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--INSTRUMENTS--
ACCORDEON
ALTO
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Crtitères actifs :
Moses
intermédiaire
Trombone et Piano
Partitions à imprimer
3 partitions trouvées
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"Go Down, Moses" for Trombone and Piano-Jazz/Pop Version (Video)
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Trombone et Piano
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INTERMÉDIAIRE
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Traditional
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Fishel Pustilnik
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"Go Down, Moses" for
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F & N Enterprise
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.634856 Composed by Traditional. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and part. 7 pages. F & N ...
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Piano,Trombone - Level 3 - SKU: A0.634856 Composed by Traditional. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and part. 7 pages. F & N Enterprise #4367968. Published by F & N Enterprise (A0.634856). An excellent arrangement of the famous Song Go Down, Moses for Trombone and Piano-Jazz/Pop Version.
$1.99
"Go Down, Moses"-Piano Background for Trombone and Piano-Jazz/Pop Version (Video)
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Trombone et Piano
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INTERMÉDIAIRE
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Traditional
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Fishel Pustilnik
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"Go Down, Moses"-Pia
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F & N Enterprise
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.634867 Composed by Traditional. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and part. 7 pages. F & N ...
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Piano,Trombone - Level 3 - SKU: A0.634867 Composed by Traditional. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and part. 7 pages. F & N Enterprise #4369242. Published by F & N Enterprise (A0.634867). Piano Background for famous Song Go Down, Moses for Trombone & Piano (Jazz/Pop Version) Plus Version at SMP: S0.542202
$1.99
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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Moses