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155
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207
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114
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104
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23
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15
Instruments en Do
14
Orgue
8
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2
1 Piano, 4 mains
1
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Guitare notes et tablatures
21
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9
Guitare
8
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6
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3
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73
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14
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14
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8
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6
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2
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1
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10
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10
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7
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7
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5
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4
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4
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3
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1
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1
2 Flûte à bec (duo)
1
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1
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1
Saxophone Baryton, Piano
1
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1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Saxophone (partie séparée)
1
Saxophone Soprano
1
Clarinette Basse, Piano
1
Saxophone et Orgue
1
2 Hautbois (duo)
1
+ 43 instrumentations
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Trombone et Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor et Piano
5
Trompette
4
Trompette, Piano
3
Trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
Cor anglais, Piano
2
Euphonium, Tuba (duo)
1
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1
Euphonium
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
10
Violon et Piano
7
Alto, Piano
5
Violoncelle, Piano
5
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4
Alto seul
3
Violoncelle
3
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2
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2
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
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1
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1
Trio à cordes: 3 violins
1
4 Violoncelles
1
2 Altos (duo)
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
Violon, Alto (duo)
1
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17
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16
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16
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11
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8
Ensemble Jazz
8
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4
Ensemble de Percussions
4
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3
Fanfare
1
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Tuba et Piano
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He Leadeth Me (bass C instrument solo)
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Tuba et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William B
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Sandra Zylstra
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He Leadeth Me
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sandra dee zylstra
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SheetMusicPlus
Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 3 - SKU: A0.712073 Composed by William B. Bradbury. Arranged by S...
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Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 3 - SKU: A0.712073 Composed by William B. Bradbury. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and individual part. 8 pages. Sandra dee zylstra #708329. Published by sandra dee zylstra (A0.712073). This hymn was written in the days of the Civil War and came about as Joseph Gilmore reflected on the words of Psalm 23. The tune was later set in motion by William Bradbury. Think about the first few verses of Psalm 23 as you play this well loved hymn. He Leadeth Me is arranged as an intermediate bass C instrument solo with piano accompaniment and a separate instrument part in the keys of D and A. (Approximately 3 minutes, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$4.25
Calibrating the Moon - Tuba and Piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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Calibrating the Moon - Tuba an
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NoteForge
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (...
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Piano,Tuba - Level 5 - SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
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