underwood (A0.1091942). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
This Is Halloween
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Cor et Piano
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FACILE
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Halloween
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Film/TV
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Danny Elfman
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Milanov
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This Is Halloween
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Milanov
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1302614 Composed by Danny Elfman. Arranged by Milanov. Film/TV,Halloween. Score and part. 3 pages. Milanov #892236...
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French Horn,Piano - Level 2 - SKU: A0.1302614 Composed by Danny Elfman. Arranged by Milanov. Film/TV,Halloween. Score and part. 3 pages. Milanov #892236. Published by Milanov (A0.1302614). This is Halloween from The Nightmare Before Christmas, by Danny Elfman, for french horn and piano accompaniment, easy intermediate, short version.This is Halloween from The Nightmare Before Christmas, composed by Danny Elfman, is a dark and whimsical musical masterpiece that captures the eerie and enchanting spirit of Halloween. With its hauntingly catchy melody and playful yet sinister lyrics, the song introduces the inhabitants of Halloween Town and sets the stage for Tim Burton's iconic animated film. Elfman's distinctive vocals as Jack Skellington and the eerie choir of ghoulish characters create a spine-tingling atmosphere, while the dynamic orchestration blends elements of rock and orchestral music to create a Halloween anthem that's both spooky and fun, making it an enduring favorite among fans of the film and the holiday alike.
$4.99
This Is Halloween
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Cor et Piano
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DÉBUTANT
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Halloween
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Film/TV
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Danny Elfman
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Milanov
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This Is Halloween
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Milanov
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1302599 Composed by Danny Elfman. Arranged by Milanov. Film/TV,Halloween. Score and part. 4 pages. Milanov #892220...
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French Horn,Piano - Level 1 - SKU: A0.1302599 Composed by Danny Elfman. Arranged by Milanov. Film/TV,Halloween. Score and part. 4 pages. Milanov #892220. Published by Milanov (A0.1302599). This is Halloween from The Nightmare Before Christmas, by Danny Elfman, for french horn and piano accompaniment, easy beginner, short version.This is Halloween from The Nightmare Before Christmas, composed by Danny Elfman, is a dark and whimsical musical masterpiece that captures the eerie and enchanting spirit of Halloween. With its hauntingly catchy melody and playful yet sinister lyrics, the song introduces the inhabitants of Halloween Town and sets the stage for Tim Burton's iconic animated film. Elfman's distinctive vocals as Jack Skellington and the eerie choir of ghoulish characters create a spine-tingling atmosphere, while the dynamic orchestration blends elements of rock and orchestral music to create a Halloween anthem that's both spooky and fun, making it an enduring favorite among fans of the film and the holiday alike.
$4.99
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549766 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549766 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533947. Published by jmsgu3 (A0.549766). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549834 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549834 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3553495. Published by jmsgu3 (A0.549834). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515725. Published by jmsgu3 (A0.549632). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549790 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549790 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3537327. Published by jmsgu3 (A0.549790). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Russian Dance from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549719 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549719 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530631. Published by jmsgu3 (A0.549719). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549696 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549696 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3525275. Published by jmsgu3 (A0.549696). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Scene 10 from Swan Lake for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549612 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,St...
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French Horn,Piano - Level 3 - SKU: A0.549612 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3513735. Published by jmsgu3 (A0.549612). Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don't usually listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most extraordinary, if not an unforgettable, impact. Education He attended classes at the Russian Musical Society and participated at the St. Petersburg Conservatory. There, he studied music theory with Nikolai Zaremba. Consequently, he also studied composition with Anton Rubenstein. Rubenstein was criticized by Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They instead sought to use elements from Russian music. Furthermore, they wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky's most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also notable are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. The ballet failed to attract a positive reception. Over time, however, it became one of the most popular of all of Tchaikovsky's works. The ballet was first performed by the Bolshoi Ballet in Moscow.
$32.95
Adagio Sostenuto from "Piano Concerto No. 2" for Horn and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1228266 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Ro...
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French Horn,Piano - Level 3 - SKU: A0.1228266 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #824383. Published by Diego Marani (A0.1228266). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for horn with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Sonata No. 3 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music ...
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French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
A Night In Tunisia
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
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French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Jingle Bells for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for French Horn &
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3...
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French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408217. Published by jmsgu3 (A0.548657). Jingle Bells arranged for French Horn& Piano featuring a surprise final verse harmonization. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Fauré: Nocturne Op. 104 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op. 104
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #5324393. Published by jmsgu3 (A0.551616). Gabriel Fauré: Nocturne, Op. 104, Molto moderatoNocturne is a musical composition inspired by or evocative of the night. The Irish composer John Field first used the term in the early 19th century to describe a type of character piece for piano intended to be played in the evening or at night. The term was later adopted by other composers, including Chopin and Fauré, who used it to describe their compositions. In the case of Fauré's Nocturne Op. 104, the title nocturne refers to the fact that it is a piece of music intended to be played at night or evocative of the night. The piece is characterized by its modal, incantatory theme, which seems to hark back to the plainchant that Fauré studied at the Niedermeyer School. Like other nocturnes in the set, it explores one predominant mood.Fauré's Nocturne Op. 104 and Chopin's nocturnes share some similarities, but they also have some differences. Fauré greatly admired the music of Chopin and was happy to compose in forms and patterns established by the earlier composer. Fauré's early nocturnes employ the same basic textures as Chopin's nocturnes, but Fauré's later works abandon this in favor of increasingly contrapuntal writing. Fauré also adopted ternary form as an essential form for the piece from Chopin. However, Fauré's melodies often show a rigorous motivic construction not found in Chopin. Fauré's nocturnes are, after Chopin's, among the most beautiful and beloved in music literature. In summary, while Fauré's nocturnes were influenced by Chopin's, they also have unique qualities that set them apart.
$32.95
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