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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That
Non classifié
19 187
Piano & claviers
Piano seul
12 399
Piano, Voix
5 627
Piano, Voix et Guitare
3 979
Piano Facile
3 558
Accompagnement Piano
2 232
Instruments en Do
1 397
Orgue
1 011
1 Piano, 4 mains
296
Piano Trio: piano, violon, violoncelle
200
Piano grosses notes
140
Piano (partie séparée)
117
2 Pianos, 4 mains
99
Accordéon
78
Piano Quatuor: piano, 2 violons, violoncelle
76
Piano Quatuor: piano, violon, alto, violoncelle
53
Orgue, Trompette (duo)
30
Piano Quintette: piano, 2 violons, alto, violoncelle
26
Orgue, Piano (duo)
23
Clavecin
17
Ligne De Mélodie, Piano
10
1 Piano, 6 mains
8
2 Pianos, 8 mains
7
Clavier
5
Accordéon, Voix
2
Instrument seul et Orgue
1
Ensemble d'Accordéons
1
Orgue et Orchestre
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 531
Guitare
1 156
Ligne De Mélodie, (Paroles) et Accords
983
Ukulele
640
Paroles et Accords
327
Basse electrique
240
Guitare (partie séparée)
223
2 Guitares (duo)
90
Piano, Guitare (duo)
69
Mandoline
61
4 Guitares (Quatuor)
56
Dulcimer
51
Banjo
48
3 Guitares (trio)
28
Ensemble de guitares
21
Mandoline, Guitare (duo)
7
2 Dulcimers (duo)
5
Guitare, Violon, Violoncelle (trio)
4
Basse électrique (partie séparée)
4
Ukulele Baryton
2
Mandoline, Piano (duo)
2
Guitare, Flûte, Clarinette
2
Guitare Pedal Steel
2
Guitare, Orchestre
2
Guitare, Quatuor à cordes
1
2 Ukuleles
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Dobro
1
Guitare Tab, Voix, Basse, Batterie
1
Cithare
1
+ 26 instrumentations
Retracter
Voix
Chorale SATB
6 894
Chorale 2 parties
2 935
Chorale 3 parties
2 535
Chorale Unison
2 046
Voix duo, Piano
1 295
Chorale TTBB
1 021
Chorale SSAA
610
Voix duo
362
Voix Soprano, Piano
302
Voix Alto, Piano
238
Voix Tenor, Piano
224
Voix Baryton, Piano
127
Voix seule
121
Voix haute
105
Pack Instrumental pour Chorale
103
Chorale
103
Voix moyenne, Piano
55
Voix Tenor
43
Voix Soprano
36
Voix basse, Piano
27
Chorale SSAATTBB
19
Chorale SSATB
14
Voix Mezzo-Soprano, Piano
10
Voix basse
9
Chorale SSATTB
8
Voix, Guitare
6
Soli, choeur mixte et accompagnement
5
Chorale SSAB, Piano
3
Chorale SSAB a cappella
3
Chorale SATBB
3
Chorale, Orgue
2
Male Voice
2
Chorale SATTB
1
Voix haute, Piano
1
Chorale SSAATB
1
+ 30 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 430
Flûte traversière et Piano
1 222
2 Saxophones (duo)
1 036
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 030
Clarinette et Piano
998
Flûte, Hautbois, Clarinette, Basson
974
Saxophone (partie séparée)
917
Hautbois, Piano (duo)
876
Saxophone Alto et Piano
854
Flûte traversière
811
Clarinette
731
Saxophone Tenor et Piano
687
Quintette de Saxophone: 5 saxophones
621
Saxophone Soprano et Piano
587
2 Flûtes traversières (duo)
565
Saxophone Alto
529
Quatuor de Clarinettes: 4 clarinettes
527
2 Clarinettes (duo)
519
Saxophone Tenor
359
Hautbois (partie séparée)
317
Flûte, Clarinette (duo)
308
Quatuor de Flûtes : 4 flûtes
306
3 Saxophones (trio)
293
Ensemble de Clarinettes
267
Saxophone Baryton, Piano
257
Ensemble de saxophones
236
Clarinette, Violon (duo)
233
Saxophone
228
Ensemble de Flûtes
200
2 Hautbois (duo)
199
Clarinette (partie séparée)
187
Saxophone, Clarinette (duo)
177
Flûte, Violon
149
Hautbois, Basson (duo)
148
3 Clarinettes (trio)
141
2 Flûte à bec (duo)
139
Quintette de Clarinettes: 5 clarinettes
138
Hautbois
131
Flute (partie séparée)
128
Quintette de Flûte : 5 flûtes
123
Trio de Flûtes: 3 flûtes
123
Cor anglais, Piano
115
Hautbois, Clarinette (duo)
112
Flûte, Violon, Piano
100
Clarinette, Trompette (duo)
