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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
that song
Non classifié
427
Piano & claviers
Piano seul
549
Piano, Voix et Guitare
488
Instruments en Do
357
Piano, Voix
327
1 Piano, 4 mains
13
Orgue
9
Piano Facile
7
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
62
Guitare
47
Ukulele
42
Guitare notes et tablatures
25
Basse electrique
7
Dulcimer
5
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Banjo
2
Paroles et Accords
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
255
Chorale SSAA
58
Chorale TTBB
50
Chorale 3 parties
36
Voix Soprano, Piano
24
Voix duo, Piano
8
Chorale 2 parties
7
Voix Baryton, Piano
6
Voix Tenor, Piano
6
Chorale Unison
4
Voix duo
4
Voix Alto, Piano
4
Voix seule
4
Voix haute
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Voix Soprano
1
Chorale SSAB a cappella
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
23
Clarinette et Piano
21
Saxophone Alto et Piano
21
Quatuor de Clarinettes: 4 clarinettes
19
Flûte, Hautbois, Clarinette, Basson
18
Flûte traversière et Piano
17
Saxophone Alto
16
Flûte traversière
16
Hautbois, Piano (duo)
15
Saxophone Soprano et Piano
13
Clarinette
12
Saxophone Tenor
11
Ensemble de Flûtes
10
Saxophone Tenor et Piano
10
Ensemble de Clarinettes
8
Quatuor de Flûtes : 4 flûtes
8
Ensemble de saxophones
8
3 Saxophones (trio)
7
2 Saxophones (duo)
7
Saxophone Baryton, Piano
6
Quintette de Saxophone: 5 saxophones
6
2 Clarinettes (duo)
6
Clarinette, Guitare (duo)
6
Hautbois (partie séparée)
5
Flûte et Guitare
4
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
2 Flûtes traversières (duo)
3
Flûte, Clarinette (duo)
2
Flute (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Guitare (duo)
1
Saxophone (partie séparée)
1
Clarinette Basse, Piano
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Tenor
1
Hautbois, Basson (duo)
1
Cor anglais, Piano
1
Cor Anglais
1
Flûte, Hautbois, Basson
1
3 Hautbois
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano
1
2 Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Hautbois, Flûte
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quatuor de cuivres: 4 trombones
15
Trombone
14
Trompette
13
Trompette, Piano
12
Trombone et Piano
10
Tuba et Piano
9
Cor et Piano
7
Trompette (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Euphonium, Piano (duo)
4
Cor
4
2 Cors (duo)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
4 Tubas
1
Cor anglais, Piano
1
Cor Anglais
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
185
Violon, Violoncelle (duo)
63
Trio à Cordes: 2 violons, violoncelle
27
Trio à Cordes: violon, alto, violoncelle
26
Violon et Piano
24
Harpe
22
Violoncelle, Piano
22
Violon
18
Alto, Piano
15
Violoncelle
13
2 Violoncelles (duo)
9
Violon, Alto (duo)
7
Alto seul
5
Harpe, Voix
4
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Contre Basse
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violons (duo)
3
4 Violoncelles
2
Trio à cordes: 3 altos
2
2 Altos (duo)
2
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Contrebasse, Piano (duo)
1
Violon, Tuba (duo)
1
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre
77
Ensemble de cuivres
73
Orchestre d'harmonie
62
Ensemble Jazz
55
Orchestre de chambre
48
Orchestre à Cordes
42
Fanfare
14
Jazz combo
9
Cloches
8
Batterie
3
Ensemble de Percussions
2
Marimba
2
Vibraphone
1
+ 8 instrumentations
Retracter
Autres
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ACCORDEON
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FLUTE A BEC
FLUTE A DIX…
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1
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
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BUGLE
CHANT - CHORA…
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PARTITIONS VI…
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Intermédiaire
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0
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Piano Débutant
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Meilleures Ventes
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Chorale 2 Parties
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Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
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ACCORDEON
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VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
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VIOLE DE GAMBE
VIOLON
VIOLONCELLE
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CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
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--INSTRUMENTS--
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Trombone et Piano
Partitions à imprimer
10 partitions trouvées
<
1
Three Opera Songs for Trombone and Piano
#
Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Wagner
#
Ralph Sauer
#
Three Opera Songs for Trombone
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792656 Composed by Richard Wagner. Arranged by Ralph Sauer. Classical,Opera,Romantic Period. Score and part. 20 pages...
