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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Perhaps, Perhaps, Perhaps
Non classifié
526
Piano & claviers
Piano seul
218
Piano Facile
44
Piano, Voix et Guitare
41
Piano, Voix
35
Instruments en Do
21
Orgue
13
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
Piano (partie séparée)
2
Accordéon
2
2 Pianos, 4 mains
2
Piano grosses notes
2
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
11
Paroles et Accords
7
Guitare (partie séparée)
5
2 Guitares (duo)
5
Banjo
4
2 Mandolines (duo)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Guitare Pedal Steel
1
4 Guitares (Quatuor)
1
Mandoline
1
Basse electrique
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
128
Chorale 3 parties
36
Chorale TTBB
18
Chorale SSAA
15
Chorale 2 parties
14
Voix Alto, Piano
10
Chorale Unison
7
Voix seule
4
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix duo
2
Voix Tenor
1
Chorale
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
93
Quintette de Saxophone: 5 saxophones
75
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
37
2 Saxophones (duo)
36
Saxophone Alto et Piano
28
Quatuor de Clarinettes: 4 clarinettes
28
Flûte, Hautbois, Clarinette, Basson
26
Clarinette et Piano
23
2 Flûtes traversières (duo)
23
Quatuor de Flûtes : 4 flûtes
20
Clarinette
18
2 Clarinettes (duo)
18
Saxophone (partie séparée)
17
Flûte traversière
17
Hautbois, Piano (duo)
17
Saxophone Soprano et Piano
17
Saxophone Alto
15
Ensemble de saxophones
14
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Flûte, Clarinette (duo)
11
Saxophone Tenor
10
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
7
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
6
Clarinette, Trompette (duo)
6
2 Flûte à bec (duo)
5
Saxophone Baryton, Piano
5
Cor anglais, Piano
5
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
5
3 Saxophones (trio)
4
Clarinette (partie séparée)
4
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
Flute (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Flûte et Guitare
3
Flûte, Saxophone (duo)
3
2 Saxophones, Piano
3
Clarinette Basse, Piano
2
Clarinette, Harpe (duo)
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Flûte, Hautbois, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Orgue
1
Clarinette Basse
1
Instruments en Mib
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Flûte irlandaise
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
17
Trombone et Piano
13
Trombone (partie séparée)
12
Trompette, Trombone (duo)
12
Trompette, Piano
11
Cor et Piano
11
Trombone
11
Ensemble de Trombones
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Trompette (partie séparée)
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
5
Cor anglais, Piano
5
Quatuor de Cuivres
5
Cor (partie séparée)
4
Tuba
3
Bass Clef Instruments
3
Euphonium, Piano (duo)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
2
Cor
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Tuba (partie séparée)
2
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Euphonium
1
Trombone, Orgue
1
4 Tubas
1
2 Cors (duo)
1
3 Trombones (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon et Piano
31
Violoncelle, Piano
28
Violon, Violoncelle (duo)
18
Alto, Piano
17
Violoncelle
14
Violon
13
2 Violons (duo)
13
2 Violoncelles (duo)
12
2 Altos (duo)
10
2 Harpes (duo)
10
Harpe
10
Alto seul
8
Ensemble d'Altos
8
Ensemble de Violons
8
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Violon (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Contre Basse
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Harpe et Orgue
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
62
Orchestre à Cordes
52
Orchestre
44
Orchestre de chambre
27
Ensemble de cuivres
19
Ensemble Jazz
16
Cloches
7
Fanfare
4
Batterie
3
Batterie (partie séparée)
3
Marimba
2
2 Marimbas
1
Vibraphone
1
Orchestre, Violon
1
Percussion (partie séparée)
1
2 Xylophones
1
+ 11 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
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Nouveautes
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Vous avez sélectionné:
Perhaps, Perhaps, Perhaps
Cor et Piano
Partitions à imprimer
11 partitions trouvées
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1
Silent Night for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548488 Composed by Gruber. A…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387055. Published by jmsgu3 (A0.548488). Silent Night arranged for French Horn & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.64 €
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Cor et Piano
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Gruber
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James M
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Silent Night for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Erlkönig
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Sc…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
13.8 €
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Cor et Piano
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
Amazing Grace, Concert Solo for Horn in F and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.587641 Composed by John Newt…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.587641 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611379. Published by David McKeown (A0.587641). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Horn in F with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mc Musicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.23 €
