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ACCORDEON
ALTO
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17
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4
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1
Piccolo
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Cor Anglais
1
2 Clarinettes (duo)
1
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1
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1
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1
Clarinette, Violoncelle (duo)
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
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Hautbois, Piano (duo)
1
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20
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10
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8
Trompette
8
Ensemble de Trombones
7
Cor
7
Trompette, Piano
4
Quatuor de cuivres: 4 trombones
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Tuba
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Tuba et Piano
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Cor et Piano
3
Euphonium, Piano (duo)
3
2 Cors (duo)
2
Trompette (partie séparée)
2
2 Trombones (duo)
2
3 Trombones (trio)
2
2 Euphoniums et 2 Tubas
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trombone, Tuba (duo)
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Cor Anglais
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Trombone (partie séparée)
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Trombone basse et Piano
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Trombone basse
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2 Tubas (duo)
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Trombone et orchestre
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Quatuor de cuivres: 4 cors
1
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Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon
6
Violon, Violoncelle (duo)
5
Violon et Piano
5
Harpe
4
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
Violoncelle, Piano
3
Alto, Piano
3
Contre Basse
2
Violon, Alto (duo)
2
Violoncelle
2
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto et Harpe
1
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Orchestre & Percussions
Jazz combo
271
Orchestre
21
Ensemble Jazz
17
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7
Ensemble de cuivres
7
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4
Batterie
3
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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Trombone et Piano
Partitions à imprimer
10 partitions trouvées
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1
Ding Dong Merrily On High--trombone solo
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Trombone et Piano
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AVANCÉ
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Noël
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George Ratcliffe Woodward, Tho
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Beka Wilson
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Ding Dong Merrily On High--tro
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Beka Wilson
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.786782 Composed by George Ratcliffe Woodward, Thoinot Arbeau. Arranged by Beka Wilson. Christian,Christmas,Sacred. Sc...
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Piano,Trombone - Level 5 - SKU: A0.786782 Composed by George Ratcliffe Woodward, Thoinot Arbeau. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6439617. Published by Beka Wilson (A0.786782). This new arrangement of Ding Dong Merrily On High for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: advanced for most instruments7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
Situation Update - Suite for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Fetter, David
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Situation Update - Suite for T
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon...
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Piano,Trombone - Level 5 - SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon Cherry (A0.810761). David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by composer Eric Ewazen. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire.
$25.00
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concertino for Trombone & Piano, "Devil or Angel?"
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Trombone et Piano
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AVANCÉ
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Ian McDougall
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Concertino for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792589 Composed by Ian McDougall. 20th Century,Contemporary. Score and part. 24 pages. Gordon Cherry #5010287. Publis...
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Piano,Trombone - Level 5 - SKU: A0.792589 Composed by Ian McDougall. 20th Century,Contemporary. Score and part. 24 pages. Gordon Cherry #5010287. Published by Gordon Cherry (A0.792589). Ian McDougall has written a stellar new major work entitled Concertino for Trombone with Piano accompaniment, Devil or Angel?. The composition is in three movements: I Cherub vs Imp II Guardian III Old Nick This new work was commissioned by his former student, Gordon Wolfe, Principal Trombonist of the Toronto Symphony. The Concertino is one of the featured works on Wolfe's beautiful new recording, REFLECTIONS. Here is what the composer says about his own work: The 'tritone' has been referred to as a dissonance for centuries, and has been called 'the devil in music'. This interval can be quite difficult to sing in tune, and can often grate on the ears, yet it can also have a great dramatic effect. It is tuly a 'devilish' little beast, and it is what inspired me. The devil's antagonist is surely an angel. So, imagine one's guardian angel on one shoulder, and 'Old Nick' on the other, battling for your conscience, and you will essentially have what this three movement piece is all about. Concertino is for very advanced performers and is about 15 minutes in length.
$27.50
Chorale Fantasie
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Trombone et Piano
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AVANCÉ
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Contemporain
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Neal Harnly
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Chorale Fantasie
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1405186 Composed by Neal Harnly. 20th Century. Score and part. 20 pages. Gordon Cherry #988231. Published by Go...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1405186 Composed by Neal Harnly. 20th Century. Score and part. 20 pages. Gordon Cherry #988231. Published by Gordon Cherry (A0.1405186). Chorale Fantasie for Trombone and Piano by Neal Harnly composed in 1999 borrows from two 19th Century hymns, Jesus, Thy Boundless Love to Me and  I Love Thee.Here is what the composer says about his beautiful work:In a programmatic sense, although not literally intended, the piece attempts to express God's love for us and the joy and freedom it inspires in us, and then reflects with awe upon the love, returning again finally to a joyous restatement of its expression. The writing for trombone is virtuosic, and covers much of the spectrum of the instrument in its ability to 'sing and dance', and in its range and technique.This work, written for a young James Markey is about 11 1/2 minutes in length is appropriate for advanced performers.Chorale Fantasie is available for sale on streaming services and also on James Markey's wonderful CD Offroad.
