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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FORMATION MUSI…
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When the Time Was Right
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78
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13
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12
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8
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4
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4
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2
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1
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1
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1
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1
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6
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2
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1
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21
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8
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3
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3
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3
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2
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1
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1
Voix duo
1
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10
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6
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6
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4
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4
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4
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4
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4
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4
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3
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3
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3
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3
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2
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2
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2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
2 Hautbois (duo)
2
Saxophone Alto et Piano
2
2 Flûtes traversières (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Trombone (duo)
2
Hautbois, Basson (duo)
2
Saxophone Soprano et Piano
2
Clarinette et Alto
2
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2
Saxophone Alto
2
Flûte, Saxophone (duo)
2
Flûte, Violon
2
Quatuor de Saxophones: 4 saxophones
2
Quintette de Flûte : 5 flûtes
1
Saxophone Baryton, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Clarinettes: 4 clarinettes
1
Cor anglais et Harpe (duo)
1
Ensemble de Flûtes
1
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4
Cor Anglais
4
Trompette, Saxophone (duo)
4
Trombone
4
2 Trombones (duo)
3
Trompette (partie séparée)
2
Euphonium
2
Tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
Trompette, Trombone (duo)
2
Cor et Piano
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
4 Tubas
1
Cor
1
Trombone et Piano
1
Cor anglais et Harpe (duo)
1
Tuba et Piano
1
Trompette, Euphonium (duo)
1
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15
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8
Violon
6
Violon, Alto (duo)
4
2 Violons (duo)
3
Violon et Piano
3
Alto, Piano
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Violoncelle
2
Alto seul
2
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Alto et Harpe
1
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Orchestre d'harmonie
11
Orchestre
7
Ensemble de cuivres
6
Orchestre de chambre
4
Ensemble Jazz
4
Cloches
2
Jazz combo
2
Orchestre à Cordes
2
Fanfare
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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When the Time Was Right
Cor et Piano
Partitions à imprimer
1 partition trouvée
A Night In Tunisia
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
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French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
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