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Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
7
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5
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3
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1
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48
Clarinette et Piano
38
2 Saxophones (duo)
33
Quatuor de Saxophones: 4 saxophones
33
Hautbois, Piano (duo)
32
2 Flûtes traversières (duo)
29
Saxophone Alto et Piano
28
Saxophone Tenor et Piano
26
Saxophone Baryton, Piano
26
Saxophone Soprano et Piano
25
2 Clarinettes (duo)
18
Clarinette Basse, Piano
18
Cor anglais, Piano
12
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10
Clarinette
10
2 Hautbois (duo)
8
3 Saxophones (trio)
7
Clarinette, Harpe (duo)
7
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7
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6
Hautbois, Harpe
6
Hautbois, Violoncelle
4
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
2
Quintette de Saxophone: 5 saxophones
2
Piccolo, Piano
2
Flûte, Alto (duo)
2
Ensemble de saxophones
2
Saxophone et Harpe
2
Flûte traversière
1
Flûte et Trio à cordes
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Ensemble de Clarinettes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Basson (duo)
1
+ 37 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Euphonium, Piano (duo)
22
Cor et Piano
20
Trombone et Piano
17
Cor anglais, Piano
12
2 Cors (duo)
12
2 Trombones (duo)
8
2 Euphoniums (duo)
8
2 Trompettes (duo)
8
Trompette, Piano
6
Trompette
6
2 Tubas (duo)
5
Tuba et Piano
5
Euphonium, Tuba (duo)
2
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone (duo)
1
Cor, Violoncelle (duo)
1
Trio de Cuivres
1
Trombone, Tuba (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
84
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24
Alto, Piano
23
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21
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20
2 Violoncelles (duo)
10
2 Violons (duo)
10
2 Altos (duo)
8
Harpe, Flûte (duo)
8
2 Contrebasses (duo)
7
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6
Harpe, Violon (duo)
4
Trio à cordes
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violoncelles
2
Harpe
2
Violon, Alto (duo)
2
Violoncelle
1
4 Violoncelles
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Violon
1
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Orchestre à Cordes
28
Ensemble de cuivres
7
Orchestre de chambre
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Johann-Guth
SheetMusicPlus
Partitions à imprimer
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Luther: Out of the Depths for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach: Bist du bei mir BWV 508 for Tuba & Piano
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Tuba et Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Par...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3 (S0.329084). - Score,Set of Parts - Baroque Period,Repertoire,Anniversary,Wedding,Recital - jmsgu3
$32.95
Bach: Largo from Concerto BWV 1056 for Tuba & Piano
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Tuba et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.550225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part...
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Piano,Tuba - Level 3 - SKU: A0.550225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4601891. Published by jmsgu3 (A0.550225). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
Pachelbel: Canon for Tuba & Piano
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Tuba et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tuba & Pi
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jmsgu3
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SheetMusicPlus
Composed by Johann Pachelbel (1653-1706). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Technique Training, Wedding. Score, Solo Pa...
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Composed by Johann Pachelbel (1653-1706). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Technique Training, Wedding. Score, Solo Part. 8 pages. Published by jmsgu3
$32.95
Schubert: Ave Maria for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tuba &
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pag...
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Piano,Tuba - Level 1 - SKU: A0.548701 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411151. Published by jmsgu3 (A0.548701). A Tuba Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Tuba part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
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