$25.00
Concertpiece for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Mizesko, Terry
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Mizesko, Terry
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Concertpiece for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. G...
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Piano,Trombone - Level 5 - SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. Gordon Cherry #4803945. Published by Gordon Cherry (A0.792301). Terry Mizesko has performed as the Bass Trombonist for the North Carolina Symphony since 1971. As well he is a noted composer and has had his works performed by a number of orchestras and well known musicians. The Concertpiece for Tenor Trombone and Piano composed in 2009 is an extensive work in a traditional yet contemporary Sonata style in four movements. The Concertpiece ends with an eloquent Epilog which sums up the entire work. Movement I is titled Intrada and is mostly in an Allegro Tempo.<BR> Movement II is titled Romanza marked Moderato e rubato Movement III is titled Danza Rustica and moves with quick rhythmic energy. Movement IV is titled Epilog, slow and evocative in nature. Concertpiece is about 27 minutes in length and can be performed by advanced musicians.
$22.50
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Barcarolle from The Seasons for Euphonium and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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P
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Ralph Sauer
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Barcarolle from The Seasons fo
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792683 Composed by P. I. Tchaikovsky. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 11 pages. G...
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Piano,Trombone - Level 5 - SKU: A0.792683 Composed by P. I. Tchaikovsky. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 11 pages. Gordon Cherry #5739313. Published by Gordon Cherry (A0.792683). The Seasons is a set of twelve short character pieces written on commission in 1875 for solo piano, based on a month of the year in Russia. Barcarolle represents the month of June and is enormously popular, appearing in numerous arrangements. (Wikipedia) Mr. Sauer's delightful arrangement of this melancholy work for advanced performers is about 5 minutes in length.
$17.50
Drei Stücke for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Alexander Zemlinsky
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Eric High
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Drei Stücke for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.792607 Composed by Alexander Zemlinsky. Arranged by Eric High. 20th Century,Multicultural,Romantic Period,World...
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Piano,Tenor Trombone - Level 5 - SKU: A0.792607 Composed by Alexander Zemlinsky. Arranged by Eric High. 20th Century,Multicultural,Romantic Period,World. Score and part. 17 pages. Gordon Cherry #5010409. Published by Gordon Cherry (A0.792607). Drei Stücke (Three Pieces) for Trombone and Piano by Alexander Zemlinsky is an early work composed in 1891, and originally scored for Cello and Piano. It has been beautifully arranged for Trombone and Piano by Eric High. The three movements are titled: I. Humoreske II. Lied III. Tarantell About 8 minutes in length, it is appropriate for advanced performers.
$27.50
Six Baryton Trios for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Trevarthen, Robert
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Six Baryton Trios for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792292 Composed by Franz Joseph Haydn. Arranged by Trevarthen, Robert. Baroque,Classical,Romantic Period. Score and p...
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Piano,Trombone - Level 5 - SKU: A0.792292 Composed by Franz Joseph Haydn. Arranged by Trevarthen, Robert. Baroque,Classical,Romantic Period. Score and part. 91 pages. Gordon Cherry #4803915. Published by Gordon Cherry (A0.792292). Haydn composed over 100 compositions, each in three movements, for his wealthy employer Nicolas Esterhazy, who played the six-string instrument called a Baryton, which in shape looked much like our modern day cello, but, of course, with six rather the cello four strings. His original scores were composed of three lines: the solo part, an inner filler part for viola and a bass part. I have realized the piano part. These transcriptions were created to give the solo trombonist an experience with classical music. The music is in an elegant style and a joy to perform as arranged by Mr. Trevarthen. The six works included in the collection are as follows: No. 2 in G (Theme and Variations)No. 26 in F No. 49 in F No. 55 in F No. 77 in F No. 95 in B-flat The works are between 6 and 9 minutes in length each and suitable for moderately advanced performers.
$22.50
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