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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Call
Non classifié
513
Piano & claviers
Piano seul
247
Piano, Voix
151
Piano Facile
42
Piano, Voix et Guitare
41
Instruments en Do
23
Orgue
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
1 Piano, 4 mains
7
Accordéon
6
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
28
2 Guitares (duo)
4
Ukulele
3
Mandoline
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
Mandoline, Guitare (duo)
2
4 Guitares (Quatuor)
1
Banjo
1
Basse electrique
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
163
Chorale 3 parties
40
Chorale Unison
15
Chorale 2 parties
14
Voix Soprano, Piano
11
Chorale TTBB
11
Chorale SSAA
9
Voix seule
8
Voix haute
6
Voix duo
5
Voix Alto, Piano
4
Voix Soprano
3
Voix duo, Piano
3
Voix Baryton, Piano
3
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Chorale SSATTB
1
Voix Tenor
1
Voix basse
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Flûte traversière et Piano
37
Quatuor de Saxophones: 4 saxophones
37
Quintette de Saxophone: 5 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Alto et Piano
23
Ensemble de saxophones
21
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Clarinettes
20
Saxophone Soprano et Piano
19
Clarinette
18
Hautbois, Piano (duo)
16
Flûte traversière
15
Saxophone (partie séparée)
15
Clarinette et Piano
15
Saxophone Alto
13
Saxophone Tenor et Piano
12
2 Saxophones (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Ensemble de Flûtes
10
Saxophone Tenor
9
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
7
Quintette de Flûte : 5 flûtes
6
Clarinette Basse, Piano
6
3 Saxophones (trio)
6
2 Flûtes traversières (duo)
6
Hautbois (partie séparée)
5
Flûte et Guitare
5
Cor anglais, Piano
4
Quatuor de Flûtes à bec
3
3 Clarinettes (trio)
3
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
3
Flûte à bec Soprano
3
Saxophone Soprano
2
Flûte à bec Alto
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
2
2 Saxophones, Piano
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble à vent
1
2 Flûte à bec (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Basse continue
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
2 Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
18
Trombone
13
Ensemble de Trombones
11
Cor et Piano
10
Cor
7
Trompette, Piano
6
Quatuor de Cuivres
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Cor anglais, Piano
4
2 Cors (duo)
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba
3
Tuba et Orgue
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
Cor (partie séparée)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
Euphonium
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
98
Violon et Piano
40
Violoncelle, Piano
25
Violoncelle
22
Violon
19
Alto, Piano
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
11
2 Harpes (duo)
10
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon, Violoncelle (duo)
8
Violon (partie séparée)
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
3
Alto seul
3
Harpe, Voix
2
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Alto (partie séparée)
2
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Contre Basse
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
285
Orchestre à Cordes
79
Orchestre
75
Ensemble de cuivres
51
Orchestre de chambre
31
Jazz combo
18
Ensemble Jazz
18
Cloches
12
Ensemble de Percussions
6
Vibraphone
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Marimba
1
Xylophone
1
Orchestre, Violon
1
Batterie
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
First Call
Tuba et Piano
Partitions à imprimer
5 partitions trouvées
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1
The First Noel for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tuba &
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3...
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Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Schubert: Ave Maria for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tuba &
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pag...
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Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411151. Published by jmsgu3 (A0.548701). A Tuba Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Tuba part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Pax Aeternam for tuba and piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Publish...
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Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00
Lost at Sea (A Sailor's Lament)
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Tuba et Piano
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INTERMÉDIAIRE
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Contemporain
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Adam Taylor
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Lost at Sea
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Adam Taylor
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.1009738 Composed by Adam Taylor. Contemporary. Score and part. 16 pages. Adam Taylor #6864515. Published by Adam Taylor (...
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Piano,Tuba - Level 3 - SKU: A0.1009738 Composed by Adam Taylor. Contemporary. Score and part. 16 pages. Adam Taylor #6864515. Published by Adam Taylor (A0.1009738). A sailor laments a crew mate that's lost overboard to the depths of the ocean. First there is camaraderie, then the big wave hits and his friend is swept out to sea. There is looking. There is calling out. Searching... Desperation... but finally the resolve that he is gone, lost below the waves.
$5.00
Grass Roots for Tuba and Piano
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Tuba et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Grass Roots for Tuba and Piano
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Sy Brandon
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SheetMusicPlus
Piano,Tuba - Level 4 - SKU: A0.755019 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 34 pages. Sy Brandon #3243601. Published by Sy ...
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Piano,Tuba - Level 4 - SKU: A0.755019 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 34 pages. Sy Brandon #3243601. Published by Sy Brandon (A0.755019). Grass Roots was composed during 2009-2010 for Steven Maxwell of Kansas State University. The inspiration for this composition was Ken Burn's series on America's National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
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First Call
