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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Wedding Violin - Volume 1
Non classifié
903
Piano & claviers
Instruments en Do
45
Piano Facile
36
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano seul
13
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano, Voix et Guitare
8
Accompagnement Piano
5
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano, Voix
3
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
Orgue
1
+ 9 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
2
Piano, Guitare (duo)
2
2 Guitares (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Voix
Chorale 2 parties
4
Chorale SATB
3
Chorale Unison
3
Chorale TTBB
2
Voix duo, Piano
1
Voix moyenne, Piano
1
Chorale 3 parties
1
Voix Baryton, Piano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
20
Clarinette et Piano
17
Saxophone Alto et Piano
11
2 Flûtes traversières (duo)
11
Flûte traversière
11
Saxophone Tenor et Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
3 Saxophones (trio)
8
Flûte, Violon
8
Hautbois, Piano (duo)
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Violon, Piano
7
Quatuor de Saxophones: 4 saxophones
6
Clarinette, Violon (duo)
6
Ensemble de saxophones
6
3 Clarinettes (trio)
6
2 Saxophones (duo)
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte et Guitare
4
Flûte, Violon et Violoncelle
3
Hautbois, Violon, Piano
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Piano
3
Flûte et Trio à cordes
3
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Saxophone et Orgue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette
2
Saxophone Tenor
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
1
Clarinette, Basson (duo)
1
2 Flûte à bec (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Harpe (duo)
1
Clarinette, Orgue
1
Saxophone (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Basson
1
Flûte traversière, Orgue (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Harpe
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Clarinette Basse
1
Flûte, Basson et Piano
1
2 Flûtes traversières, Piano
1
Ensemble de Flûtes
1
+ 52 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette, Piano
9
Trompette
6
Trombone et Piano
5
Quatuor de Cuivres
3
Cor anglais, Piano
3
Trombone
3
Trombone, Violon (duo)
2
2 Cors (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor et Piano
2
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Trompette, Cor (duo)
1
Trombone, Orgue
1
Trompette, violon (duo)
1
Tuba et Piano
1
+ 14 instrumentations
Retracter
Cordes
Violon
1 024
Quatuor à cordes: 2 violons, alto, violoncelle
657
Violon et Piano
289
Violon, Violoncelle (duo)
277
Trio à Cordes: violon, alto, violoncelle
218
Quintette à cordes: 2 violons, alto, violoncelle, basse
105
Trio à Cordes: 2 violons, violoncelle
93
2 Violons (duo)
70
Violon, Alto (duo)
48
Alto seul
22
Trio à cordes: 3 violins
18
Violon (partie séparée)
16
Quatuor à cordes: 4 violons
16
Violoncelle, Piano
14
Violoncelle
13
Alto, Piano
12
Trio à Cordes: 2 violons, alto
12
Alto (partie séparée)
8
Piano Trio: Violon, Alto, Piano
7
Harpe
7
4 Violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Altos (duo)
5
2 Violons, Piano
5
Harpe, Violon (duo)
4
Ensemble de Violons
4
Alto, Violoncelle (duo)
3
Violon, Trompette et Piano
2
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
2 Violoncelles (duo)
2
Harpe, Flûte (duo)
2
Violon, Tuba (duo)
1
Alto, Orgue
1
Violon, Orgue
1
Trio à cordes
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
+ 36 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
134
Orchestre de chambre
11
Orchestre d'harmonie
8
Orchestre
8
Ensemble Jazz
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de cuivres
1
+ 2 instrumentations
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FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
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Crtitères actifs :
The Wedding Violin - Volume 1
Cor et Piano
Partitions à imprimer
2 partitions trouvées
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Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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The Wedding Violin - Volume 1
