English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Germ Song
Non classifié
529
Piano & claviers
Piano seul
190
Piano, Voix
168
Piano, Voix et Guitare
70
Piano Facile
68
Orgue
62
Instruments en Do
34
1 Piano, 4 mains
7
Accordéon
6
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Accordéon, Voix
2
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
7
2 Guitares (duo)
5
Mandoline
2
Guitare, Violon, Violoncelle (trio)
2
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
138
Chorale 3 parties
38
Chorale TTBB
33
Voix Soprano, Piano
32
Voix Tenor, Piano
29
Voix Baryton, Piano
29
Voix Alto, Piano
27
Chorale 2 parties
17
Pack Instrumental pour Chorale
17
Chorale Unison
14
Voix moyenne, Piano
13
Voix haute
12
Chorale SSAA
10
Voix seule
9
Voix duo, Piano
5
Voix, Guitare
3
Voix basse
2
Voix basse, Piano
2
Chorale
2
Voix Mezzo-Soprano, Piano
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Voix duo
1
+ 19 instrumentations
Retracter
Vents
Clarinette et Piano
39
Flûte traversière et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Saxophone Alto et Piano
37
Quatuor de Saxophones: 4 saxophones
36
Quintette de Saxophone: 5 saxophones
33
Flûte traversière
31
Clarinette
28
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone
28
Hautbois, Piano (duo)
25
Saxophone Tenor et Piano
24
Flûte, Hautbois, Clarinette, Basson
23
Saxophone Alto
22
2 Saxophones (duo)
18
2 Flûtes traversières (duo)
18
2 Clarinettes (duo)
18
Saxophone Tenor
18
Quintette de Clarinettes: 5 clarinettes
17
Saxophone Soprano et Piano
15
Flûte et Guitare
13
Saxophone (partie séparée)
12
Cor anglais, Piano
12
3 Saxophones (trio)
11
2 Flûte à bec (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Quintette de Flûte : 5 flûtes
8
Saxophone Baryton, Piano
8
Ensemble de saxophones
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Clarinette, Guitare (duo)
5
3 Clarinettes (trio)
5
Clarinette, Harpe (duo)
5
Clarinette Basse, Piano
4
Quatuor de Flûtes à bec
4
Hautbois (partie séparée)
4
Clarinette, Trompette (duo)
4
Ensemble de Clarinettes
4
Clarinette, Violon (duo)
4
Saxophone, Clarinette (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Flûte à Bec
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone et Harpe
3
Hautbois, Clarinette (duo)
2
Ocarina
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Alto
2
Flûte, Violoncelle, Guitare
2
Hautbois, Harpe
2
Hautbois
2
Flûte, Violon
2
3 Flûtes à bec (trio)
2
Saxophone Soprano
2
Flûte, Saxophone (duo)
2
Ensemble De Flûte à bec
2
Clarinette, Basson (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Tenor
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois (duo)
1
Flute (partie séparée)
1
Flûte, Alto (duo)
1
Flûte de Pan
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano, Piano
1
Harmonica
1
Saxophone et Guitare
1
Hautbois, Flûte
1
Ensemble de Hautbois
1
Cor anglais, Guitare (duo)
1
Clarinette et Alto
1
Ensemble de Flûtes
1
2 Flûtes traversières, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette
35
Trombone
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette, Piano
23
Quatuor de cuivres: 4 trombones
20
Trombone et Piano
20
Cor et Piano
15
Cor anglais, Piano
12
Quatuor de Cuivres
11
Euphonium, Piano (duo)
10
2 Trompettes (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
7
Tuba et Piano
6
Quatuor de cuivres: 4 cors
6
Cor
5
2 Trombones (duo)
4
Trompette, Trombone (duo)
3
Tuba
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Cor et Harpe
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
Trompette, Harpe
2
Trombone, Cor (duo)
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Cor (partie séparée)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Tuba et Orgue
1
Ensemble de Cors
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
3 Tubas (trio)
1
Trio de Cuivres
1
2 Trombones, Piano
1
Trompette (partie séparée)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon
52
Violon et Piano
50
Violoncelle
36
Violoncelle, Piano
36
Alto, Piano
33
Alto seul
21
Contre Basse
14
Harpe
13
2 Violons (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Violoncelles (duo)
7
Violon, Guitare (duo)
7
2 Altos (duo)
6
Alto (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
5
4 Violoncelles
5
Harpe, Flûte (duo)
4
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Violon, Alto (duo)
2
Violoncelle (partie séparée)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
Harpe et mandoline
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
68
Orchestre d'harmonie
50
Orchestre de chambre
24
Ensemble de cuivres
16
Orchestre
12
Batterie
9
Cloches
7
Ensemble Jazz
6
Ensemble de Percussions
4
Jazz combo
2
Marimba
1
Voix et Orchestre
1
+ 7 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
The Germ Song
Cor et Piano
Partitions à imprimer
15 partitions trouvées
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1
Luther: Out of the Depths for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.88 €
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Cor et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Erlkönig
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Sc…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
13.75 €
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Cor et Piano
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
#
SheetMusicPlus
The Last Rose of Summer - Horn with piano and chords
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1494250 Composed by Thomas M…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1494250 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070853. Published by Alex Rodrigues (A0.1494250). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
5.49 €
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Cor et Piano
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Horn with piano and chords
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Alex Rodrigues
#
SheetMusicPlus
The Last Rose of Summer - Horn with piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1494251 Composed by Thomas M…
(+)
French Horn,Piano - Level 1 - Digital Download SKU: A0.1494251 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070854. Published by Alex Rodrigues (A0.1494251). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
5.49 €
#
Cor et Piano
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Horn with piano
#
Alex Rodrigues
#
SheetMusicPlus
Alle Vögel sind schon da (All the Birds are there/ Spring Song)
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.640882 Composed by German Fo…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.640882 Composed by German Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,World. Score and part. 1 pages. Kaiserin Rebecca #4797499. Published by Kaiserin Rebecca (A0.640882). For horn in F solo and piano accompaniment with chords.
