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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
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VIBRAPHONE
VIOLON
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XYLOPHONE
I\'m All Over It
Non classifié
243
Piano & claviers
Piano seul
89
Piano, Voix et Guitare
46
Piano, Voix
18
Orgue
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Instruments en Do
4
Piano Facile
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 5 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
12
Guitare
6
Basse electrique
3
Guitare notes et tablatures
3
4 Guitares (Quatuor)
1
Ukulele
1
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
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27
Chorale 2 parties
6
Chorale 3 parties
4
Chorale TTBB
4
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2
Voix Soprano, Piano
1
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1
Chorale Unison
1
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54
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23
Flûte traversière et Piano
10
Clarinette et Piano
10
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9
2 Saxophones (duo)
8
Saxophone Tenor et Piano
7
Saxophone Alto et Piano
7
Hautbois, Piano (duo)
7
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6
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Ensemble de Flûtes
5
Saxophone Soprano et Piano
5
Clarinette
4
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte traversière
3
Saxophone Alto
3
Clarinette Basse, Piano
3
3 Saxophones (trio)
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
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2
Saxophone Tenor
2
Saxophone (partie séparée)
2
2 Flûtes traversières (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
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1
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1
Hautbois, Flûte
1
Hautbois (partie séparée)
1
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1
Piccolo, Piano
1
Flûte à bec Soprano
1
Hautbois, Basson (duo)
1
2 Hautbois (duo)
1
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1
Hautbois, Clarinette (duo)
1
Flûte et Guitare
1
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1
Clarinette et Alto
1
Flûte, Hautbois, Clarinette, Basson
1
+ 39 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Quatuor de Cuivres
10
Ensemble de Trombones
8
Ensemble de Trompettes
6
Euphonium, Piano (duo)
6
Trombone et Piano
6
Cor anglais, Piano
5
Trompette
5
Trompette, Piano
4
Ensemble de Cors
3
Tuba
3
Cor et Piano
3
Trombone
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
2 Trombones (duo)
2
Trompette, Trombone (duo)
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
16
Trio à Cordes: 2 violons, violoncelle
12
Violoncelle
12
Harpe
8
Alto, Piano
6
Violoncelle, Piano
6
Violon
5
Violon et Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble d'Altos
3
Ensemble de Violons
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
2 Violons (duo)
2
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Alto seul
1
+ 16 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre
8
Orchestre à Cordes
7
Ensemble Jazz
5
Jazz combo
2
Quintette de Cuivres: autres combinaisons
1
Orchestre de chambre
1
Cloches
1
Ensemble de cuivres
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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COR
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CORNET
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Vous avez sélectionné:
I\'m All Over It
Tuba et Piano
Partitions à imprimer
2 partitions trouvées
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The First Noel for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tuba &
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3...
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Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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I\'m All Over It
