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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin, Organ
Non classifié
2 092
Piano & claviers
Orgue
53
Piano Trio: piano, violon, violoncelle
29
Piano seul
28
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano, Voix et Guitare
11
Piano, Voix
10
Instruments en Do
9
Piano Facile
6
Piano Quatuor: piano, 2 violons, violoncelle
5
1 Piano, 4 mains
5
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
Piano grosses notes
1
Accompagnement Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare
11
4 Guitares (Quatuor)
6
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
6
Piano, Guitare (duo)
2
Mandoline
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare notes et tablatures
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
131
Pack Instrumental pour Chorale
23
Chorale 3 parties
13
Chorale 2 parties
9
Chorale Unison
7
Voix haute
2
Chorale TTBB
2
Voix duo
1
Voix Soprano
1
Voix duo, Piano
1
Voix Alto, Piano
1
Chorale
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
29
Clarinette et Piano
18
Quatuor de Clarinettes: 4 clarinettes
14
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto et Piano
13
Quintette de Saxophone: 5 saxophones
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Hautbois, Piano (duo)
11
Flûte, Violon
10
Saxophone Soprano et Piano
10
Flûte, Hautbois, Clarinette, Basson
8
Flûte, Violon, Piano
8
Clarinette, Violon (duo)
7
Clarinette
5
Saxophone Tenor et Piano
5
Hautbois, Violon, Piano
5
3 Saxophones (trio)
4
2 Clarinettes (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte traversière
3
Clarinette, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Cor anglais, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone et Orgue
2
Flûte, Clarinette (duo)
2
Ensemble de Clarinettes
2
Saxophone et Harpe
2
Hautbois, Harpe
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes à bec
2
Flûte traversière, Orgue (duo)
2
Clarinette, Harpe (duo)
2
3 Clarinettes (trio)
2
Flûte et Guitare
2
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Basson
1
3 Flûtes à bec (trio)
1
Ensemble de Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Flute, harpe et violon
1
Ensemble de Flûtes
1
2 Flûtes traversières (duo)
1
Hautbois (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
2 Clarinettes, Piano
1
Clarinette Basse
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Piccolo
1
Hautbois, Orgue
1
Clarinette, Orgue
1
Saxophone Alto
1
+ 50 instrumentations
Retracter
Cuivres
Trompette
12
Trompette, Piano
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
2 Trompettes (duo)
7
Cor et Piano
4
Euphonium, Piano (duo)
4
Trompette, Cor (duo)
3
Cor anglais, Piano
3
Tuba et Orgue
3
Trombone et Piano
3
Ensemble de Trombones
2
Trombone, Violon (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Trompettes
2
Trombone, Orgue
2
Cor et Harpe
1
Cor
1
Trompette, Harpe
1
Trombone
1
Tuba et Piano
1
Cor anglais et Harpe (duo)
1
Trompette, Trombone (duo)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
358
Violon et Piano
264
Violon
139
Violon, Orgue
81
Trio à Cordes: violon, alto, violoncelle
60
Violon, Violoncelle (duo)
58
2 Violons (duo)
41
Violon, Alto (duo)
33
Violon (partie séparée)
25
Alto, Piano
20
Violoncelle, Piano
17
Piano Trio: Violon, Alto, Piano
14
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Ensemble de Violons
10
Violon, Guitare (duo)
7
Violon, Clarinette, Piano (trio)
6
Harpe, Violon (duo)
6
2 Violons, Piano
5
Violoncelle, Orgue
4
Harpe, Flûte (duo)
4
Violon, Trompette et Piano
4
Trio à Cordes: 2 violons, alto
4
Violoncelle
4
Trio à cordes: 3 violins
4
Alto seul
3
Alto (partie séparée)
3
Alto, Orgue
3
Alto, Guitare (duo)
3
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Harpe, Trombone (duo)
1
2 Violons et Basse continue
1
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Harpe
1
Contre Basse
1
Alto et Harpe
1
2 Violoncelles (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
55
Orchestre de chambre
53
Orchestre
50
Orchestre d'harmonie
13
Ensemble de cuivres
4
Cloches
2
Piano et Orchestre
2
Ensemble Jazz
1
Xylophone
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Violin, Organ
Cor et Piano
Partitions à imprimer
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Guthrie: Chaconne for French Horn & Organ
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Cor et Piano
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INTERMÉDIAIRE
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James M
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Guthrie: Chaconne for French H
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1317758 Composed by James M. Guthrie. 21st Century,Contemporary,Romantic Period. Score and part. 6 pages. Jmsgu3 #...
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French Horn,Piano - Level 3 - SKU: A0.1317758 Composed by James M. Guthrie. 21st Century,Contemporary,Romantic Period. Score and part. 6 pages. Jmsgu3 #906440. Published by jmsgu3 (A0.1317758). The musical form of Chaconne is a type of composition that involves variations on a repeated short harmonic progression, often involving a reasonably short repeating bassline or harmonic progression. It is a continuous variation, usually in triple meter, and is generally characterized by a short, repeating bass line or harmonic progression. The Chaconne is a dance form within the Baroque period often found as a component of Baroque dance suites. It is a slow, stately Baroque dance often used to convey intense emotions, ranging from joy and celebration to melancholy and contemplation. The Chaconne form, similar to that of the passacaglia, was used by composers in the Baroque period and later. Johann Sebastian Bach’s “Chaconne†from the Partita in D Minor for unaccompanied violin is an example of the masterly use of the Chaconne as a variation form. François Couperin’s harpsichord music includes many chaconnes en rondeau, such as “La Favoriteâ€. Later composers revived the form, including Johannes Brahms, in the last movement of his Fourth Symphony.
$32.95
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Silent Night--horn solo
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Cor et Piano
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INTERMÉDIAIRE
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--horn solo
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Beka Wilson
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.786731 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part....
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French Horn,Piano - Level 3 - SKU: A0.786731 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 4 pages. Beka Wilson #6414873. Published by Beka Wilson (A0.786731). A gorgeous, thoughtful rendition of an old Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutesLevel: intermediate for most instruments4 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
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