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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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COR ANGLAIS
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DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Then Came You
Non classifié
117
Piano & claviers
Piano seul
48
Piano, Voix
27
2 Pianos, 4 mains
21
Piano, Voix et Guitare
17
Orgue
7
Instruments en Do
7
Piano Facile
4
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
4
Ligne De Mélodie, (Paroles) et Accords
4
Guitare
3
Mandoline
1
Voix
Chorale SATB
27
Chorale SSAA
7
Chorale TTBB
4
Chorale 3 parties
2
Voix seule
2
Voix Baryton
1
Chorale 2 parties
1
Voix Alto, Piano
1
Chorale Unison
1
+ 4 instrumentations
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Vents
2 Saxophones (duo)
23
Flûte traversière et Piano
13
Saxophone, Clarinette (duo)
11
Quatuor de Saxophones: 4 saxophones
10
2 Clarinettes (duo)
9
Clarinette, Violon (duo)
8
Saxophone Alto et Piano
8
Clarinette, Trompette (duo)
7
Clarinette et Piano
6
Saxophone Tenor et Piano
6
2 Flûtes traversières (duo)
6
Clarinette
6
Flûte, Clarinette (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois, Piano (duo)
5
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
4
Quintette de Saxophone: 5 saxophones
4
3 Saxophones (trio)
4
Cor anglais, Piano
4
2 Hautbois (duo)
4
Flûte, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Saxophone Alto
4
Hautbois (partie séparée)
3
Saxophone Tenor
3
Clarinette et Alto
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette Basse, Piano
3
Hautbois, Flûte
3
2 Flûte à bec (duo)
2
Flûte, Alto (duo)
2
Flûte, Violon
2
Quintette de Clarinettes: 5 clarinettes
2
3 Flûtes à bec (trio)
2
Flute (partie séparée)
2
Hautbois, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes : 4 flûtes
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Ensemble de Clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone (partie séparée)
1
Flûte, Violon, Piano
1
Ensemble de Flûtes
1
Flûte et Guitare
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
+ 47 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Trombone et Piano
5
Cor et Piano
4
Cor anglais, Piano
4
Trompette, Piano
4
Tuba et Piano
3
Euphonium, Piano (duo)
3
Tuba
2
Ensemble de Cors
1
4 Tubas
1
2 Cors (duo)
1
Cor
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone
1
Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
10
Violon, Violoncelle (duo)
7
Violoncelle, Piano
6
Alto, Piano
5
2 Violoncelles (duo)
5
Violon
5
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Alto (duo)
5
2 Violons (duo)
4
Alto seul
4
Violoncelle
3
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
2 Harpes (duo)
2
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
+ 18 instrumentations
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Orchestre d'harmonie
18
Orchestre
11
Orchestre à Cordes
4
Ensemble Jazz
4
Ensemble de cuivres
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Orchestre de chambre
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Jazz combo
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Ensemble de Percussions
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
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Vous avez sélectionné:
Then Came You
Cor et Piano
Partitions à imprimer
4 partitions trouvées
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Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Cantique de Noël for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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Cantique de Noël for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435...
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French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
$28.95
Tchaikovsky: Russian Dance from Nutcracker Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549719 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
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French Horn,Piano - Level 3 - SKU: A0.549719 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530631. Published by jmsgu3 (A0.549719). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Bach-Gounod: Ave Maria for French Horn & Piano
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Cor et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Fre
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score ...
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French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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