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ACCORDEON
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23
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15
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14
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12
Hautbois
12
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11
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11
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11
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10
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10
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10
Saxophone Tenor et Piano
10
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9
2 Saxophones (duo)
7
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6
Saxophone Alto et Piano
6
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6
Saxophone Baryton, Piano
5
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4
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
3
Cor anglais, Piano
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3 Clarinettes (trio)
3
Hautbois (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
4 Hautbois
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Flûte, Hautbois, Piano (trio)
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
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2
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Tenor
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Flûte, Alto et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
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1
Flûte, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
Saxophone Tenor
1
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Hautbois, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec
1
Clarinette, Alto et Piano (trio)
1
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1
Hautbois, Violoncelle et Piano
1
Flûte, Basson et Piano
1
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12
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11
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6
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5
Trombone
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de Cuivres
3
2 Trompettes (duo)
3
2 Cors (duo)
3
Cor anglais, Piano
3
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
1
4 Euphoniums
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Trompette, Cor (duo)
1
Euphonium, Piano (duo)
1
Trombone, Cor (duo)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Trompette, Trombone, Piano
1
3 Trombones (trio)
1
Trio de Cuivres
1
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Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon et Piano
13
Alto, Piano
12
Violon, Basson (duo)
11
Violon
9
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
Violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Alto, Violoncelle (duo)
4
2 Violoncelles (duo)
3
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3
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3
Harpe
3
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
2 Altos (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
4 Violoncelles
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Violon, Clarinette, Piano (trio)
1
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Cloches
27
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8
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6
Orchestre à Cordes
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1
Ensemble de cuivres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CITHARE
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Tuba et Piano
Partitions à imprimer
3 partitions trouvées
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O Holy Night for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tuba & Pi
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410...
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Piano,Tuba - Level 1 - SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410443. Published by jmsgu3 (A0.548679). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The First Noel for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tuba &
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3...
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Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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