English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
6
Librairie
Musicale
1
Matériel
de Musique
82
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
931
PIANO & CLAVIERS
Piano seul
563
Piano, Voix
352
Piano, Voix et Guitare
86
Orgue
63
Piano Facile
62
Accompagnement Piano
22
Instruments en Do
20
1 Piano, 4 mains
15
Piano grosses notes
13
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
6
Clavecin
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
78
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
20
Basse electrique
19
Ukulele
12
Paroles et Accords
5
Banjo
3
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
4 Guitares (Quatuor)
1
Mandoline
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
584
Chorale 2 parties
79
Chorale 3 parties
73
Chorale Unison
67
Voix duo, Piano
35
Chorale TTBB
28
Voix seule
24
Chorale SSAA
19
Voix duo
7
Voix haute
6
Voix Alto, Piano
5
Voix Baryton, Piano
5
Voix basse, Piano
4
Voix basse
3
Voix Soprano, Piano
2
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Chorale
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
50
Flûte traversière
43
Saxophone
42
Quatuor de Saxophones: 4 saxophones
36
2 Flûtes traversières (duo)
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Flûte traversière et Piano
31
2 Saxophones (duo)
30
Hautbois (partie séparée)
29
Saxophone Alto et Piano
29
Quatuor de Clarinettes: 4 clarinettes
26
Saxophone Tenor
26
Hautbois, Piano (duo)
22
Saxophone Alto
22
2 Clarinettes (duo)
21
Quintette de Saxophone: 5 saxophones
18
Clarinette et Piano
18
Ensemble de saxophones
16
Saxophone Soprano et Piano
15
Ensemble de Flûtes
15
Flûte, Violon
14
Ensemble de Clarinettes
14
Flûte, Hautbois, Clarinette, Basson
14
Saxophone, Clarinette (duo)
13
Flûte à Bec
12
Saxophone Tenor et Piano
12
2 Hautbois (duo)
10
Clarinette, Violon (duo)
10
Cor anglais, Piano
7
Flûte, Clarinette (duo)
7
Clarinette (partie séparée)
6
Hautbois
6
Flûte, Saxophone (duo)
6
Clarinette, Trompette (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Clarinette (duo)
5
Clarinette et Alto
4
Flûte à bec Soprano, Piano
4
Quatuor de Flûtes : 4 flûtes
4
3 Saxophones (trio)
4
Quintette de Flûte : 5 flûtes
4
Saxophone (partie séparée)
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
3
Flûte et Guitare
3
Saxophone Baryton, Piano
3
Flûte, Trompette (duo)
3
2 Flûte à bec (duo)
3
Flûte, Alto (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Saxophone et Orgue
2
Flûte à bec Soprano
2
Clarinette Basse
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
3 Hautbois
1
Flute (partie séparée)
1
Flûte à Bec, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Cor Anglais
1
Cornemuse
1
Saxophone Baryton
1
Saxophone et Harpe
1
Hautbois, Harpe
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Trombone
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Quatuor de cuivres: 4 trombones
18
Cor
15
Trompette, Piano
14
Trombone et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
2 Trombones (duo)
10
Ensemble de Trombones
8
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
7
2 Trompettes (duo)
7
Ensemble de Trompettes
7
Cor anglais, Piano
7
Cor et Piano
6
Euphonium
5
Trombone (partie séparée)
5
Tuba
5
Euphonium, Piano (duo)
4
Trompette (partie séparée)
4
Tuba et Piano
4
Quatuor de Cuivres
3
2 Cors (duo)
3
Cor (partie séparée)
2
Tuba (partie séparée)
2
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Trombone basse
1
Trompette, Harpe
1
3 Trombones (trio)
1
Cor et Harpe
1
Trombone, Orgue
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
Cor Anglais
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
114
Violon
57
Violon, Violoncelle (duo)
55
Trio à Cordes: violon, alto, violoncelle
55
Violon et Piano
43
Violoncelle
34
Alto seul
26
Harpe
21
Violoncelle, Piano
20
Alto, Piano
16
2 Violons (duo)
16
2 Violoncelles (duo)
15
Violon, Alto (duo)
12
Violon (partie séparée)
10
2 Harpes (duo)
9
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
5
Contrebasse (partie séparée)
4
Ensemble de Violons
3
Harpe, Voix
3
Ensemble d'Altos
3
Harpe, Flûte (duo)
2
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Contre Basse
2
Violoncelle, Orgue
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Alto, Orgue
1
Alto, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
153
Cloches
112
Orchestre
63
Orchestre à Cordes
46
Ensemble de cuivres
30
Ensemble Jazz
20
Orchestre de chambre
17
Jazz combo
14
Batterie
13
Fanfare
4
Percussion (partie séparée)
3
Ensemble de Percussions
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
May Day
Cor et Piano
Partitions à imprimer
6 partitions trouvées
<
1
O Come All Ye Faithful for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arr…
(+)
French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.81 €
#
Cor et Piano
#
Wade
#
James M
#
O Come All Ye Faithful for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
In the Silence
Cor et Piano
Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwi…
(+)
Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.
$15.00
13.71 €
#
Cor et Piano
#
Daniel Baldwin
In the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band
#
Daniel Baldwin
#
In the Silence
#
Imagine Music - Digital
#
SheetMusicPlus
Largo (from Xerxes) for horn in F and piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Hand…
(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
2.97 €
#
Cor et Piano
#
G F Handel
#
Colin Kirkpatrick
#
Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.12 €
#
Cor et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…
(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.81 €
#
Cor et Piano
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Balm in Gilead (Arrangements Lvl 1-3 for HORN + Written Acc) HYMN
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.875038 Composed by Black Ame…
(+)
French Horn,Piano - Level 1 - Digital Download SKU: A0.875038 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 5 pages. Jerry Nelson #3691383. Published by Jerry Nelson (A0.875038). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$5.99
5.48 €
#
Cor et Piano
#
Black American Spiritual
#
Dr Jerry Nelson
#
Balm in Gilead
#
Jerry Nelson
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
