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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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COR
COR ANGLAIS
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FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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Non classifié
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PIANO & CLAVIERS
Piano seul
472
Piano, Voix
244
Piano Facile
93
Orgue
55
Piano, Voix et Guitare
33
Piano grosses notes
18
Instruments en Do
14
Piano Trio: piano, violon, violoncelle
13
1 Piano, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
7
2 Pianos, 4 mains
4
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
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Clavecin
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
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Guitare
32
Guitare notes et tablatures
21
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
4
2 Guitares (duo)
3
Paroles et Accords
3
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1
Basse electrique
1
Dulcimer
1
Dobro
1
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VOIX
Chorale SATB
186
Chorale 3 parties
47
Chorale Unison
37
Chorale 2 parties
33
Voix duo, Piano
23
Chorale TTBB
12
Chorale SSAA
9
Voix Soprano, Piano
8
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Voix duo
2
Chorale SSATB
1
Chorale SATTBB A Cappella
1
Voix basse, Piano
1
Voix Tenor
1
Voix seule
1
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VENTS
Quintette de Saxophone: 5 saxophones
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Flûte traversière et Piano
64
2 Saxophones (duo)
52
Quatuor de Saxophones: 4 saxophones
42
Flûte à bec Soprano
41
Hautbois, Piano (duo)
40
Ensemble de saxophones
39
Clarinette et Piano
39
Saxophone Alto et Piano
38
Clarinette
32
Saxophone Tenor et Piano
31
Flûte, Hautbois, Clarinette, Basson
26
Flûte traversière
19
3 Saxophones (trio)
19
Quatuor de Clarinettes: 4 clarinettes
18
2 Flûtes traversières (duo)
17
Saxophone Soprano et Piano
16
Ensemble de Clarinettes
16
2 Clarinettes (duo)
15
Saxophone
15
Quintette de Flûte : 5 flûtes
13
Saxophone Baryton, Piano
12
Quatuor de Flûtes à bec
12
Saxophone Alto
12
Cor anglais, Piano
11
Ensemble de Flûtes
10
Flûte, Hautbois, Clarinette (trio)
10
3 Clarinettes (trio)
10
Hautbois (partie séparée)
9
Clarinette, Basson (duo)
9
Flûte, Clarinette (duo)
9
Quatuor de Flûtes : 4 flûtes
8
2 Flûte à bec (duo)
8
Trio de Flûtes: 3 flûtes
8
Flûte à bec Soprano, Piano
8
Saxophone, Clarinette (duo)
7
Saxophone Tenor
7
Flûte, Violon
7
Clarinette, Violon (duo)
7
Flute (partie séparée)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Alto (duo)
6
Hautbois, Basson (duo)
6
Flûte, Saxophone (duo)
5
Clarinette Basse, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
5 Flûtes à bec
4
Flûte à bec Alto
4
Flûte et Guitare
4
Clarinette, Trompette (duo)
4
3 Flûtes à bec (trio)
4
Flûte, Clarinette et Basson
4
Flûte, Violoncelle
4
2 Hautbois (duo)
4
Flûte, Trompette (duo)
3
Flûte à Bec
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
3
Flute, harpe et violon
2
Cor Anglais
2
Clarinette, Violoncelle (duo)
2
Clarinette et Alto
2
Saxophone (partie séparée)
2
2 Clarinettes, Basson
2
Ensemble De Flûte à bec
2
Clarinette (partie séparée)
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Clarinette, Trombone (duo)
1
Saxophone Soprano
1
Hautbois, Violoncelle
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Hautbois
1
Piccolo
1
Ocarina
1
Hautbois, violon (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
50
Trompette, Piano
31
Trompette
25
Trombone et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Quatuor de Cuivres
15
Trombone
15
Ensemble de Trombones
13
Cor
13
Trompette, Trombone (duo)
11
Cor anglais, Piano
11
Ensemble de Trompettes
10
Trombone (partie séparée)
8
Trompette (partie séparée)
8
Ensemble de Cors
8
2 Trombones (duo)
6
Euphonium, Piano (duo)
6
2 Trompettes (duo)
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 trombones
5
Cor et Piano
5
Trompette et Guitare
4
Tuba et Piano
4
4 Tubas
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
3
Tuba
3
Cor Anglais
2
Cor (partie séparée)
2
Trio de Cuivres
2
2 Tubas (duo)
2
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
2 Cors (duo)
1
Tuba et Orgue
1
3 Tubas (trio)
1
Trombone basse
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Trombone, Orgue
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon et Piano
108
Violoncelle, Piano
51
Alto, Piano
50
Violon
43
Violon, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
25
2 Violons (duo)
23
2 Violoncelles (duo)
18
Violon, Alto (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
Harpe
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto seul
11
2 Altos (duo)
11
Violon (partie séparée)
8
