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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
as
Non classifié
23 952
Piano & claviers
Piano seul
16 528
Piano, Voix
5 841
Piano Facile
3 625
Piano grosses notes
3 323
Orgue
3 046
Piano, Voix et Guitare
2 566
Instruments en Do
1 189
1 Piano, 4 mains
485
Piano Trio: piano, violon, violoncelle
436
Accompagnement Piano
392
Piano Quatuor: piano, 2 violons, violoncelle
177
Accordéon
166
2 Pianos, 4 mains
130
Piano Quatuor: piano, violon, alto, violoncelle
83
Piano (partie séparée)
67
Clavier
66
Orgue, Piano (duo)
43
Piano Quintette: piano, 2 violons, alto, violoncelle
42
Orgue, Trompette (duo)
42
Clavecin
30
1 Piano, 6 mains
28
2 Pianos, 8 mains
6
2 Accordéons
3
Ligne De Mélodie, Piano
3
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Orgue et Orchestre
1
Fake Book
1
Accordéon, Voix
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 908
Guitare
1 563
Ligne De Mélodie, (Paroles) et Accords
616
Basse electrique
488
Mandoline
325
Ukulele
308
2 Guitares (duo)
224
Piano, Guitare (duo)
192
Guitare (partie séparée)
135
Paroles et Accords
116
4 Guitares (Quatuor)
89
Dulcimer
63
Banjo
44
3 Guitares (trio)
41
Ensemble de guitares
26
2 Dulcimers (duo)
8
Ukulele Baryton
6
Mandoline, Guitare (duo)
5
2 Ukuleles
4
Guitare, Violon, Violoncelle (trio)
4
2 Mandolines (duo)
3
Guitare Pedal Steel
3
Mandoline, Piano (duo)
3
Guitare, Quatuor à cordes
2
Guitare, Orchestre
2
Cithare
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Dobro
1
Luth
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
7 396
Voix duo, Piano
2 329
Chorale 3 parties
2 044
Chorale 2 parties
1 584
Chorale TTBB
1 199
Chorale Unison
918
Voix duo
813
Chorale SSAA
635
Voix Soprano, Piano
187
Voix Alto, Piano
119
Voix Tenor, Piano
110
Voix haute
95
Voix seule
86
Voix Baryton, Piano
83
Pack Instrumental pour Chorale
78
Chorale
56
Voix moyenne, Piano
29
Voix basse, Piano
28
Chorale SSAATTBB
23
Voix Tenor
16
Voix basse
15
Chorale SSATTB
12
Chorale SSATB
12
Voix Mezzo-Soprano, Piano
10
Soli, choeur mixte et accompagnement
7
Voix, Guitare
5
Voix Soprano
4
Chorale SSAB, Piano
3
Male Voice
2
Chorale SSAB a cappella
2
Chorale SATTBB A Cappella
2
Chorale, Orgue
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Chorale SSATBB
1
+ 30 instrumentations
Retracter
Vents
Flûte traversière et Piano
2 079
2 Saxophones (duo)
1 744
Quatuor de Saxophones: 4 saxophones
1 675
Clarinette et Piano
1 549
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 537
Hautbois, Piano (duo)
1 514
Flûte, Hautbois, Clarinette, Basson
1 322
Saxophone Alto et Piano
1 315
Quatuor de Clarinettes: 4 clarinettes
1 084
Saxophone Tenor et Piano
1 067
2 Flûtes traversières (duo)
930
Flûte traversière
866
2 Clarinettes (duo)
840
Quintette de Saxophone: 5 saxophones
785
Saxophone Soprano et Piano
757
Clarinette
690
Saxophone (partie séparée)
657
Saxophone Alto
654
Flûte, Clarinette (duo)
553
Saxophone Tenor
475
Quatuor de Flûtes : 4 flûtes
466
Ensemble de Clarinettes
403
Saxophone, Clarinette (duo)
378
3 Saxophones (trio)
337
Ensemble de saxophones
325
Hautbois (partie séparée)
311
Saxophone Baryton, Piano
311
Clarinette, Violon (duo)
307
2 Hautbois (duo)
274
Ensemble de Flûtes
256
3 Clarinettes (trio)
244
Hautbois, Basson (duo)
220
Clarinette, Trompette (duo)
213
Cor anglais, Piano
211
Flûte et Guitare
208
Flûte, Violon
203
Trio de Flûtes: 3 flûtes
197
Quintette de Clarinettes: 5 clarinettes
196
Hautbois, Clarinette (duo)
170
Clarinette et Alto
145
Hautbois, Flûte
137
Flûte, Saxophone (duo)
137
Clarinette Basse, Piano
130
Clarinette (partie séparée)
126
Flûte, Violon, Piano
123
2 Flûte à bec (duo)
121
Flûte, Alto (duo)
119
Flûte, Trompette (duo)
116
Quintette de Flûte : 5 flûtes
108
Quatuor de Flûtes à bec
107
Clarinette, Basson (duo)
102
Saxophone Soprano
100
Hautbois
99
Flûte, Hautbois, Clarinette (trio)
91
Flûte, Clarinette et Basson
88
2 Flûtes traversières, Piano
88
Flûte à bec Soprano
83
Flûte, Violoncelle
80
