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far away
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174
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205
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106
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82
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39
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27
Orgue
19
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
2
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2
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
81
Ligne De Mélodie, (Paroles) et Accords
31
Guitare
21
Paroles et Accords
18
Ukulele
12
Basse electrique
10
Banjo
2
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
Dulcimer
1
Guitare (partie séparée)
1
+ 6 instrumentations
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Voix
Chorale SATB
81
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22
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12
Chorale
8
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8
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7
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7
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5
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4
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1
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1
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1
+ 11 instrumentations
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Vents
Clarinette
17
Flûte traversière
16
Saxophone Tenor
12
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12
Saxophone Alto
10
Flûte traversière et Piano
9
Clarinette et Piano
8
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7
Hautbois, Piano (duo)
7
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6
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6
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6
Clarinette (partie séparée)
5
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4
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4
Saxophone Soprano
4
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4
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4
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4
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3
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3
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3
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3
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3
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2
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2
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2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Clarinette, Guitare (duo)
2
2 Saxophones, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
Piccolo, Piano
1
Clarinette, Violon (duo)
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette et Alto
1
+ 41 instrumentations
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Cuivres
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13
Trompette
13
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10
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7
Cor
6
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6
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6
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6
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3
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3
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3
2 Euphoniums et 2 Tubas
2
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2
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2
Trompette, Piano
2
Trombone basse et Piano
1
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1
2 Trompettes (duo)
1
Tuba et Orgue
1
Tuba
1
Quatuor de Cuivres
1
Tuba et Piano
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
20
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15
Violoncelle
12
Harpe
9
Alto seul
7
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6
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4
2 Altos (duo)
3
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2
Violoncelle , Guitare (duo)
2
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2
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2
Harpe, Voix
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
1
4 Violoncelles
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon, Alto (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 21 instrumentations
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Fanfare
1 395
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86
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20
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11
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5
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3
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3
Ensemble de Percussions
3
Cloches
2
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Caisse Claire
1
Percussion
1
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--INSTRUMENTS--
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Vous avez sélectionné:
far away
Cor et Piano
Partitions à imprimer
3 partitions trouvées
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Away In A Manger: for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for French H
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jms...
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French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Long Ago And Far Away
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Cor et Piano
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Jerome Kern
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Jirka Kadlec
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Long Ago And Far Away
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Editions Marc Reift - Digital
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SheetMusicPlus
Horn & Piano - Grade 3 - SKU: R0.39549 Composed by Jerome Kern. Arranged by Jirka Kadlec. Horn & Piano. Score and parts. 7 pages. Duration 3'09. Edition...
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Horn & Piano - Grade 3 - SKU: R0.39549 Composed by Jerome Kern. Arranged by Jirka Kadlec. Horn & Piano. Score and parts. 7 pages. Duration 3'09. Editions Marc Reift - Digital #39549. Published by Editions Marc Reift - Digital (R0.39549).
$5.95
Hiraeth
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Giesbrecht
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Hiraeth
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Benjamin Giesbrecht
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1025111 Composed by Benjamin Giesbrecht. Contemporary. Score and part. 11 pages. Benjamin Giesbrecht #4719793. Pub...
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French Horn,Piano - Level 4 - SKU: A0.1025111 Composed by Benjamin Giesbrecht. Contemporary. Score and part. 11 pages. Benjamin Giesbrecht #4719793. Published by Benjamin Giesbrecht (A0.1025111). Notes:I wrote most of Hiraeth during the week between getting called to hospital and my grandmother passing away. Titled after a Welsh concept, Hiraeth is a combination of homesickness, longing, and nostalgia for things, places, experiences, and people far away or unreachable. The general melancholy is broken by occasional moments of clarity and memory before finality sets in.Performance Notes:Be expressive with tempo and treat dynamics as a guide. Every passing and experience of grief is unique, so reflect that in performance. The final notes of measure 90 should be played with as much sting and bite as possible, being a sharp and sudden return to stark, but unchanged, reality.
$7.99
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