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Cor et Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Horn in F and Piano
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David McKeown
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SheetMusicPlus
How Can I Keep From Singing? - F horn, piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.726080 Composed by Robert Lo…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.726080 Composed by Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian,Gospel,Sacred. Score and part. 6 pages. Con Spirito Music #3546595. Published by Con Spirito Music (A0.726080). How Can I Keep From Singing? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) - the first being Shall We Gather at the River?Born in Philadelphia and later a Baptist minister who served in churches in Pennsylvania, New York, and New Jersey, Lowry is best remembered as a writer of more than 500 gospel songs and hymns, and as editor of numerous gospel song books and hymn books.How Can I Keep From Singing? (also known as Endless Song) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim:My life flows on in endless song above earth’s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I’m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?©2018 Todd Marchand / ConSpiritoMusic.com
$5.99
5.51 €
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Cor et Piano
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Robert Lowry
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Todd Marchand
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How Can I Keep From Singing? - F horn, piano
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Con Spirito Music
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.8 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Two Bourrees for Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.870781 Composed by Johann Se…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.870781 Composed by Johann Sebastian Bach. Arranged by Daniel Leeman. Baroque. Score and part. 6 pages. Daniel Leeman #3053263. Published by Daniel Leeman (A0.870781). These two bourrees were arranged from Bach's Cello Suite No. 3 in C Major BWV 1009. Originally written for unaccompanied cello, this arrangement can be performed without piano (solo), or with added piano accompaniment. This arrangement is for intermediate players. While this is perhaps one of the most accessible Bach pieces for instrumentalists, phrasing of the melodic line is of foremost importance.
$4.99
4.59 €
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Cor et Piano
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Johann Sebastian Bach
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Daniel Leeman
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Two Bourrees for Horn & Piano
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Daniel Leeman
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SheetMusicPlus
Jingle Bells for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.548657 Composed by James Pie…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408217. Published by jmsgu3 (A0.548657). Jingle Bells arranged for French Horn& Piano featuring a surprise final verse harmonization. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.96 €
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Cor et Piano
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James Pierpont
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James M
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Jingle Bells for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.32 €
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Cor et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Recuerdos de la Alhambra
Cor et Piano
Horn in F and piano - easy to intermediate - Digital Download SKU: S9.Q11635 Mem…
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Horn in F and piano - easy to intermediate - Digital Download SKU: S9.Q11635 Memories of the Alhambra. Composed by Francisco Tarrega. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q11635. Published by Schott Music - Digital (S9.Q11635). Composed in 1886, the tremolo study 'Recuerdos de la Alhambra' is without doubt Tarrega's best-known piece. It evokes memories of the Moorish citadel located on a hill in the Spanish Granada. Thanks to the present arrangement, the enchanting gem with its slightly melancholy tinge - perhaps inspired by Georges Bizet's 'Je crois entendre encore' from The Pearl Fishers - is now also available for instruments other than the guitar.
$4.99
4.59 €
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Cor et Piano
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Francisco Tarrega
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Wolfgang Birtel
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Recuerdos de la Alhambra
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Schott Music - Digital
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SheetMusicPlus
The Wedding Album, for Solo Horn in F and Piano
Cor et Piano
Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. A…
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Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.19 €
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Cor et Piano
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Various
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The Wedding Album, for Solo Horn in F and Piano
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David McKeown
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SheetMusicPlus
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