Flute (partie séparée)
78
Flûte, Clarinette, Piano (trio)
74
Ensemble De Flûte à bec
69
Hautbois, Clarinette, Basson (trio d'anches)
67
Saxophone
67
Flûte, Violon et Violoncelle
66
Clarinette, Guitare (duo)
66
Clarinette, Violoncelle (duo)
66
Flûte à Bec
59
Flûte, Violoncelle, Piano (trio)
54
Saxophone Baryton
54
2 Clarinettes, Piano
53
Flûte, Hautbois (duo)
48
Clarinette, Violoncelle, Piano (trio)
46
Hautbois, Violoncelle
43
Cor Anglais
42
5 Flûtes à bec
40
Flûte à bec Alto
39
Flûte, Hautbois, Basson
37
Flûte, Basson et Piano
36
Flûte à bec Soprano, Piano
36
3 Flûtes à bec (trio)
34
Flûte, Alto et Piano
32
Flûte, trombone et piano
30
Flûte, Hautbois, Piano (trio)
29
Flûte à bec Alto, Piano
25
Flûte, Trombone (duo)
24
Flûte à bec Tenor
23
2 Saxophones, Piano
19
Hautbois, violon (duo)
19
Flûte, Clarinette, Cor, Basson (Quartet)
18
Cor anglais, Guitare (duo)
17
Clarinette, Harpe (duo)
17
Flute, harpe et violon
16
Saxophone et Guitare
16
Hautbois et alto (duo)
15
Flûte, Violon, Violoncelle et Piano
15
Ocarina
13
Piccolo, Piano
13
Clarinette, Trombone (duo)
13
Clarinette, Basson, Piano (trio)
12
Clarinette, trompette et piano
12
Saxophone et Harpe
12
Flûte traversière, Orgue (duo)
11
Ensemble à vent
10
Clarinette, Alto et Piano (trio)
10
Harmonica
10
Hautbois, Harpe
10
Hautbois, Guitare (duo)
10
Hautbois, Clarinette et Piano (Trio)
9
Flûte, Tuba (duo)
9
2 Clarinettes, Basson
9
Flûte et Trio à cordes
9
Clarinette, Contrebasse (duo)
8
Flûte, Violoncelle, Guitare
8
2 Cors Anglais Et Pianoforte
7
4 Hautbois
7
Flûte, Harpe et Violoncelle
7
Piccolo
7
Hautbois, Violon, Piano
6
Clarinette Basse
6
Ensemble de Hautbois
5
Hautbois, Violoncelle et Piano
5
Clarinette, Tuba
5
Flûte irlandaise
5
Saxophone, Violon (duo)
5
Hautbois, Basson et Piano
5
Saxophone et Orgue
5
Flûte traversière, Basse continue
4
3 Hautbois
4
Flûte à bec, Guitare (duo)
4
Hautbois, trombone (duo)
4
Instruments en Mib
4
Flute, Cor (duo)
4
Clarinette, Orgue
3
Flûte de Pan
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Cornemuse
3
Flûte, Alto et Violoncelle
2
Flûte, alto et harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à Bec, Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Flûtes à bec, Piano
2
Flûte, Violon, Guitare
2
Flûte, Hautbois, Violon
2
Flûte à bec Alto, Basse continue
2
Flûte traversière, Orchestre
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Tuba (duo)
1
Clarinette, Orchestre
1
2 Hautbois et Basson
1
2 Flûtes à bec, Guitare
1
Flute, alto, violoncelle et guitare
1
Cor anglais et Harpe (duo)
1
Clarinette, Saxophone, Piano
1
Hautbois, Trompette (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte à bec, Harpe
1
2 Flûtes traversières, Harpe
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 155 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 741
Trombone et Piano
1 297
Trompette, Piano
1 169
Quatuor de Cuivres : 2 trompettes, trombone, tuba
958
Trompette
899
Cor et Piano
684
2 Trompettes (duo)
522
Trombone
508
2 Trombones (duo)
493
Trombone (partie séparée)
423
Trompette (partie séparée)
408
Tuba et Piano
359
Quatuor de Cuivres: 2 trompettes, Cor, trombone
354
Quatuor de Cuivres
326
Cor
326
Trompette, Saxophone (duo)
273
Trompette, Trombone (duo)
264
2 Cors (duo)
251
Euphonium, Piano (duo)
238
Trompette, Cor (duo)
237
Quatuor de cuivres: 4 trombones
229
Tuba
218
Cor anglais, Piano
211
Ensemble de Trompettes
131
Ensemble de Trombones
129
Quatuor de cuivres: 4 cors
121
Cor (partie séparée)
91
2 Tubas (duo)
76
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trompettes
56
Ensemble de Cors
51
2 Euphoniums et 2 Tubas
51
Euphonium
47
4 Tubas
47
3 Trombones (trio)
47
Cor Anglais
42
Trio de Cuivres
33
Euphonium, Tuba (duo)
31
3 Trompettes (trio)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
27
Trompette, Violoncelle et Piano
24
Trompette, Violoncelle (duo)
22
Trombone, Orgue
22
Cor, Violoncelle (duo)
21
Tuba et Orgue
20
Trombone, Cor (duo)
19
Cor anglais, Guitare (duo)
17
