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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mozart Symphony
Non classifié
116
Piano & claviers
Piano seul
105
Piano Facile
34
Accordéon
8
Piano, Voix
5
Piano, Voix et Guitare
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Instruments en Do
1
Orgue
1
+ 8 instrumentations
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Guitares
Guitare
9
Guitare notes et tablatures
5
Piano, Guitare (duo)
2
Ukulele
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
2
2 Ukuleles
1
Basse electrique
1
Banjo
1
+ 5 instrumentations
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Voix
Chorale SATB
4
Chorale 2 parties
1
Chorale TTBB
1
Chorale Unison
1
Vents
Flûte traversière et Piano
21
Clarinette (partie séparée)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone (partie séparée)
14
Clarinette
13
Saxophone Alto et Piano
11
Flûte, Hautbois, Clarinette, Basson
11
Flûte traversière
10
Clarinette et Piano
10
Hautbois, Piano (duo)
10
2 Saxophones (duo)
9
Saxophone Tenor et Piano
9
2 Hautbois (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
2 Flûtes traversières (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flute (partie séparée)
6
Ensemble de Clarinettes
6
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto
5
Hautbois
4
Saxophone Tenor
4
Saxophone Soprano et Piano
4
Clarinette Basse, Piano
4
2 Clarinettes (duo)
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Cor anglais, Piano
2
3 Flûtes à bec (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Saxophone, Violon (duo)
1
5 Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
+ 48 instrumentations
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Cuivres
Cor
28
Trompette
19
Trombone (partie séparée)
19
Trompette (partie séparée)
14
Cor (partie séparée)
13
Trombone et Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone
6
Trompette, Piano
5
Tuba (partie séparée)
4
2 Trombones (duo)
3
Quatuor de Cuivres
3
2 Cors (duo)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
Cor anglais, Piano
2
3 Trombones (trio)
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Saxophone (duo)
1
3 Trompettes (trio)
1
4 Tubas
1
Ensemble de Cors
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon (partie séparée)
32
Alto seul
15
Violon
13
Violon et Piano
12
Contrebasse (partie séparée)
11
Violoncelle
10
Alto, Piano
9
Violoncelle, Piano
9
Violoncelle (partie séparée)
8
Alto (partie séparée)
6
Contre Basse
5
4 Violoncelles
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Violons (duo)
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Flûte, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
69
Orchestre à Cordes
62
Orchestre
58
Orchestre de chambre
9
Ensemble Jazz
7
Percussion (partie séparée)
4
Timbales (partie séparée)
4
Ensemble de cuivres
4
Cloches
4
2 Xylophones
2
Percussion
1
Xylophone
1
Batterie (partie séparée)
1
+ 8 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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MANDOLINE
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Mozart Symphony
Cor et Piano
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Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
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