Partitions Numériques de Move It On Over pour Cor et Piano

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 241

PIANO & CLAVIERS

Piano seul 119 Piano Facile 25 Piano, Voix et Guitare 17 Piano, Voix 11 Orgue 8

Instruments en Do 3 1 Piano, 4 mains 3 2 Pianos, 4 mains 2 Piano Quatuor: piano, violon, alto, violoncelle 2 Piano Trio: piano, violon, violoncelle 1 Piano Quatuor: piano, 2 violons, violoncelle 1 2 Pianos, 8 mains 1 Clavecin 1 Piano Quintette: piano, 2 violons, alto, violoncelle 1

Instrumentations suivantes

Retracter

GUITARES

Guitare 17 Guitare notes et tablatures 14 Paroles et Accords 6 Ligne De Mélodie, (Paroles) et Accords 5 Ukulele 4

Basse electrique 4 2 Guitares (duo) 2 Ensemble de guitares 1 Mandoline 1 Cithare 1 Dulcimer 1 Banjo 1 Piano, Guitare (duo) 1 4 Guitares (Quatuor) 1 3 Guitares (trio) 1

Instrumentations suivantes

Retracter

VOIX

Chorale SATB 36 Chorale 3 parties 13 Chorale SSAA 8 Chorale TTBB 5 Chorale 2 parties 4

Voix Baryton, Piano 3 Voix Tenor, Piano 3 Voix haute 2 Voix Tenor 1 Voix basse, Piano 1

Instrumentations suivantes

Retracter

VENTS

Quatuor de Saxophones: 4 saxophones 26 2 Flûtes traversières, Piano 25 Ensemble de saxophones 25 Clarinette et Piano 15 2 Flûtes traversières (duo) 15

Quintette de Saxophone: 5 saxophones 14 Quatuor de Clarinettes: 4 clarinettes 13 Flûte traversière et Piano 13 Hautbois (partie séparée) 12 Clarinette 12 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 11 Hautbois, Piano (duo) 9 2 Saxophones (duo) 8 Saxophone Alto et Piano 8 Saxophone Tenor et Piano 8 Ensemble de Flûtes 6 Ensemble de Clarinettes 6 3 Saxophones (trio) 5 Flûte, Hautbois, Clarinette, Basson 5 Quintette de Flûte : 5 flûtes 4 Saxophone Soprano et Piano 4 Cor anglais, Piano 3 Saxophone Alto 3 Quintette de Clarinettes: 5 clarinettes 3 Hautbois, Harpe 2 Flûte et Guitare 2 Clarinette, Harpe (duo) 2 Clarinette, Basson (duo) 2 Trio de Flûtes: 3 flûtes 2 Quatuor de Flûtes à bec 2 Saxophone Baryton, Piano 2 Flûte traversière 2 Quatuor de Flûtes : 4 flûtes 2 2 Clarinettes (duo) 2 3 Flûtes à bec (trio) 1 Saxophone et Orgue 1 Saxophone Tenor 1 3 Clarinettes (trio) 1 2 Hautbois (duo) 1 Flûte à bec Alto 1 Cor anglais, Guitare (duo) 1 Flute (partie séparée) 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Clarinette, Guitare (duo) 1 Flûte, Violon, Piano 1 Flûte, Clarinette (duo) 1 5 Flûtes à bec 1 Cor anglais et Harpe (duo) 1 Clarinette Basse, Piano 1 2 Clarinettes, Piano 1 Saxophone (partie séparée) 1 Hautbois, Guitare (duo) 1 Flûte, Hautbois, Clarinette (trio) 1 2 Flûte à bec (duo) 1 Flûte à Bec 1

Instrumentations suivantes

Retracter

CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24 Quatuor de Cuivres 10 Trombone et Piano 9 Ensemble de Trombones 7 Tuba et Piano 5 Euphonium, Piano (duo) 5 Ensemble de Trompettes 5 Quatuor de Cuivres : 2 trompettes, trombone, tuba 5 Trombone 4 Ensemble de Cors 4 Cor et Piano 4

Tuba 4 Cor anglais, Piano 3 Trompette 3 Trompette (partie séparée) 2 Quatuor de Cuivres: 2 trompettes, Cor, trombone 2 2 Trompettes (duo) 2 Cor 2 2 Euphoniums et 2 Tubas 1 3 Euphoniums 1 Cor anglais, Guitare (duo) 1 Trompette, Piano 1 Cor anglais et Harpe (duo) 1 2 Cors (duo) 1