98
Clarinette Basse, Piano
93
Saxophone Soprano
89
Flûte irlandaise
87
Clarinette et Alto
84
Flûte et Guitare
82
Flûte, Hautbois, Clarinette (trio)
80
Clarinette, Basson (duo)
75
2 Flûtes traversières, Piano
74
Flûte, Violoncelle
71
Flûte, Alto (duo)
71
Flûte à bec Soprano
71
Flûte, Saxophone (duo)
70
Quatuor de Flûtes à bec
69
Hautbois, Flûte
65
Flûte, Trompette (duo)
63
Clarinette, Violoncelle (duo)
62
Saxophone Baryton
60
Flûte, Clarinette et Basson
57
Flûte, Hautbois (duo)
54
Hautbois, Clarinette, Basson (trio d'anches)
53
Flûte, Clarinette, Piano (trio)
52
Hautbois, Violoncelle
48
2 Clarinettes, Piano
48
Flûte, Violon et Violoncelle
41
Flûte à Bec
39
Flûte à bec Alto
38
Clarinette, Guitare (duo)
36
Clarinette, Violoncelle, Piano (trio)
36
Hautbois, violon (duo)
34
5 Flûtes à bec
33
Harmonica
33
Flûte, trombone et piano
30
Flûte, Violoncelle, Piano (trio)
30
Flûte, Hautbois, Piano (trio)
29
Ocarina
28
Flûte, Hautbois, Basson
28
Flûte, Trombone (duo)
27
Flûte, Basson et Piano
25
Clarinette, Trombone (duo)
24
Flûte, Alto et Piano
24
Instruments en Mib
21
3 Flûtes à bec (trio)
20
Flûte à bec Tenor
16
Piccolo, Piano
16
Flûte à bec Alto, Piano
15
Flûte à bec Soprano, Piano
14
2 Saxophones, Piano
13
Ensemble De Flûte à bec
13
Clarinette, trompette et piano
13
Hautbois et alto (duo)
12
Cor Anglais
12
3 Hautbois
12
4 Hautbois
11
Flûte, Violon, Violoncelle et Piano
11
Clarinette Basse
11
Saxophone, Violon (duo)
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Hautbois, Trompette (duo)
10
Hautbois, Guitare (duo)
10
Cor anglais, Guitare (duo)
9
Saxophone et Guitare
9
Flute, harpe et violon
8
Saxophone et Orgue
6
Hautbois, Harpe
6
Flûte, Violoncelle, Guitare
6
Piccolo
6
Clarinette, Harpe (duo)
6
Ensemble à vent
6
Saxophone et Harpe
5
Flûte et Trio à cordes
5
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Flûte traversière, Orgue (duo)
4
Clarinette, Tuba
4
Hautbois, trombone (duo)
4
Flûte à Bec, Piano
4
2 Cors Anglais Et Pianoforte
3
Hautbois, Violon, Piano
3
Clarinette, Basson, Piano (trio)
3
Cornemuse
3
2 Clarinettes, Basson
3
Flûte, Violon, Guitare
3
Hautbois, Clarinette et Piano (Trio)
3
Flute, Cor (duo)
3
Clarinette, Alto et Piano (trio)
3
Flûte, Tuba (duo)
3
Ensemble de Hautbois
2
Clarinette, Contrebasse (duo)
2
Hautbois, Basson et Piano
2
Flûte à bec Alto, Basse continue
2
Flûte, Hautbois, Violon
2
2 Hautbois, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Harpe et Violoncelle
2
Flûte, alto et harpe
2
Flûte traversière, Basse continue
2
Clarinette, Saxophone, Piano
1
Saxophone et violoncelle
1
Cor anglais et Harpe (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Tuba (duo)
1
Clarinette, Orgue
1
2 Flûtes à bec, Piano
1
Saxophone, Basson (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte à bec, Harpe
1
Harmonica, Piano
1
+ 148 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 174
Trompette, Piano
852
Trombone et Piano
851
Quatuor de Cuivres : 2 trompettes, trombone, tuba
813
Trompette
801
Trombone (partie séparée)
707
Trompette (partie séparée)
607
Cor et Piano
604
Trombone
533
Cor
404
Quatuor de Cuivres: 2 trompettes, Cor, trombone
388
Tuba et Piano
336
2 Trombones (duo)
315
2 Trompettes (duo)
305
Tuba
293
Quatuor de Cuivres
226
Trompette, Trombone (duo)
186
2 Cors (duo)
167
Euphonium, Piano (duo)
153
Quatuor de cuivres: 4 trombones
141
Cor (partie séparée)
139
Trompette, Saxophone (duo)
137
Tuba (partie séparée)
122
Ensemble de Trombones
117
Ensemble de Trompettes
116
Cor anglais, Piano
115
Trompette, Cor (duo)
114
2 Tubas (duo)
79
Quatuor de cuivres: 4 cors
65
Quatuor de cuivres: 4 trompettes