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
Trompette, violon (duo)
14
3 Cors (trio)
14
Cor, Tuba (duo)
13
3 Tubas (trio)
12
Cor et Harpe
11
Trombone basse
11
Trompette, Basson (duo)
10
Bass Clef Instruments
10
Trombone basse et Piano
10
Trompette et Guitare
8
2 Trompettes, Clavier (piano ou orgue)
8
Trompette, Harpe
8
3 Euphoniums
7
2 Cors Anglais Et Pianoforte
7
2 Euphoniums (duo)
7
Instruments en Sib
6
Clarinette, Cor (duo)
6
Cor et Basson (duo)
5
Trompette, Trombone, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trombone et orchestre
5
2 Trombones, Piano
4
Trombone, Violon (duo)
4
Cor et Orgue
4
2 Cors, Piano
2
Instruments en Fa
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Ensemble de Tubas
1
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 024
Violon et Piano
2 626
Violoncelle, Piano
1 539
Alto, Piano
1 508
Violon
1 317
Violon, Violoncelle (duo)
1 122
Violoncelle
866
Harpe
777
Trio à Cordes: violon, alto, violoncelle
776
2 Violons (duo)
733
2 Violoncelles (duo)
617
Violon, Alto (duo)
492
Quintette à cordes: 2 violons, alto, violoncelle, basse
473
Alto seul
430
2 Altos (duo)
396
Piano Trio: Violon, Alto, Piano
320
Contrebasse, Piano (duo)
296
Trio à Cordes: 2 violons, violoncelle
286
Violon (partie séparée)
211
Contre Basse
199
Alto (partie séparée)
169
Contrebasse (partie séparée)
158
4 Violoncelles
135
Violon, Guitare (duo)
123
2 Harpes (duo)
110
Alto, Violoncelle (duo)
106
Trio à cordes: 3 violins
105
Quatuor à cordes: 4 violons
82
Trio à cordes
65
Trio à Cordes: 3 violoncelles
63
Violoncelle, Contrebasse (duo)
58
Harpe, Violon (duo)
56
Harpe, Flûte (duo)
54
Violoncelle , Guitare (duo)
53
Quatuor à cordes : 4 altos
48
Violoncelle (partie séparée)
48
2 Contrebasses (duo)
46
Alto, Guitare (duo)
44
Violon, Basson (duo)
44
Trio à cordes: 3 altos
39
Ensemble de Violons
32
Harpe, Violoncelle (duo)
31
Ensemble d'Altos
28
Trio à Cordes: 2 violons, alto
28
4 Contrebasses
28
Alto et Harpe
27
Harpe, Voix
26
Violon, Clarinette, Piano (trio)
26
Quintette à cordes: 2 violons, 2 altos, violoncelle
23
Flûte, Contrebasse (duo)
21
Alto et Basson
17
3 Contrebasses
13
2 Violons, Piano
11
Violon, Orgue
10
Harpe, Violon, Violoncelle
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violoncelle, Orgue
9
Ensemble de Violoncelles
8
2 Violoncelles, Piano
7
Violon, Tuba (duo)
6
Violoncelle, Orchestre
6
Alto, Orgue
4
Violon, Violoncelle, Clarinette
4
Violon, Basse continue
4
Violoncelle, Basse continue
4
Autoharp
3
Harpe (partie séparée)
3
Harpe et Piano
3
Harpe, Trombone (duo)
3
Violon, Trompette et Piano
3
Harpe et mandoline
3
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
3 Harpes
1
Alto et orchestre
1
2 Altos, Piano
1
4 Harpes
1
+ 72 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 857
Orchestre à Cordes
2 048
Orchestre
1 618
Ensemble Jazz
1 387
Ensemble de cuivres
1 134
Cloches
1 114
Orchestre de chambre
626
Fanfare
509
Jazz combo
436
Batterie
209
Ensemble de Percussions
183
Batterie (partie séparée)
85
Percussion (partie séparée)
75
Marimba
69
Xylophone, Piano
48
Vibraphone
23
Xylophone
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
15
Piano et Orchestre
12
2 Xylophones
10
Big band
10
Ensemble d'École
8
Percussion
8
Timbales (partie séparée)
7
Instrumentation Flexible
6
Orchestre, Violon
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
3
Marimba, Piano (duo)
2
Caisse Claire
2
Bongos
1
Trio à Vent: 3 instruments à vents
1
2 Caisses Claires (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Conga
1
Quintette à Vent
1
2 Marimbas
1
+ 32 instrumentations
Retracter
Autres
Théorie de la musique
7
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
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Cor et Piano
Partitions à imprimer
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676
Bohm: Calm as the Night for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Carl Bohm
#
James M
#
Bohm: Calm as the Night for Fr
