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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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PIANO & CLAVIERS
Piano seul
129
Piano, Voix et Guitare
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Accordéon
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Orgue
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4
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4
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2
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5
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1
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VENTS
Quintette de Saxophone: 5 saxophones
90
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72
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51
Quatuor de Saxophones: 4 saxophones
42
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24
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22
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22
2 Saxophones (duo)
22
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Clarinette et Piano
17
Saxophone Alto et Piano
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Clarinette
16
Hautbois, Piano (duo)
16
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13
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10
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8
2 Clarinettes (duo)
6
Flûte traversière
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Saxophone Alto
6
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Quintette de Clarinettes: 5 clarinettes
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3
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2
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Clarinette et Alto
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Clarinette Basse, Piano
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1
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5 Flûtes à bec
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3 Flûtes à bec (trio)
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Flute (partie séparée)
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Flûte et Guitare
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Ensemble de Trompettes
49
Quatuor de Cuivres
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Ensemble de Trombones
17
Trombone et Piano
13
Trompette
11
Trompette, Piano
11
Cor et Piano
7
Tuba et Piano
7
Trombone
7
2 Trombones (duo)
5
Ensemble de Cors
4
Trombone (partie séparée)
3
Trompette (partie séparée)
3
Cor anglais, Piano
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Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 trompettes
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Tuba
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
3
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Trombone, Orgue
1
Cor
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Tuba (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
39
Violoncelle, Piano
23
Alto, Piano
22
2 Violons (duo)
17
Violon
13
Harpe
11
Ensemble d'Altos
11
Ensemble de Violons
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
8
Violoncelle
7
Violon, Alto (duo)
5
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
4
Alto seul
4
Trio à Cordes: 3 violoncelles
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
4 Harpes
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
60
Orchestre
31
Orchestre à Cordes
26
Jazz combo
5
Cloches
5
Ensemble Jazz
4
Ensemble de cuivres
4
Orchestre de chambre
4
Fanfare
2
Percussion (partie séparée)
2
2 Marimbas
1
Marimba
1
Vibraphone et Marimba
1
Piano et Orchestre
1
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Cor et Piano
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Largo (from Xerxes) for horn in F and piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Hand…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
2.96 €
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Cor et Piano
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Adagio from "Sonata Pathetique" for Horn and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.731625 Composed by L. v. Bee…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.731625 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #339886. Published by Diego Marani (A0.731625). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement (in original key) for F horn with piano accompaniment is suitable for classroom, repertoire and recital.
$9.99
9.09 €
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Cor et Piano
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L
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Diego Marani
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Adagio from "Sonata Pathetique" for Horn and Piano
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Diego Marani
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SheetMusicPlus
Amazing Grace, Concert Solo for Horn in F and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.587641 Composed by John Newt…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.587641 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611379. Published by David McKeown (A0.587641). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Horn in F with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mc Musicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.18 €
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Cor et Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Horn in F and Piano
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David McKeown
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SheetMusicPlus
Cantique de Noël for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548674 Composed by Adam. Arr…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
$28.95
26.33 €
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Cor et Piano
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Adam
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James M
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Cantique de Noël for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Erlkönig
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Sc…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
13.63 €
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Cor et Piano
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
Dichterliebe
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
50.02 €
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Cor et Piano
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
The Wedding Album, for Solo Horn in F and Piano
Cor et Piano
Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. A…
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Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.09 €
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Cor et Piano
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Various
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The Wedding Album, for Solo Horn in F and Piano
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David McKeown
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SheetMusicPlus
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