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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Work From Home
Non classifié
171
Piano & claviers
Piano seul
79
Piano, Voix et Guitare
19
Piano, Voix
19
Piano Facile
9
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano (partie séparée)
1
1 Piano, 4 mains
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
12
Guitare notes et tablatures
5
Ukulele
4
Guitare (partie séparée)
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale 2 parties
8
Chorale 3 parties
8
Chorale SSAA
4
Chorale TTBB
2
Voix Soprano, Piano
2
Voix Baryton
1
Chorale Unison
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
14
Flûte traversière et Piano
12
Saxophone Alto et Piano
10
Saxophone Alto
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
7
2 Saxophones (duo)
6
Ensemble de saxophones
6
Flûte à Bec
5
Saxophone (partie séparée)
5
Ensemble de Clarinettes
5
Saxophone Baryton, Piano
5
2 Clarinettes (duo)
5
Hautbois (partie séparée)
5
Clarinette
5
3 Saxophones (trio)
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
4
2 Flûtes traversières (duo)
4
Flûte traversière
3
2 Flûte à bec (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
2
Cor anglais, Piano
2
Flûte à bec Alto, Basse continue
2
Saxophone Soprano et Piano
2
3 Flûtes à bec (trio)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Tenor
1
Flute (partie séparée)
1
Hautbois, Flûte
1
3 Clarinettes (trio)
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette (duo)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûtes traversières, Piano
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quatuor de cuivres: 4 trombones
13
Trombone et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trombones
6
Cor et Piano
5
Trompette (partie séparée)
5
Trompette, Piano
4
Tuba et Piano
4
Trombone (partie séparée)
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
Cor anglais, Piano
2
Trompette
2
2 Trombones (duo)
1
Cor
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 cors
1
+ 17 instrumentations
Retracter
Cordes
Violon et Piano
22
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
11
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
5
Violon
5
Violoncelle
4
Violon (partie séparée)
4
Alto seul
4
2 Violoncelles (duo)
3
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Harpe
2
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
Violon, Alto (duo)
1
Ensemble de Violons
1
Alto (partie séparée)
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre
18
Orchestre à Cordes
17
Ensemble Jazz
14
Jazz combo
10
Orchestre de chambre
6
Ensemble de cuivres
4
Ensemble de Percussions
3
Cloches
2
Xylophone, Piano
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Fanfare
1
Batterie
1
2 Marimbas
1
+ 10 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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JAZZ
JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Work From Home
Cor et Piano
Partitions à imprimer
5 partitions trouvées
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DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standar...
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French Horn,Piano - Level 3 - SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505241. Published by jmsgu3 (A0.549526). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  This arrangement works particularly well on the horn. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Â
$32.95
Erlkönig
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
The Moldau for Horn and Piano
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Cor et Piano
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FACILE
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Classique
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Bedrich Smetana
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Diego Marani
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The Moldau for Horn and Piano
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Diego Marani
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.608407 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. S...
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French Horn,Piano - Level 2 - SKU: A0.608407 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #217604. Published by Diego Marani (A0.608407). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for F horn with piano accompaniment is suitable for classroom, repertoire and recital.
$6.99
Two Spanish Dances for Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Enrique Granados
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Ralph Sauer
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Two Spanish Dances for Horn an
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1418445 Composed by Enrique Granados. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 10 pa...
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French Horn,Piano - Level 5 - SKU: A0.1418445 Composed by Enrique Granados. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #1000013. Published by Gordon Cherry (A0.1418445). Enrique Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya. The Two Spanish Dances are named Oriental and Fandango. They are taken from the 12 Danzas Españolas, Volume I from 1890, for Piano. Mr. Sauer has brilliantly taken the Solo Piano part and divided it between Solo Horn and Piano. Performers will enjoy working on this style of Spanish Nationalist music of which there is none in the Solo repertoire.The two dances are about six and a half minutes in length and can be performed by advanced musicians.
$25.00
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