Partitions Numériques de Liszt Classical pour Cor et Piano

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 651 Piano, Voix 465 Piano Facile 55 Orgue 36 1 Piano, 4 mains 16

2 Pianos, 4 mains 6 Piano, Voix et Guitare 4 Piano Trio: piano, violon, violoncelle 3 Accompagnement Piano 2 2 Pianos, 8 mains 1 Accordéon 1 Orgue, Piano (duo) 1

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GUITARES

Guitare 23 Guitare notes et tablatures 6 Ligne De Mélodie, (Paroles) et Accords 3 Ukulele 1 Basse electrique 1

2 Guitares (duo) 1 Mandoline 1

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VOIX

Voix seule 72 Chorale 3 parties 3 Chorale SSAA 1 Chorale 2 parties 1

VENTS

Flûte traversière et Piano 13 Saxophone Alto et Piano 11 Clarinette et Piano 9 Hautbois, Piano (duo) 7 Saxophone Soprano et Piano 7

2 Saxophones (duo) 6 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5 Saxophone (partie séparée) 5 2 Clarinettes (duo) 4 Saxophone Tenor et Piano 4 Flûte traversière 4 Clarinette (partie séparée) 3 Saxophone Baryton, Piano 3 2 Hautbois (duo) 2 Flute (partie séparée) 2 Hautbois (partie séparée) 2 Saxophone Tenor 2 Saxophone Alto 2 Trio de Flûtes: 3 flûtes 2 Clarinette Basse, Piano 2 Flûte, Hautbois, Clarinette, Basson 1 2 Flûtes traversières (duo) 1 Quatuor de Clarinettes: 4 clarinettes 1 Clarinette 1 Clarinette Basse 1 Clarinette, Violoncelle, Piano (trio) 1 Flûte, Alto et Piano 1 Quatuor de Saxophones: 4 saxophones 1 Harmonica 1 Cor anglais, Piano 1 Flûte, Violon, Piano 1 Flûte, Clarinette et Basson 1

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CUIVRES

Trompette, Piano 6 Trombone et Piano 6 Cor et Piano 4 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4 Trombone (partie séparée) 3

Tuba et Piano 3 Cor (partie séparée) 2 Trompette 2 Trombone 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 3 Tubas (trio) 1 Tuba (partie séparée) 1 Euphonium, Piano (duo) 1 Trompette (partie séparée) 1 2 Trompettes (duo) 1 Ensemble de Trombones 1 Cor 1 2 Cors (duo) 1 Cor anglais, Piano 1

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CORDES

Violon et Piano 17 Violoncelle, Piano 16 Alto, Piano 11 Quatuor à cordes: 2 violons, alto, violoncelle 7 Violon (partie séparée) 5

Violon 5 Violoncelle 4 Violoncelle (partie séparée) 2 Contrebasse (partie séparée) 2 2 Violons (duo) 2 2 Violoncelles (duo) 2 Alto seul 2 Violon, Clarinette, Piano (trio) 1 Piano Trio: Violon, Alto, Piano 1 Trio à Cordes: 2 violons, violoncelle 1 Trio à cordes: 3 altos 1 2 Violons, Piano 1 Ensemble de Violoncelles 1 Trio à Cordes: violon, alto, violoncelle 1 Trio à cordes: 3 violins 1 2 Altos (duo) 1 Trio à Cordes: 3 violoncelles 1 Contrebasse, Piano (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre 29 Orchestre à Cordes 22 Orchestre d'harmonie 6 Piano et Orchestre 3 Timbales (partie séparée) 1

Percussion (partie séparée) 1

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AUTRES

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Liszt Classical

Cor et Piano

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Liebestraum No.3 - French Horn and Piano (Full Score and Parts)

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.1499369 Composed by Franz Li…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.1499369 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1075424. Published by Sheet Music To Play Editions (A0.1499369). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

$9.99 9.16 € #Cor et Piano #Franz Liszt #César Madeira #Liebestraum No.3 - French Horn and Piano #Sheet Music To Play Editions #SheetMusicPlus

"Liebesträum No.3" (Asdur) Horn & Piano

Cor et Piano

French Horn,Piano - Level 3 - Digital Download SKU: A0.1372340 By Fr.LisztÂ . By …(+)

French Horn,Piano - Level 3 - Digital Download SKU: A0.1372340 By Fr.LisztÂ . By Fr.LisztÂ . Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956639. Published by pfkaorimusic (A0.1372340). Composer: Fr.LisztÂ Song: Dream of love LiebestrÃ¤um No.3Â Orchestration: French Horn & PianoÂ Tone:Aflat (Horn in F)Â *Part score includedÂ full ver.

$6.99 6.41 € #Cor et Piano #Fr #pfkaori #"Liebesträum No.3" #pfkaorimusic #SheetMusicPlus

Erlkönig

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Sc…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the â€œCity of Musicâ€ as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home. Â While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe. Â This lead Schubert in the year of 1815 to compose the well-known ErlkÃ¶nig, op. 1 D. 328, based upon Goetheâ€™s poem Der ErlkÃ¶ning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King.Â Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day. Â Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goetheâ€™s poem, Der ErlkÃ¶nig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the â€œking of the elves,â€ a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand.Â The story of the ErlkÃ¶nig is considered by some to have come from the Danish folk ballad Elveskud, and that Goetheâ€™s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder. Â It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The ErlkÃ¶nig translates literally from the German as â€œAlder Kingâ€ rather than the commonly used â€œElf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$14.99 13.75 € #Cor et Piano #Franz Schumbert #Layne Anspach #Erlkönig #Songburd Music #SheetMusicPlus

Saint-Saëns: The Swan for French Horn & Piano

Cor et Piano

French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …(+)

French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 30.22 € #Cor et Piano #Camille Saint-Saens #James M #Saint-Saëns: The Swan for French Horn & Piano #jmsgu3 #SheetMusicPlus