Instrumentations suivantes

Retracter

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 50 Alto, Piano 17 Trio à Cordes: violon, alto, violoncelle 12 Violon et Piano 11 2 Violons (duo) 10

Violoncelle, Piano 7 Violoncelle 7 Violon 6 Harpe, Flûte (duo) 6 Violon, Violoncelle (duo) 4 2 Violoncelles (duo) 3 2 Altos (duo) 3 Harpe 3 Contre Basse 2 Quintette à cordes: 2 violons, 2 altos, violoncelle 2 Trio à Cordes: 3 violoncelles 2 Alto (partie séparée) 2 Trio à cordes: 3 altos 1 Quintette à cordes: 2 violons, alto, violoncelle, basse 1 Quatuor à cordes: 4 violons 1 Trio à cordes: 3 violins 1 Violon, Guitare (duo) 1 4 Violoncelles 1 Ensemble de Violons 1 Violon, Alto (duo) 1 Alto, Violoncelle (duo) 1 Quatuor à cordes : 4 altos 1 Ensemble d'Altos 1 Trio à Cordes: 2 violons, violoncelle 1 Harpe, Violon (duo) 1 Violon, Clarinette, Piano (trio) 1 Violoncelle , Guitare (duo) 1 Alto seul 1

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 103 Orchestre 47 Orchestre à Cordes 19 Orchestre de chambre 18 Ensemble Jazz 6

Ensemble de cuivres 5 Jazz combo 2 Ensemble de Percussions 1 Batterie 1 Xylophone 1 Piano et Orchestre 1 Fanfare 1 Cloches 1 Quintette de Cuivres: autres combinaisons 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

Move It On Over

Cor et Piano

Partitions à imprimer

4 partitions trouvées

Bach: Wachet auf for French Horn & Piano

Cor et Piano

French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…(+)

French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

$24.95 22.86 € #Cor et Piano #Johann Sebastian Bach #James M # #Bach: Wachet auf for French Horn & Piano #jmsgu3 #SheetMusicPlus

Erlkönig

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Sc…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the â€œCity of Musicâ€ as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home. Â While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe. Â This lead Schubert in the year of 1815 to compose the well-known ErlkÃ¶nig, op. 1 D. 328, based upon Goetheâ€™s poem Der ErlkÃ¶ning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King.Â Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day. Â Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goetheâ€™s poem, Der ErlkÃ¶nig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the â€œking of the elves,â€ a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand.Â The story of the ErlkÃ¶nig is considered by some to have come from the Danish folk ballad Elveskud, and that Goetheâ€™s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder. Â It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The ErlkÃ¶nig translates literally from the German as â€œAlder Kingâ€ rather than the commonly used â€œElf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$14.99 13.73 € #Cor et Piano #Franz Schumbert #Layne Anspach #Erlkönig #Songburd Music #SheetMusicPlus

Sonata for Horn and Piano

Cor et Piano

French Horn,Piano - Level 5 - Digital Download SKU: A0.1005643 Composed by Rudy Vol…(+)

French Horn,Piano - Level 5 - Digital Download SKU: A0.1005643 Composed by Rudy Volkmann. 20th Century,Concert,Contemporary. Score and part. 54 pages. Rudy Volkmann #6079829. Published by Rudy Volkmann (A0.1005643). This four-movement sonata for horn and piano is for professional players (or graduate students), designed to rival the top horn sonatas in the professional repertoire. I wrote this over the course of a year or so, completing it in 2018, for Rachel Velvikis, hornist with the internationally acclaimed Seraph Brass Quintet. Rachel and I collaborated on the work, and her input helped shape the final version of this piece. Both the horn and piano parts require top-notch players. We had a world premier scheduled for August of 2020, but the COVID crisis cancelled that; we are still looking for a concert date to premier the work. The mp3 audio is a FINALE audio extract.

$30.00 27.49 € #Cor et Piano #Rudy Volkmann #Sonata for Horn and Piano #Rudy Volkmann #SheetMusicPlus

Schumann: Abendlied for French Horn & Piano

Cor et Piano

French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…(+)

French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg. Schumann Background Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing. The Beginning of the End In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism. Last Period Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature. Abendlied Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg. Schumann Background Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing. The Beginning of the End In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism. Last Period Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature. Abendlied Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.

$26.95 24.69 € #Cor et Piano #Robert Schumann #James M #Schumann: Abendlied for French Horn & Piano #jmsgu3 #SheetMusicPlus