45
Trio de Cuivres
41
Euphonium
37
Ensemble de Cors
35
2 Euphoniums et 2 Tubas
34
Quatuor de cuivres: 2 trompettes, 2 trombones
31
Bass Clef Instruments
29
2 Euphoniums (duo)
28
Trompette, Violoncelle et Piano
27
3 Trombones (trio)
25
Cor, Violoncelle (duo)
24
Instruments en Sib
23
4 Tubas
22
Tuba et Orgue
17
3 Trompettes (trio)
16
Trompette, Basson (duo)
15
Trompette, Violoncelle (duo)
13
Trompette, violon (duo)
13
Instruments en Fa
12
Cor Anglais
12
Trombone basse et Piano
11
Trombone, Tuba (duo)
10
Trombone, Orgue
10
Trombone basse
10
Trompette, Tuba (duo)
10
3 Cors (trio)
10
Cor anglais, Guitare (duo)
9
Trombone, violoncelle (duo)
9
Cor et Basson (duo)
9
2 Trompettes, Clavier (piano ou orgue)
8
Trombone, Cor (duo)
8
3 Tubas (trio)
7
Trompette et Guitare
6
Euphonium, Tuba (duo)
6
Cor et Harpe
5
Trompette, Trombone, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Clarinette, Cor (duo)
4
Trombone, Violon (duo)
4
2 Cors Anglais Et Pianoforte
3
Cor, Tuba (duo)
3
2 Cors, Piano
3
3 Euphoniums
3
Cor et Orgue
2
Trombone, Alto (duo)
2
Cor, Violoncelle et Piano
1
Cornet et orchestre
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Euphonium (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 78 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 102
Violon et Piano
1 427
Violon
1 142
Violoncelle, Piano
973
Alto, Piano
914
Violon, Violoncelle (duo)
784
Violoncelle
772
Trio à Cordes: violon, alto, violoncelle
635
Harpe
508
Alto seul
499
2 Violons (duo)
466
Quintette à cordes: 2 violons, alto, violoncelle, basse
379
2 Violoncelles (duo)
359
Violon, Alto (duo)
306
Contrebasse, Piano (duo)
263
Violon (partie séparée)
258
Contre Basse
248
2 Altos (duo)
246
Contrebasse (partie séparée)
237
Trio à Cordes: 2 violons, violoncelle
233
Alto (partie séparée)
196
2 Harpes (duo)
142
Piano Trio: Violon, Alto, Piano
129
Alto, Violoncelle (duo)
114
4 Violoncelles
86
Trio à cordes: 3 violins
81
Violoncelle (partie séparée)
59
2 Contrebasses (duo)
57
Trio à Cordes: 3 violoncelles
55
Violon, Basson (duo)
53
Quatuor à cordes: 4 violons
51
Violon, Guitare (duo)
43
Violoncelle, Contrebasse (duo)
34
Ensemble de Violons
32
Alto et Basson
31
Trio à cordes: 3 altos
31
Ensemble d'Altos
28
Violoncelle , Guitare (duo)
27
Harpe, Flûte (duo)
23
Harpe, Violon (duo)
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Quatuor à cordes : 4 altos
21
Harpe, Voix
18
Trio à Cordes: 2 violons, alto
18
Violon, Clarinette, Piano (trio)
17
Harpe, Violoncelle (duo)
15
Alto, Guitare (duo)
12
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Alto et Harpe
11
Violoncelle, Orgue
9
Flûte, Contrebasse (duo)
8
2 Violons, Piano
8
Harpe, Trombone (duo)
5
Harpe, Violon, Violoncelle
5
4 Contrebasses
5
Ensemble de Violoncelles
5
Harpe et Piano
4
3 Harpes
4
Violon, Tuba (duo)
3
Violoncelle, Orchestre
3
Violoncelle, Basse continue
3
4 Harpes
3
Violon, Orgue
2
Violon, Trompette et Piano
2
Trio à cordes
2
Harpe et mandoline
2
2 Violoncelles, Piano
2
Autoharp
2
5 Harpes
2
Harpe et Orgue
1
Alto et orchestre
1
Violon, Violoncelle, Clarinette
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7 540
Orchestre à Cordes
1 706
Orchestre
1 301
Ensemble Jazz
1 254
Fanfare
906
Ensemble de cuivres
687
Cloches
538
Orchestre de chambre
422
Batterie
271
Jazz combo
254
Ensemble de Percussions
193
Batterie (partie séparée)
139
Percussion (partie séparée)
128
Marimba
31
Vibraphone
25
Xylophone, Piano
23
Xylophone
14
Percussion
12
Timbales (partie séparée)
10
Big band
8
2 Xylophones
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Orchestre, Violon
6
Ensemble d'École
5
