English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
9
Librairie
Musicale
3
Matériel
de Musique
1 026
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
278
PIANO & CLAVIERS
Piano seul
362
Piano Facile
201
Piano, Voix
131
1 Piano, 4 mains
54
2 Pianos, 4 mains
31
Piano, Voix et Guitare
19
Instruments en Do
9
Orgue
8
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
23
Guitare notes et tablatures
9
2 Guitares (duo)
6
Banjo
2
Ukulele
2
Mandoline
1
Basse electrique
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
55
Voix duo, Piano
14
Voix Alto, Piano
11
Chorale 3 parties
9
Voix Soprano, Piano
8
Chorale SSAA
6
Chorale TTBB
6
Chorale 2 parties
5
Chorale Unison
4
Voix duo
2
Voix seule
1
Voix Baryton, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Quatuor de Clarinettes: 4 clarinettes
24
Quatuor de Saxophones: 4 saxophones
23
Quintette de Saxophone: 5 saxophones
20
Flûte, Hautbois, Clarinette, Basson
20
Flûte traversière et Piano
16
Saxophone, Clarinette (duo)
16
2 Clarinettes (duo)
16
Hautbois, Piano (duo)
13
Clarinette, Trompette (duo)
12
Clarinette, Violon (duo)
12
2 Flûtes traversières (duo)
11
Clarinette et Piano
11
Saxophone Soprano et Piano
11
Saxophone Alto et Piano
9
Flûte, Clarinette (duo)
8
Hautbois, Basson (duo)
7
Saxophone Tenor et Piano
7
2 Hautbois (duo)
7
Cor anglais, Piano
7
Flûte, Trompette (duo)
6
Clarinette et Alto
6
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Violon
5
Hautbois, Flûte
5
Hautbois, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette
4
Flûte à bec Soprano
3
3 Clarinettes (trio)
3
Ensemble de Clarinettes
2
Clarinette Basse, Piano
2
Flûte traversière
2
Flûte à bec Tenor
2
3 Saxophones (trio)
2
Flûte et Guitare
2
Saxophone Baryton, Piano
2
Hautbois (partie séparée)
2
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone (partie séparée)
1
Clarinette Basse
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de saxophones
1
Trio de Flûtes: 3 flûtes
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Hautbois, Violoncelle
1
Ensemble de Flûtes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Basson et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Saxophone (duo)
12
Cor et Piano
9
2 Trombones (duo)
7
Cor anglais, Piano
7
Trompette, Piano
7
Trompette, Trombone (duo)
6
2 Trompettes (duo)
6
Trompette
6
Ensemble de Trompettes
5
Euphonium, Piano (duo)
4
Cor
2
Quatuor de cuivres: 4 trombones
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
35
Harpe
25
Violon et Piano
22
Trio à Cordes: violon, alto, violoncelle
18
Violon
18
Violon, Violoncelle (duo)
14
Violoncelle, Piano
12
Alto, Piano
12
2 Violons (duo)
10
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
2 Altos (duo)
6
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Flûte (duo)
3
Contre Basse
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
Contrebasse, Piano (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Cloches
88
Orchestre d'harmonie
28
Orchestre
14
Ensemble de cuivres
14
Orchestre à Cordes
7
Ensemble Jazz
6
Orchestre de chambre
5
Jazz combo
4
Fanfare
2
Ensemble de Percussions
2
Batterie
2
Vibraphone
1
Percussion
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
The Time Is At Hand
Cor et Piano
Partitions à imprimer
9 partitions trouvées
<
1
Saint-Saëns: The Swan for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.86 €
#
Cor et Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549394 Composed by George Fr…
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492579. Published by jmsgu3 (A0.549394). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many people call it Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.86 €
#
Cor et Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Carol of the Bells - French Horn and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.721019 Composed by Leontovic…
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.721019 Composed by Leontovich, Mykola Dmytrovich. Arranged by Anne Christopherson GRSM ARCM. 20th Century,Christmas,Concert,Holiday. Score and part. 3 pages. Music-Scores.com #3873607. Published by Music-Scores.com (A0.721019). Carol of the Bells, or the Ukrainian Bell Carol, is an old New Year Carol and was performed using hand bells. It is said to be based on the traditional Ukrainian folk chant, Shchedryk.This arrangement is for French Horn and Piano.G minor (concert).Playing time about 1 minute, 10 seconds.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.39 €
#
Cor et Piano
#
Leontovich, Mykola Dmytrovich
#
Anne Christopherson GRSM ARCM
#
Carol of the Bells - French Horn and Piano
#
Music-Scores.com
#
SheetMusicPlus
Silent Night for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548488 Composed by Gruber. A…
(+)
French Horn,Piano - Level 1 - Digital Download SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387055. Published by jmsgu3 (A0.548488). Silent Night arranged for French Horn & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.23 €
#
Cor et Piano
#
Gruber
#
James M
#
Silent Night for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Largo (from Xerxes) for horn in F and piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Hand…
(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
2.95 €
#
Cor et Piano
#
G F Handel
#
Colin Kirkpatrick
#
Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Satie: Gymnopédie No. 1 - horn in F and piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1300091 Composed by Erik Sat…
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1300091 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. Score and part. 5 pages. RayThompsonMusic #889847. Published by RayThompsonMusic (A0.1300091). Satie: Gymnopédie No. 1 arranged horn in F and pianoProbably Erik Satie's best known work, written originally for piano.This piece has been arranged many times on this site and elsewhere for varying instruments.In other arrangements the solo instrument takes the melody all the way through.My arrangement differs in that, for the 2nd verse the melody is shared between the horn and piano, and played together at the end.This I feel gives interest and variation to the piece. I have transposed it into F from the original D....this puts the horn in a better range. I have also suggested some muting (both hand and actual mute) to add to the atmosphere of the piece.Check out my other Satie arrangements.
$7.99
7.24 €
#
Cor et Piano
#
Erik Satie
#
Ray Thompson
#
Satie: Gymnopédie No. 1 - horn in F and piano
#
RayThompsonMusic
#
SheetMusicPlus
Slavonic Dance Op. 46 No. 2 for Horn and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1276600 Composed by Antonin …
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1276600 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Score and part. 11 pages. Diego Marani #868339. Published by Diego Marani (A0.1276600). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for horn with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.05 €
#
Cor et Piano
#
Antonin Dvorak
#
Diego Marani
#
Slavonic Dance Op. 46 No. 2 for Horn and Piano
#
Diego Marani
#
SheetMusicPlus
Schumann: Abendlied for French Horn & Piano
Cor et Piano
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…
(+)
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
$26.95
24.42 €
#
Cor et Piano
#
Robert Schumann
#
James M
#
Schumann: Abendlied for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
