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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ide Were Were
Non classifié
757
Piano & claviers
Piano seul
659
Piano, Voix et Guitare
203
Piano, Voix
190
Piano Facile
74
Orgue
31
Instruments en Do
26
Piano grosses notes
18
2 Pianos, 4 mains
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
47
Ukulele
32
Guitare notes et tablatures
26
Piano, Guitare (duo)
7
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
3
Basse electrique
3
Mandoline
3
Dulcimer
2
4 Guitares (Quatuor)
1
Banjo
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
215
Chorale 3 parties
35
Chorale 2 parties
21
Chorale TTBB
15
Chorale Unison
12
Chorale SSAA
10
Voix Soprano, Piano
6
Voix duo
4
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Tenor
3
Voix seule
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
87
Flûte traversière et Piano
77
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Clarinette et Piano
49
Saxophone, Clarinette (duo)
48
Saxophone Alto et Piano
46
Quatuor de Saxophones: 4 saxophones
45
Hautbois, Piano (duo)
42
2 Flûtes traversières (duo)
41
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
35
Clarinette, Violon (duo)
33
Flûte, Violon, Piano
31
Saxophone Tenor et Piano
29
Ensemble de saxophones
28
Clarinette, Trompette (duo)
28
Cor anglais, Piano
26
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
25
Quintette de Saxophone: 5 saxophones
24
Flûte traversière
23
Flûte, Clarinette (duo)
21
Clarinette
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
17
Clarinette et Alto
16
Hautbois, Basson (duo)
16
Hautbois, Flûte
16
Flûte, Saxophone (duo)
14
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
14
Clarinette Basse, Piano
13
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Violon
12
Saxophone Alto
12
Flûte, Alto (duo)
11
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
7
Flûte, Trompette (duo)
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
6
Trio de Flûtes: 3 flûtes
5
Cor Anglais
5
Saxophone (partie séparée)
4
Saxophone Soprano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Clarinette (partie séparée)
3
Flûte à Bec
3
Flûte, Hautbois, Basson
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte à bec Soprano, Piano
2
Saxophone et Orgue
2
2 Flûte à bec (duo)
2
Flute, harpe et violon
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
Clarinette Basse
1
Hautbois
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Saxophone (duo)
35
Trombone et Piano
33
Euphonium, Piano (duo)
30
Trompette, Piano
30
Cor anglais, Piano
26
Cor et Piano
25
Trompette
24
Trompette, Trombone (duo)
18
2 Trombones (duo)
17
Trombone
15
Ensemble de Trombones
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 trombones
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trompettes
7
Tuba et Piano
7
Quatuor de cuivres: 4 cors
7
Trompette (partie séparée)
6
Tuba
6
Trombone (partie séparée)
5
Cor Anglais
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Euphonium
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone basse
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
1
Trompette, Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trombone et orchestre
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
3 Euphoniums
1
Ensemble de Cors
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
71
Violoncelle, Piano
44
Alto, Piano
44
Violon, Violoncelle (duo)
40
Trio à Cordes: violon, alto, violoncelle
39
2 Harpes (duo)
39
Violon
31
Harpe
30
2 Violons (duo)
29
Violon, Alto (duo)
23
2 Altos (duo)
20
Violoncelle
20
2 Violoncelles (duo)
16
Alto seul
8
4 Violoncelles
7
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Quatuor à cordes : 4 altos
4
Ensemble de Violons
4
Contre Basse
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
168
Orchestre à Cordes
80
Orchestre
67
Orchestre de chambre
37
Ensemble de cuivres
34
Cloches
11
Ensemble Jazz
9
Ensemble de Percussions
8
Jazz combo
7
Vibraphone
3
Batterie
3
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Fanfare
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Vous avez sélectionné:
Ide Were Were
Tuba et Piano
Partitions à imprimer
7 partitions trouvées
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1
O Holy Night (Adolphe Adam) for Tuba and Piano
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Tuba et Piano
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DÉBUTANT
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Adolphe-Charles Adam
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Harry Walker
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O Holy Night
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SCORE EDITIONS
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.1507088 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holid...
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Piano,Tuba - Level 1 - SKU: A0.1507088 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 12 pages. SCORE EDITIONS #1082476. Published by SCORE EDITIONS (A0.1507088). Composed by Adolphe Adam in 1847, O Holy Night is one of the most beloved Christmas songs in classical music. The original lyrics, written in French by Placide Cappeau, were commissioned for a Christmas service in a small French town. In 1855, John Sullivan Dwight, an American abolitionist, translated the song into English. Dwight viewed the song’s message as a metaphor for the fight against slavery, which contributed to its popularity in the United States. In this version, the composition was arranged for Tuba and Piano by Harry Walker.
$5.99
Luther: Out of the Depths for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The First Noel for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tuba &
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3...
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Piano,Tuba - Level 1 - SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Calibrating the Moon - Tuba and Piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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Calibrating the Moon - Tuba an
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NoteForge
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (...
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Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
$14.99
A Little Bit Here and A Little Bit There (instrumental) from "The Kings" - ACT 1:Song 2
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Tuba et Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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A Little Bit Here and A Little
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. S...
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Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score and parts. 21 pages. DF McCorkle Music and eBook Publications #11633. Published by DF McCorkle Music and eBook Publications (A0.784815). ACT ONE: Song 2. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:1-3 - And it came to pass, when Samuel was old, that he made his sons judges over Israel. 2 Now the name of his firstborn was Joel; and the name of his second, Abijah: they were judges in Beersheba. 3 And his sons did not walk in his ways, but turned aside after lucre, and took bribes, and perverted judgment.] [Prologue] The curtain rises on the main room of the King’s palace in Jerusalem where the funeral service for King DAVID is being held. The eulogy recounts the life of David and his kingship over Israel that had begun over eighty years prior. A time when there were no kings in Israel except for their God, a time when the Judges governed the people and a time when SAMUEL, an elderly Prophet of God and last Judge, turned his position as Judge over to his two sons. Self-serving and motivated by greed and self-importance, his sons choose paths that were contrary to their father. [A Little Bit Here and a Little Bit There]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Guthrie: Toccata Agitato for Tuba & Piano
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Tuba et Piano
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AVANCÉ
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James M
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Guthrie: Toccata Agitato for T
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jmsgu3
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SheetMusicPlus
B-Flat Tuba,Piano - Level 5 - SKU: A0.1385714 Composed by James M. Guthrie. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part...
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B-Flat Tuba,Piano - Level 5 - SKU: A0.1385714 Composed by James M. Guthrie. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 13 pages. Jmsgu3 #969652. Published by jmsgu3 (A0.1385714). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Chants du Rhin for Tuba or Bass Trombone and Piano
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Tuba et Piano
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AVANCÉ
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Classique
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Tuba or Bas
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.792527 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pag...
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Piano,Tuba - Level 5 - SKU: A0.792527 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 44 pages. Gordon Cherry #5008325. Published by Gordon Cherry (A0.792527). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor.
$22.50
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