#
jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549415 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score...
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French Horn,Piano - Level 3 - SKU: A0.549415 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493737. Published by jmsgu3 (A0.549415). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are: Calm as the Night, Twilight, May Bells, Enfant Cheri and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions, but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime updates and revisions of this product.
$26.95
As With Gladness Men of Old--horn solo
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Noël
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Conrad Kocher
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Beka Wilson
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As With Gladness Men of Old--h
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Beka Wilson
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.786805 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Be...
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French Horn,Piano - Level 4 - SKU: A0.786805 Composed by Conrad Kocher. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6593577. Published by Beka Wilson (A0.786805). This tune by Conrad Kocher pulls double duty as both a Christmas song (As With Gladness Men of Old by W. Chatterton Dix) and a year-round sacred hymn (For the Beauty of the Earth by Folliott Sandford Pierpont). Length: around 3-3.5 minutes (suggested 75 bpm)Level: upper intermediate to advanced for most instruments, due to range and 2-on-3 rhythms7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
As It Was
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Cor et Piano
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FACILE
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Rock
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Harry Styles
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Gildson Cerqueira
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As It Was
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Gildson Cerqueira
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1388483 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock....
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French Horn,Piano - Level 2 - SKU: A0.1388483 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972021. Published by Gildson Cerqueira (A0.1388483). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
As It Was
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Cor et Piano
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FACILE
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Rock
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Harry Styles
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Gildson Cerqueira
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As It Was
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Gildson Cerqueira
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1388485 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock....
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French Horn,Piano - Level 2 - SKU: A0.1388485 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972023. Published by Gildson Cerqueira (A0.1388485). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
I Wonder As I Wander
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Cor et Piano
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FACILE
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John Jacob Niles
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Stephen DeCesare
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I Wonder As I Wander
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Exultet Music
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.628283 Composed by John Jacob Niles. Arranged by Stephen DeCesare. Christian,Christmas,Folk,Sacred,Standards. Scor...
