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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin Opera
Sheetmusicplus
Non classifié
736
Piano & claviers
Piano Trio: piano, violon, violoncelle
53
Piano seul
22
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano, Voix
8
Piano, Voix et Guitare
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Instruments en Do
5
Piano Facile
5
Orgue
2
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Guitare
4
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
2
Basse electrique
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
17
Chorale 2 parties
6
Voix duo
6
Voix seule
3
Voix Soprano, Piano
2
Chorale Unison
2
Voix duo, Piano
2
Voix haute
1
Voix Baryton, Piano
1
Chorale SSAA
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
25
Clarinette, Violon (duo)
22
Flûte, Violon
20
Clarinette et Piano
15
Hautbois, violon (duo)
14
Saxophone Alto et Piano
11
Flûte, Violon, Piano
11
Saxophone, Violon (duo)
10
Saxophone Soprano et Piano
10
Clarinette
8
2 Flûtes traversières (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte et Guitare
7
Flûte, Violon et Violoncelle
6
Hautbois, Piano (duo)
6
Cor anglais, Piano
5
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Violon, Violoncelle et Piano
4
Saxophone Tenor et Piano
4
Ensemble de Clarinettes
4
Flûte, Violoncelle, Piano (trio)
3
2 Flûtes traversières, Piano
3
Flûte traversière
2
2 Clarinettes (duo)
2
3 Saxophones (trio)
2
Hautbois, Basson (duo)
1
Clarinette Basse, Piano
1
Hautbois, Harpe
1
Saxophone Alto
1
Flûte, Clarinette (duo)
1
Flûte traversière, Basse continue
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et violoncelle
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Flûtes
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
Quatuor de Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
+ 42 instrumentations
Retracter
Cuivres
Trompette, violon (duo)
10
Trompette, Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone et Piano
7
Cor anglais, Piano
5
Cor et Piano
4
Trompette
4
Euphonium, Piano (duo)
3
Trombone
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres
1
Tuba et Piano
1
Cor
1
4 Tubas
1
2 Trombones (duo)
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
546
Violon et Piano
450
Violon
181
Violon, Violoncelle (duo)
102
Trio à Cordes: violon, alto, violoncelle
84
2 Violons (duo)
81
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Violon (partie séparée)
41
Violon, Alto (duo)
41
Trio à Cordes: 2 violons, violoncelle
32
Violoncelle, Piano
20
Alto, Piano
16
Trio à cordes: 3 violins
14
Quatuor à cordes: 4 violons
13
Piano Trio: Violon, Alto, Piano
12
Violon, Guitare (duo)
11
2 Violons, Piano
7
Harpe, Violon (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Alto seul
6
Alto (partie séparée)
5
Harpe, Violon, Violoncelle
4
Trio à Cordes: 2 violons, alto
4
Violoncelle, Contrebasse (duo)
4
4 Violoncelles
4
Violoncelle
3
Violon, Basson (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 altos
2
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Violoncelle, Orchestre
1
Violon, Orgue
1
Violon, Basse continue
1
Alto, Guitare (duo)
1
Trio à cordes
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
Contrebasse (partie séparée)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre
109
Orchestre à Cordes
103
Orchestre de chambre
43
Orchestre d'harmonie
12
Jazz combo
4
Big band
3
Ensemble Jazz
3
Ensemble de Percussions
2
Piano et Orchestre
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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Violin Opera
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Partitions à imprimer
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Poème
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Cor et Piano
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edit...
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Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15275. Published by Schott Music - Digital (S9.Q15275). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
Gregory Sullivan Isaacs: Song Without Words for F horn and piano
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Cor et Piano
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INTERMÉDIAIRE
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.533377 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages....
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French Horn,Piano - Level 3 - SKU: A0.533377 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618667. Published by Musik Fabrik Music Publishing (A0.533377). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
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