$4.99
4.58 €
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Cor et Piano
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German Folk Song
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Kaiserin Rebecca
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Alle Vögel sind schon da
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Kaiserin Rebecca
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SheetMusicPlus
Bohm: Calm as the Night for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549415 Composed by Carl Bohm…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549415 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493737. Published by jmsgu3 (A0.549415). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are: Calm as the Night, Twilight, May Bells, Enfant Cheri and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions, but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime updates and revisions of this product.
$26.95
24.72 €
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Cor et Piano
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Carl Bohm
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James M
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Bohm: Calm as the Night for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Dichterliebe
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
50.44 €
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Cor et Piano
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
Achte Gedichte aus "Letzte Blätter"
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard …
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
36.68 €
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Cor et Piano
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Richard Strauss
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Layne Anspach
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Achte Gedichte aus "Letzte Blätter"
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Songburd Music
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SheetMusicPlus
Songs Without Words No.1, Op.19 - French Horn and Piano (Full Score and Parts)
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1435803 Composed by Felix Ba…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1435803 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Score and part. 14 pages. Sheet Music To Play Editions #1015895. Published by Sheet Music To Play Editions (A0.1435803). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99
8.25 €
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Cor et Piano
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Felix Bartholdy Mendelssohn
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César Madeira
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Songs Without Words No.1, Op.19 - French Horn and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Hunting Song
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.737997 Composed by Daniel Go…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.737997 Composed by Daniel Gottlob Turk. Arranged by Fiona Hickie. Classical. Score and part. 8 pages. Fiona Alice Hickie #3914737. Published by Fiona Alice Hickie (A0.737997). An elaboration on a work by German composer, Daniel Gottlob Turk (1750-1813). Here it is arranged for French Horn and piano. The original work is 'Die Waldhörner und das Echo' and is from 120 Handstücke für angehende Klavierspieler, vol. 1 (1792).
$5.00
4.59 €
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Cor et Piano
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Daniel Gottlob Turk
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Fiona Hickie
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Hunting Song
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Fiona Alice Hickie
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SheetMusicPlus
Adeste Fideles (O Come, All Ye Faithful) - horn and piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1096922 Composed by John Fra…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1096922 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700886. Published by Melo Music (A0.1096922). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play horn in F version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
3.21 €
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Cor et Piano
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John Francis Wade and John Reading
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
O Christmas Tree for french horn and piano (easy)
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.810349 Composed by Anonymous…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.810349 Composed by Anonymous, German folklore. Arranged by Daniel C. M. Christmas,Concert,Standards. Score and part. 3 pages. Daniel C. M. #6629963. Published by Daniel C. M. (A0.810349). This is an easy arrangement for french horn and piano in the key of C major. Enjoy this timeless song written in a direct yet simple and beautiful way that could be played at a recital or Christmas gatherings.
$3.99
3.66 €
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Cor et Piano
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Anonymous, German folklore
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Daniel C
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O Christmas Tree for french horn and piano
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Daniel C. M.
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SheetMusicPlus
Feast of Love - French Horn/Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.844552 Composed by Robert Fr…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.844552 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517867. Published by Phil Beaman (A0.844552). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.58 €
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Cor et Piano
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Robert Franz
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Phil Beaman
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Feast of Love - French Horn/Piano
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Phil Beaman
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SheetMusicPlus
O Jesulein süss by Bach for French Horn
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1126228 Composed by Johann S…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1126228 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 3 pages. Woods Only, Arrangements #726930. Published by Woods Only, Arrangements (A0.1126228). This easy arrangement for horn in F and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
1.83 €
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Cor et Piano
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach for French Horn
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Woods Only, Arrangements
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SheetMusicPlus
Schumann: Abendlied for French Horn & Piano
Cor et Piano
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…
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French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
$26.95
24.72 €
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Cor et Piano
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Robert Schumann
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James M
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Schumann: Abendlied for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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