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French Horn,Piano - Level 2 - SKU: A0.628283 Composed by John Jacob Niles. Arranged by Stephen DeCesare. Christian,Christmas,Folk,Sacred,Standards. Score and part. 11 pages. Exultet Music #6114039. Published by Exultet Music (A0.628283). The Christian folk hymn, typically performed as a Christmas carol, has now been freshly arranged for a French Horn solo with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Just As I Am (with "Jesus Paid It All") (French Horn solo)
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Cor et Piano
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FACILE
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Musique Sacrée
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William B
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Stephen DeCesare
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Just As I Am
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Exultet Music
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.629696 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christian,Easter,Praise & Wor...
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French Horn,Piano - Level 2 - SKU: A0.629696 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6366321. Published by Exultet Music (A0.629696). Two of the most celebrated hymns have now been joined together in one anthem that is scored for a French Horn solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year but especially during the season of Lent. An accompaniment track is also available.
$4.99
Just As I Am French Horn in F Solo
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Gene Roberson
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Gene Roberson
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Just As I Am French Horn in F
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Gene Roberson
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1290097 By Gene Roberson. By Bradbury - Roberson. Arranged by Gene Roberson. 21st Century,Christian,Contemporary,P...
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French Horn,Piano - Level 3 - SKU: A0.1290097 By Gene Roberson. By Bradbury - Roberson. Arranged by Gene Roberson. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. Score and part. 7 pages. Gene Roberson #880801. Published by Gene Roberson (A0.1290097). Worship service Recital  Instrumental.
$4.99
Free As The Wind
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Cor et Piano
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FACILE
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Hal Sharper and Jerry Goldsmit
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Kaiserin Rebecca
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Free As The Wind
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Kaiserin Rebecca
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1152783 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop....
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French Horn,Piano - Level 2 - SKU: A0.1152783 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop. Score and part. 4 pages. Kaiserin Rebecca #753021. Published by Kaiserin Rebecca (A0.1152783). For French horn solo and piano accompaniment with chords. Key: G minor. Duration: 1'19.
$8.99
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria for French Horn & Piano
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Cor et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Fre
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score ...
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French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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Cor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and...
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French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sonata No. 3 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music ...
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French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549590 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standa...
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French Horn,Piano - Level 3 - SKU: A0.549590 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511353. Published by jmsgu3 (A0.549590). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Pomp and Circumstance March No. 1 for Horn and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1043236 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Stan...
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French Horn,Piano - Level 3 - SKU: A0.1043236 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #647924. Published by Diego Marani (A0.1043236). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for F horn with piano is suitable for classroom, repertoire and recital.
$9.99
Grieg: Ase's Death from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549548 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,...
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French Horn,Piano - Level 3 - SKU: A0.549548 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506349. Published by jmsgu3 (A0.549548). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James M
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Sco...
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French Horn,Piano - Level 4 - SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306335. Published by jmsgu3 (A0.551504). 1. Morning Mood2. Ase's Death3. Anitra's Dance4. In the Hall of the Mountain King Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were rereleased on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
O Come All Ye Faithful (Horn in F and Piano)
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Cor et Piano
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INTERMÉDIAIRE
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John Francis Wade
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John A
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O Come All Ye Faithful
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John A. Dempsey
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.523237 Composed by John Francis Wade. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional....
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French Horn,Piano - Level 3 - SKU: A0.523237 Composed by John Francis Wade. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #3388885. Published by John A. Dempsey (A0.523237). O come let us adore Him, Christ the Lord. Â This hymn arrangement of a beloved Yuletide carol (also known as Adeste Fideles) is a Christmas kaleidoscope of praise, since it includes additional themes, melodic and rhythmic variation as well as varied moods, both peaceful and elated, all reflective of the celebration of the Nativity. Â With incidental music by Anton Dvorak, this duet for French horn and piano is recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 9 pages of music (that includes a separate two-page French horn part). Â Concert Key (Piano): Eb major. Â Horn Key: Bb major.
$6.99
Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standar...
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French Horn,Piano - Level 3 - SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505241. Published by jmsgu3 (A0.549526). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  This arrangement works particularly well on the horn. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Â
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549569 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standa...
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French Horn,Piano - Level 3 - SKU: A0.549569 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508195. Published by jmsgu3 (A0.549569). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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