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Concerto for Trombone and Orchestra
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Crtitères actifs :
Concerto for Trombone and Orchestra
expert
Trombone et Piano
Partitions à imprimer
11 partitions trouvées
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1
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Romantic Concerto for Trombone with Piano reduction accompaniment
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Trombone et Piano
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AVANCÉ
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Contemporain
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Jan Freidlin
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Romantic Concerto for Trombone
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Sol...
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Piano Accompaniment, Trombone - Advanced - Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425
Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.
Below is what the composer has written about his work:
"Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.
The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.
The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.
With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.
The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."
Jan Freidlin
The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
The Western New York Trombone Concerto
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Trombone et Piano
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AVANCÉ
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William Pagan-Perez
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The Western New York Trombone
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William Pagan-Perez
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1379166 Composed by William Pagan-Perez. 21st Century. Score and part. 44 pages. William Pagan-Perez #963841. P...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1379166 Composed by William Pagan-Perez. 21st Century. Score and part. 44 pages. William Pagan-Perez #963841. Published by William Pagan-Perez (A0.1379166). Originally this concerto was written for trombone and orchestra. Now, it has a reduction for the piano available. It is a melodic and dynamic multi-movement solo for trombone with a rhythmic and energic accompaniment.
$24.95
Concerto No. 1 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Angelo Piazzini
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Concerto No. 1 for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1518274 Composed by Franz Joseph Haydn. Arranged by Angelo Piazzini. Classical. Score and part. 26 pages. Gordo...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1518274 Composed by Franz Joseph Haydn. Arranged by Angelo Piazzini. Classical. Score and part. 26 pages. Gordon Cherry #1092373. Published by Gordon Cherry (A0.1518274). Franz Joseph Haydn's Concerto No. 1 was originally written for Horn and orchestra in the key of D major. The work was completed in 1762 when Haydn was new to the court of Count Esterhazy. Concerto No. 1 is a great work, performed often by horn soloists around the world.This wonderful arrangement by Angelo Piazzini for Tenor Trombone with Piano accompaniment is in the key of B-flat...a perfect range for the instrument and a great example of a Classical concerto that works so well for advanced performers on the Trombone.
$30.00
Concerto in D for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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William Pagan-Perez
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Concerto in D for Trombone and
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William Pagan-Perez
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. P...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. Published by William Pagan-Perez (A0.1374004). Concerto in D is a fresh three-movement piece for trombone solo and the reduction for piano made by composer WIlliam Pagán-Pérez. This concerto was originally for trombone and orchestra.I. ModeratoII. AndantinoIII. ModeratoIt has modern harmonies. With cantabile and motivic phrases. And a danceable twist with a touch of the reggaeton/pop rhythm.
$24.95
Concerto for Alto Trombone with Piano accompaniment reduction
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Trombone et Piano
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AVANCÉ
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Classique
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Gliere, Reinhold
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Cherry, Gordon
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Concerto for Alto Trombone wit
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792196 Composed by Gliere, Reinhold. Arranged by Cherry, Gordon. 20th Century,Classical,Romantic Period. Score and pa...
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Piano,Trombone - Level 5 - SKU: A0.792196 Composed by Gliere, Reinhold. Arranged by Cherry, Gordon. 20th Century,Classical,Romantic Period. Score and part. 35 pages. Gordon Cherry #4609007. Published by Gordon Cherry (A0.792196). Reinhold Gliere's Concerto for Coloratura Soprano and Orchestra, Op. 82 was written in 1942-1943 and shows off the composer's gentle melodic musical style reminiscent of Tchaikovsky, Rachmaninov and even Wagner. The choice of a vocal soloist singing without words was not new at that time, as Rachmaninov's beautiful Vocalise had already been composed. But....adding a full orchestra to the mix was a gamble that paid off, as this is one of Gliere's finest works. The Concerto consists of two movements -- Andante and Allegro and is about 14 minutes in length. The 1st movement's rich melodies are full of lush harmonic textures and the work drives from climax to climax. The finale Allegro is lighthearted and bounces along merrily to the end. Gordon Cherry's arrangement for Alto Trombone with Piano accompaniment reduction brings a major new work to the Alto Trombone repertoire. This work can also be performed on the Tenor Trombone, however, the style of the work makes it perfect for the Alto Trombone. Appropriate for advanced performers. (Under license from G. Schirmer Music)
$35.00
Serenade, Op. 37 for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Sauer, Ralph
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Serenade, Op. 37 for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Per...
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Piano,Trombone - Level 5 - SKU: A0.792240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4764305. Published by Gordon Cherry (A0.792240). The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Trombone world knows Rimsky-Korsakov for his Concerto with Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile. Mr. Sauer brings a true Trombone feel to the 4 1/2 minute work for advanced performers.
$20.00
Serenade, Op. 37 for Tuba or Bass Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Sauer, Ralph
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Serenade, Op. 37 for Tuba or B
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792241 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Per...
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Piano,Trombone - Level 5 - SKU: A0.792241 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4764309. Published by Gordon Cherry (A0.792241). The Serenade, Op. 37 was conceived for Cello with Piano accompaniment, but later in life the composer scored the work for the solo instrument with orchestra. The Trombone world knows Rimsky-Korsakov for his Concerto with Band. The Serenade has a very similar mood to the slow movement of the Concerto. It's beautiful lilting rhythm combined with a wonderful melody makes this work very worthwhile. Mr. Sauer does a beautiful job eding the 4 1/2 minute work for advanced performers.
$20.00
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