Quintette de Cuivres: autres combinaisons
4
Piano et Orchestre
4
Quintette à Vent
3
Vibraphone et Marimba
3
Instrumentation Flexible
3
Cajon
2
Caisse Claire
2
2 Marimbas
1
Xylophone ou Marimba ou Vibraphone
1
Bongos
1
Timbales
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Vibraphone (partie séparée)
1
Conga
1
Bodhran
1
2 Percussions
1
+ 36 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Cor et Piano
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601
From All That Dwell Below The Skies (French Horn solo and Piano)
#
Cor et Piano
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Stephen DeCesare
#
From All That Dwell Below The
#
Exultet Music
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1388861 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.1388861 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and part. 11 pages. Exultet Music #972372. Published by Exultet Music (A0.1388861). One of the best known melodies in many occidental Christian musical traditions that also utilizes the Doxology has been freshly arranged for a French Horn solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
All About That Bass
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Cor et Piano
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FACILE
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Meghan Trainor
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Jps Arrangements
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All About That Bass
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Jps Arrangements
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1379870 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,Pop,R & B,Sou...
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French Horn,Piano - Level 2 - SKU: A0.1379870 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,Pop,R & B,Soul,Standards. Score and part. 6 pages. Jps Arrangements #964579. Published by Jps Arrangements (A0.1379870). All About That Bass for french Horn and piano is a catchy, powerful pop song written by Meghan Trainor and Kevin Kadish. This arrangement captures the infectious rhythm and playful spirit of the original recording. Perfect for beginner/intermediate musicians.The arrangement has the figures and is in Bb major.
$4.99
Open My Eyes, That I May See
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Cor et Piano
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FACILE
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Clara H
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Joseph Pugh
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Open My Eyes, That I May See
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Joseph Pugh
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.855111 Composed by Clara H. Scott (1841-1897). Arranged by Joseph Pugh. Christian,Concert,Sacred,Standards. Score ...
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French Horn,Piano - Level 2 - SKU: A0.855111 Composed by Clara H. Scott (1841-1897). Arranged by Joseph Pugh. Christian,Concert,Sacred,Standards. Score and part. 3 pages. Joseph Pugh #6207319. Published by Joseph Pugh (A0.855111). Clara was an American composer, hymnwriter and publisher. She was the first woman to publish a volume of anthems, the Royal Anthem Book, in 1882. Scott was also well known for her hymn, Open My Eyes, That I May See, written in 1895.The hymn was inspired by Psalm 119, verse 18. She died in 1897 after being thrown from her carriage by a spooked horse.This arrangement ,by Joseph Pugh features the French Horn solo with piano acc.