Violoncelle
8
4 Violoncelles
8
Ensemble d'Altos
7
Ensemble de Violons
7
Alto (partie séparée)
7
Trio à cordes: 3 violins
7
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Quatuor à cordes: 4 violons
6
Contre Basse
5
Trio à cordes: 3 altos
5
Violon, Guitare (duo)
5
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes : 4 altos
4
Trio à Cordes: 2 violons, alto
4
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contrebasse (partie séparée)
3
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
Harpe, Violoncelle (duo)
1
Violon, Tuba (duo)
1
4 Harpes
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
3 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
232
Orchestre de chambre
107
Orchestre à Cordes
84
Orchestre
68
Cloches
45
Ensemble Jazz
37
Jazz combo
16
Ensemble de cuivres
15
Ensemble de Percussions
4
Batterie
3
Vibraphone
3
Fanfare
2
Piano et Orchestre
1
Percussion (partie séparée)
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
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Year Of The Cat
Cor et Piano
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Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.44 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Part Of Your World
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1271561 Composed by Alan Men…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1271561 Composed by Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. Score and part. 9 pages. Andre_Nusa #863961. Published by Andre_Nusa (A0.1271561). Immerse yourself in the enchanting world of Disney's The Little Mermaid with this captivating piano and french horn duet arrangement of the iconic song Part of Your World. Created for beginner level musicians, this sheet music brings the beloved melody to life, allowing musicians to recreate the magic of Ariel's heartfelt ballad. This arrangement stays true to the original composition by the renowned composer Alan Menken, capturing the delicate emotions and whimsical essence of the song. The piano part faithfully emulates the lush harmonies and melodic lines, providing a solid foundation for the captivating french horn solo to soar. This duet arrangement offers an exciting opportunity for musical collaboration, making it perfect for recitals, performances, or simply for the joy of playing music together. The expressive dynamics and nuanced phrasing of the piece will transport listeners to the depths of the ocean, evoking a sense of longing, dreams, and the desire for exploration. Capture the essence of Ariel's longing and her yearning for a world beyond the sea with this beautiful piano and french horn duet arrangement of Part of Your World..
$5.99
5.43 €
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Cor et Piano
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Alan Menken and Howard Ashman
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André Nusa
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Part Of Your World
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Andre_Nusa
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SheetMusicPlus
The Wedding Album, for Solo Horn in F and Piano
Cor et Piano
Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. A…
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Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.06 €
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Cor et Piano
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Various
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The Wedding Album, for Solo Horn in F and Piano
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David McKeown
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SheetMusicPlus
Cantique de Noël for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548674 Composed by Adam. Arr…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
$28.95
26.25 €
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Cor et Piano
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Adam
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James M
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Cantique de Noël for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Horn and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1043236 Composed by Edward E…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1043236 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #647924. Published by Diego Marani (A0.1043236). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for F horn with piano is suitable for classroom, repertoire and recital.
$9.99
9.06 €
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Cor et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Horn and Piano
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Diego Marani
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