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The Storm. Song
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--INSTRUMENTS--
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CHORALE - CHAN…
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Vous avez sélectionné:
The Storm. Song
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Partitions à imprimer
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Vivaldi: The Four Seasons Complete for French Horn & Piano
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Cor et Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.551438 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,W...
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French Horn,Piano - Level 5 - SKU: A0.551438 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 189 pages. Jmsgu3 #5204987. Published by jmsgu3 (A0.551438). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Vivaldi: Spring from the Four Seasons for French Horn & Piano
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Cor et Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: Spring from the Four
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.551355 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. ...
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French Horn,Piano - Level 5 - SKU: A0.551355 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5030831. Published by jmsgu3 (A0.551355). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
How Can I Keep From Singing? - F horn, piano
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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Todd Marchand
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How Can I Keep From Singing? -
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Con Spirito Music
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.726080 Composed by Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian,Gospel,Sacred. Score and part. 6...
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French Horn,Piano - Level 3 - SKU: A0.726080 Composed by Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian,Gospel,Sacred. Score and part. 6 pages. Con Spirito Music #3546595. Published by Con Spirito Music (A0.726080). How Can I Keep From Singing? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) - the first being Shall We Gather at the River?Born in Philadelphia and later a Baptist minister who served in churches in Pennsylvania, New York, and New Jersey, Lowry is best remembered as a writer of more than 500 gospel songs and hymns, and as editor of numerous gospel song books and hymn books.How Can I Keep From Singing? (also known as Endless Song) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim:My life flows on in endless song above earth’s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I’m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?©2018 Todd Marchand / ConSpiritoMusic.com
$5.99
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The Storm. Song