$7.99
Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (French Horn solo and Piano)
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Cor et Piano
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FACILE
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James Royce Shannon
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Stephen DeCesare
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Too-Ra-Loo-Ra-Loo-Ral
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Exultet Music
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.628461 Composed by James Royce Shannon. Arranged by Stephen DeCesare. Celtic,Folk,Holiday,Irish,Standards. Score a...
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French Horn,Piano - Level 2 - SKU: A0.628461 Composed by James Royce Shannon. Arranged by Stephen DeCesare. Celtic,Folk,Holiday,Irish,Standards. Score and part. 9 pages. Exultet Music #6138795. Published by Exultet Music (A0.628461). The classic Irish-American song that was made popular by Bing Crosby has now been freshly arranged for a French Horn solo with Piano accompaniment. Accessible and appropriate for any school or concert venue. An accompaniment track is also available.
$4.99
That's A Plenty
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Cor et Piano
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Lew Pollack
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Jirka Kadlec
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That's A Plenty
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Editions Marc Reift - Digital
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SheetMusicPlus
Horn & Piano - Grade 3 - SKU: R0.44626 Composed by Lew Pollack. Arranged by Jirka Kadlec. Horn & Piano. Score and parts. 9 pages. Duration 2'44. Edition...
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Horn & Piano - Grade 3 - SKU: R0.44626 Composed by Lew Pollack. Arranged by Jirka Kadlec. Horn & Piano. Score and parts. 9 pages. Duration 2'44. Editions Marc Reift - Digital #44626. Published by Editions Marc Reift - Digital (R0.44626).
$11.95
God That Madest Earth and Heaven – Horn and Organ
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Cor et Piano
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FACILE
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Folklorique/Traditionel
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Traditional Welsh Melody
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Christina Harmon
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God That Madest Earth and Heav
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Christina Harmon
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1079341 Composed by Traditional Welsh Melody. Arranged by Christina Harmon. Traditional. Score and part. 4 pages. ...
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French Horn,Piano - Level 2 - SKU: A0.1079341 Composed by Traditional Welsh Melody. Arranged by Christina Harmon. Traditional. Score and part. 4 pages. Christina Harmon #683538. Published by Christina Harmon (A0.1079341). Scored for one Horn in F and Organ. Performance length about 2 1/4 minutes.
$6.00
That's What I Need
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Cor et Piano
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FACILE
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James Gilbert
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That's What I Need
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James Gilbert Music
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.728433 Composed by James Gilbert. Jazz,Pop,Rock. Score and part. 16 pages. James Gilbert Music #21435. Published b...
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French Horn,Piano - Level 2 - SKU: A0.728433 Composed by James Gilbert. Jazz,Pop,Rock. Score and part. 16 pages. James Gilbert Music #21435. Published by James Gilbert Music (A0.728433). For solo french horn with piano
$4.99
I Want It That Way
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Cor et Piano
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INTERMÉDIAIRE
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The Backstreet Boys
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Cadenza Editions
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I Want It That Way
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Cadenza Editions
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1343490 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Cadenza Editions. Pop,Wedding. Sco...
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French Horn,Piano - Level 3 - SKU: A0.1343490 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Cadenza Editions. Pop,Wedding. Score and part. 9 pages. Cadenza Editions #929019. Published by Cadenza Editions (A0.1343490).
$7.99
There's Something About That Name
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Cor et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.630744 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Musi...
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French Horn,Piano - Level 2 - SKU: A0.630744 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473949. Published by Exultet Music (A0.630744). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a French Horn solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
Running Up That Hill
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Cor et Piano
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FACILE
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Rock
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Kate Bush
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Henrique F Mangoni
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Running Up That Hill
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Henrique Franke Mangoni
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SheetMusicPlus
By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV, Pop. Score and part. 9 pages. Henrique Franke Mangoni #684650. Published by Henri...
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By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV, Pop. Score and part. 9 pages. Henrique Franke Mangoni #684650. Published by Henrique Franke Mangoni
$5.49
Running Up That Hill
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Cor et Piano
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FACILE
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Rock
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Kate Bush
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Henrique F Mangoni
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Running Up That Hill
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Henrique Franke Mangoni
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SheetMusicPlus
By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV, Pop. Score and part. 9 pages. Henrique Franke Mangoni #684651. Published by Henri...
