Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James A
Non classifié
205
Piano & claviers
Piano Facile
280
Piano seul
89
Piano, Voix
49
Piano grosses notes
32
Piano, Voix et Guitare
20
1 Piano, 4 mains
9
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Basse electrique
34
Guitare notes et tablatures
33
Ukulele
15
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
2 Ukuleles
1
+ 3 instrumentations
Retracter
Voix
Voix Soprano, Piano
64
Chorale SATB
48
Voix Alto, Piano
44
Voix Tenor, Piano
43
Chorale 2 parties
22
Chorale 3 parties
19
Chorale TTBB
12
Voix Baryton, Piano
12
Chorale SSAA
10
Chorale Unison
10
Voix Tenor
5
Voix seule
2
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
33
Clarinette et Piano
29
Flûte traversière
28
Hautbois, Piano (duo)
27
Clarinette
24
Flûte traversière et Piano
24
2 Flûtes traversières (duo)
19
Saxophone Tenor et Piano
17
Saxophone Alto et Piano
17
Hautbois (partie séparée)
16
Saxophone Soprano et Piano
16
Saxophone Alto
16
Saxophone (partie séparée)
14
2 Clarinettes (duo)
14
Saxophone Tenor
10
2 Hautbois (duo)
9
3 Saxophones (trio)
9
Harmonica
8
Flûte, Hautbois, Clarinette, Basson
8
3 Clarinettes (trio)
7
Saxophone
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Baryton, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Saxophones: 4 saxophones
5
Flûte, Clarinette (duo)
4
Flûte et Guitare
4
Hautbois, Basson (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette et Basson
3
Cor anglais, Piano
3
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
Clarinette (partie séparée)
2
Flûte, Hautbois (duo)
2
Clarinette, Violon (duo)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Violoncelle
2
Hautbois, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Alto (duo)
1
Hautbois, Violoncelle
1
3 Flûtes à bec (trio)
1
Ensemble de saxophones
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
Clarinette Basse, Piano
1
Saxophone Soprano
1
Clarinette, Violoncelle (duo)
1
Flûte à Bec
1
Flûte, Clarinette, Violon (trio)
1
2 Flûte à bec (duo)
1
Flûte, Violon
1
Clarinette et Alto
1
Flûte à bec Alto
1
Flûte, Basson et Piano
1
+ 53 instrumentations
Retracter
Cuivres
Trompette
23
Trombone et Piano
21
Cor et Piano
20
Trompette, Piano
18
Trombone
16
2 Trompettes (duo)
12
2 Trombones (duo)
11
2 Cors (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor
8
2 Tubas (duo)
6
Trompette, Trombone (duo)
6
Tuba
6
Quatuor de Cuivres
5
Tuba et Orgue
5
Tuba et Piano
5
Trompette (partie séparée)
3
Cor anglais, Piano
3
Euphonium
2
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Tuba (duo)
1
+ 21 instrumentations
Retracter
Cordes
Violon et Piano
34
Alto, Piano
26
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
22
2 Violoncelles (duo)
22
2 Violons (duo)
21
Violoncelle
18
2 Altos (duo)
16
Violoncelle, Piano
15
Alto seul
11
Violon, Violoncelle (duo)
10
Contre Basse
9
Alto, Violoncelle (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Harpe
7
Violon, Alto (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse, Piano (duo)
5
2 Contrebasses (duo)
4
Alto (partie séparée)
4
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
2
Violon, Basson (duo)
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
41
Orchestre à Cordes
11
Cloches
9
Batterie
7
Ensemble de cuivres
6
Percussion (partie séparée)
2
Ensemble Jazz
2
Ensemble d'École
2
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Vibraphone
1
Fanfare
1
Orchestre
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
5
Librairie Musicale
0
Matériel de Musique
73
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
James A
débutant
Tuba et Piano
Partitions à imprimer
5 partitions trouvées
<
1
Schubert: Ave Maria for Tuba & Piano
#
Tuba et Piano
#
DÉBUTANT
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Tuba &
#
jmsgu3
#
SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pag...
(+)
Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411151. Published by jmsgu3 (A0.548701). A Tuba Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Tuba part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Luther: Out of the Depths for Tuba & Piano
#
Tuba et Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
(+)
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
O Holy Night for Tuba & Piano
#
Tuba et Piano
#
DÉBUTANT
#
Noël
#
Adam
#
James M
#
O Holy Night for Tuba & Pi
#
jmsgu3
#
SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410...
(+)
Piano,Tuba - Level 1 - SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410443. Published by jmsgu3 (A0.548679). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
The First Noel for Tuba & Piano
#
Tuba et Piano
#
DÉBUTANT
#
Noël
#
Traditional
#
James M
#
The First Noel for Tuba &
#
jmsgu3
#
SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3...
(+)
Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Jingle Bells for tuba and piano (easy)
#
Tuba et Piano
#
DÉBUTANT
#
Noël
#
James Pierpont
#
Daniel C
#
Jingle Bells for tuba and pian
#
Daniel C. M.
#
SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.810358 Composed by James Pierpont. Arranged by Daniel C. M. Christmas,Concert,Standards. Score and part. 3 pages. Daniel ...
(+)
Piano,Tuba - Level 1 - SKU: A0.810358 Composed by James Pierpont. Arranged by Daniel C. M. Christmas,Concert,Standards. Score and part. 3 pages. Daniel C. M. #6630979. Published by Daniel C. M. (A0.810358). This is an easy arrangement for tuba and piano in the key of C major. Enjoy this timeless song written in a direct yet simple and beautiful way that could be played at a recital or Christmas gatherings.
$3.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
James A