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Piano,Trombone - Level 4 - SKU: A0.792656 Composed by Richard Wagner. Arranged by Ralph Sauer. Classical,Opera,Romantic Period. Score and part. 20 pages. Gordon Cherry #5288859. Published by Gordon Cherry (A0.792656). Ralph Sauer has beautifully arranged three signature songs from the following Wagner operas into a collection that every Trombonist must perform: Siegmund's Love Song - from Die Walküre Wolfram's Songs to the Evening Star - from Tannhäuser Walther's Prize Song - from Die Meistersinger The suite of three songs is about 9 minutes in length and is appropriate for moderately advanced performers.
$20.00
Songs for the Lyrical Trombonist
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Various
#
Jessica Butler
#
Songs for the Lyrical Tromboni
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792800 Composed by Various. Arranged by Jessica Butler. 20th Century,Classical,Instructional,Romantic Period. Score a...
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Piano,Trombone - Level 4 - SKU: A0.792800 Composed by Various. Arranged by Jessica Butler. 20th Century,Classical,Instructional,Romantic Period. Score and part. 55 pages. Gordon Cherry #6575737. Published by Gordon Cherry (A0.792800). Dr. Jessica D. Butler has compiled seven gorgeous songs from 1st Century Greece, through to 20th Century France which include the following works:Anonymous - Epitaph for Seikilos (unaccompanied)de Dia - A chantar (unaccompanied)Bellini - Casta diva from the opera NormaSchubert - StändchenRavel - KaddischDebussy - Beau Soir and Ariettes oublieésDr. Butler is passionate that Trombonists need more lyrical repertoire and can play pretty much all of it, and at the same time learn the different styles needed to perform these songs successfully at a high level.The songs are appropriate for intermediate to advanced performers and include Piano accompaniments. Both parts are coil bound for easy page-turning.
$27.50
Bei Mir Bist Du Schon (means That You're Grand)
#
Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Louis Prima & Keely Smith
#
Fishel Pustilnik
#
Bei Mir Bist Du Schon
#
F & N Enterprise
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.634621 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Fishel Pustilnik. C...
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Piano,Trombone - Level 4 - SKU: A0.634621 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Fishel Pustilnik. Contemporary. Score and part. 9 pages. F & N Enterprise #3881393. Published by F & N Enterprise (A0.634621). An excellent arrangement of the famous Song Bei Mir Bist Du Schon for Trombone and Piano-Jazz/Pop Version (With Improvisation).
$4.99
Blue Skies
#
Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Angela Stone and David Vincent
#
John Fries
#
Blue Skies
#
John Fries
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards....
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Piano,Trombone - Level 4 - SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705825. Published by John Fries (A0.1102415). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a Trombone Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
$4.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Alexander Burdiss
#
Too Much For Our Thirst
#
Ars Nova Press
#
SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Grieg: Peer Gynt Suite Complete for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards....
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Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Three Ancient Capitals for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Keiko Takashima
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Three Ancient Capitals for Tro
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digit...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
$29.95
Four Pieces for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Frank Bridge
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Sauer, Ralph
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Four Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792255 Composed by Frank Bridge. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 16 pages. Go...
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Piano,Trombone - Level 4 - SKU: A0.792255 Composed by Frank Bridge. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #4764759. Published by Gordon Cherry (A0.792255). British composer Frank Bridge is mainly remembered for his beautiful chamber music. The Four Pieces from 1912 are originally for Violin and Piano and are titled: 1. Meditation 2. Spring Song 3. Lullaby 4. Country Dance Mr. Sauer has done a beautiful job scoring these works for Trombone. There is a wonderful simplicity to Bridge's music, a simplicity that was lost forever just two years later at the beginning of the Great War, WW I. Bridge's most famous composition student was Benjamin Britten, who wrote one of his greatest works as an homage to Bridge.
$20.00
Sonata No. 1 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 1 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928159 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 40 pages. ...
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Piano,Trombone - Level 4 - SKU: A0.928159 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 40 pages. Pete Strohm Music #5884941. Published by Pete Strohm Music (A0.928159). Sonata No. 1 for Trombone and Piano was written for American trombonist Larry Zalkind.The piece is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies. The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Â Difficulty level is medium-advanced, and perfect for recital, festival or contest. Total performance time is 13:35. Â Member, ASCAP.
$13.00
Sonata No. 1 for Bass Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 1 for Bass Trombone
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Pete Strohm Music
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SheetMusicPlus
Bass Trombone,Piano - Level 4 - SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. ...
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Bass Trombone,Piano - Level 4 - SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 40 pages. Pete Strohm Music #852535. Published by Pete Strohm Music (A0.1259263). Sonata No. 1 for Bass Trombone and Piano from American composer P. F. Strohm is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies.The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Dedicated to trombonist Eric Wallace, it's difficulty level is medium-advanced. Sonata No. 1 for Bass Trombone and Piano is perfect for bass trombone recital or contest. Total performance time is 13:35.  Member, ASCAP.
$13.00
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