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By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV, Pop. Score and part. 9 pages. Henrique Franke Mangoni #684651. Published by Henrique Franke Mangoni
$5.49
Running Up That Hill
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Cor et Piano
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INTERMÉDIAIRE
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Rock
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Kate Bush
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Henrique F Mangoni
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Running Up That Hill
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Henrique Franke Mangoni
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SheetMusicPlus
By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV, Pop. Score and part. 9 pages. Henrique Franke Mangoni #683753. Published by Henri...
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By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV, Pop. Score and part. 9 pages. Henrique Franke Mangoni #683753. Published by Henrique Franke Mangoni
$5.49
Erlkönig
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
I Write The Songs
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Cor et Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549349 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part...
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French Horn,Piano - Level 3 - SKU: A0.549349 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486771. Published by jmsgu3 (A0.549349). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Wichita Lineman
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Cor et Piano
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INTERMÉDIAIRE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score a...
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French Horn,Piano - Level 3 - SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682659. Published by jmsgu3 (A0.1078459). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Jingle Bells for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for French Horn &
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3...
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French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408217. Published by jmsgu3 (A0.548657). Jingle Bells arranged for French Horn& Piano featuring a surprise final verse harmonization. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Achte Gedichte aus "Letzte Blätter"
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Cor et Piano
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AVANCÉ
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Classique
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Richard Strauss
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Layne Anspach
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Achte Gedichte aus "Letzt
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
Homage
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Cor et Piano
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Gary Gazlay
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reverence
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Homage
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Imagine Music - Digital
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SheetMusicPlus
Horn & piano - SKU: IZ.IMS159 Composed by Gary Gazlay. Score and Parts. 8 pages. Imagine Music - Digital #IMS159. Published by Imagine Music - Digital (...
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Horn & piano - SKU: IZ.IMS159 Composed by Gary Gazlay. Score and Parts. 8 pages. Imagine Music - Digital #IMS159. Published by Imagine Music - Digital (IZ.IMS159). 9 x 12 in inches.The word homage is defined as dutiful respect; reverence; honor that is shown or expressed publicly. Homagewas inspired by Matthew 19:19, and is dedicated to my mom and dad. They were both powerful influences in mylife, and demonstrated throughout their lifetime to our family what it means to sacrifice for the ones that you love.It is my hope that Homage will provide students with a song that they will enjoy learning to play and provide othermusic educators with a teaching tool that can be used in helping to motivate and encourage their students.
$12.00
The First Noel (Horn in F and Piano)
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Cor et Piano
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INTERMÉDIAIRE
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Noël
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Traditional English Christmas
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John A
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The First Noel
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John A. Dempsey
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1413998 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christian,C...
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French Horn,Piano - Level 3 - SKU: A0.1413998 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #995766. Published by John A. Dempsey (A0.1413998). Here the classic Christmas carol The First Noel exudes a mood of flowing serenity and reverent prayerfulness that celebrates the Savior's birth that wondrous night in Bethlehem. With incidental music by Brahms, this arrangement for French horn and piano is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment and more. Â Also suitable as an overture or incidental music for Christmas plays, programs and musicals. Â 8 pages of music (that includes a separate two-page horn in F part). Â Concert Key: Eb majorThe first noel the angels did say,Was to certain poor shepherds in fields as they lay;In fields where they lay keeping their sheepOn a cold winter's night that was so deep.Noel, noel, noel, noel,Born is the King of Israel.
$6.99
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
You Are The Reason
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Cor et Piano
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FACILE
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1238311 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score an...
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French Horn,Piano - Level 2 - SKU: A0.1238311 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833777. Published by Milanov (A0.1238311). You are the reason by Calum Scott for Horn in F and Piano. Easy Intermediate. Chords. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
O Come All Ye Faithful for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Fre
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113....
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French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
You Are The Reason
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Cor et Piano
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FACILE
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1238313 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score an...
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French Horn,Piano - Level 2 - SKU: A0.1238313 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833779. Published by Milanov (A0.1238313). You are the reason by Calum Scott for Horn in F and Piano. Easy Intermediate. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
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