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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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HARMONICA
HARPE
HAUTBOIS
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SYNTHETISEUR
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PIANO & CLAVIERS
Piano seul
202
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89
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66
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43
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Guitare notes et tablatures
34
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30
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11
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109
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22
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1
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VENTS
Quatuor de Clarinettes: 4 clarinettes
28
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23
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22
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20
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16
Clarinette
16
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9
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7
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Clarinette et Alto
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1
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30
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16
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Trompette
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
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2 Trombones (duo)
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6
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6
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5
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Quatuor de Cuivres
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Cor et Piano
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Cor
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Tuba (partie séparée)
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3 Trompettes (trio)
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Quatuor de cuivres: 4 trombones
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2 Cors (duo)
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Euphonium, Piano (duo)
2
2 Trompettes (duo)
2
Tuba et Piano
2
Tuba
1
Trombone, Tuba (duo)
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4 Tubas
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Ensemble de Trompettes
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Cor (partie séparée)
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3 Trombones (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon et Piano
21
Alto, Piano
10
Violoncelle, Piano
8
2 Violons (duo)
8
Violon
8
Harpe
7
Violon, Alto (duo)
7
Violon, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violoncelles (duo)
6
2 Altos (duo)
6
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
4
4 Violoncelles
3
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Alto et Basson
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
4 Contrebasses
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Alto (partie séparée)
1
2 Violons, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
96
Batterie
31
Ensemble Jazz
24
Orchestre
21
Ensemble de cuivres
17
Orchestre à Cordes
12
Cloches
9
Orchestre de chambre
7
Ensemble de Percussions
5
Jazz combo
5
Fanfare
2
Vibraphone (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Batterie (partie séparée)
1
Percussion (partie séparée)
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Orchestre, Violon
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AUTRES
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Cor et Piano
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Bach: Air on a G String for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.548939 Composed by Johann Se…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.548939 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3434971. Published by jmsgu3 (A0.548939). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and very useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is very well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.
$32.95
30.34 €
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Cor et Piano
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Dichterliebe
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
50.64 €
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Cor et Piano
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
Offenbach - Can-Can - French Horn and Piano (Full Score and Parts)
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1397421 Composed by Jacques …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1397421 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Children,Classical,Film/TV,Romantic Period. Score and part. 13 pages. Sheet Music To Play Editions #980746. Published by Sheet Music To Play Editions (A0.1397421). Can-Can by Jacques Offenbach. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!Jacques Offenbach (1819 – 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.28 €
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Cor et Piano
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Jacques Offenbach
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César Madeira
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Offenbach - Can-Can - French Horn and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig va…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.97 €
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Cor et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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