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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Trombone basse
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Harpe
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2 Violons (duo)
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Contre Basse
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3
Alto, Piano
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Violoncelle (partie séparée)
3
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2
Alto seul
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Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
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Quatuor à cordes : 4 altos
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Violoncelle, Orchestre
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Trio à Cordes: 3 violoncelles
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4 Harpes
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Orchestre à Cordes
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Ensemble de cuivres
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Orchestre de chambre
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Cloches
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Marimba
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Jazz combo
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Fanfare
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Trombone et Piano
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Four Rags for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792732 Composed by Scott Joplin…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792732 Composed by Scott Joplin. Arranged by Ralph Sauer. 20th Century,Jazz,Ragtime. Score and part. 24 pages. Gordon Cherry #6113531. Published by Gordon Cherry (A0.792732). Ralph Sauer has brilliantly arranged Four Rags for Trombone and Piano by the great American King of Ragtime, Scott Joplin. They are:1. The Entertainer, 2. Reflection Rag, 3. Pleasant Moments, and 4. The CascadesThese works are so pleasant to perform and to listen to. They are appropriate for advanced performers and include about 15 minutes of music altogether.
$22.50
20.8 €
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Trombone et Piano
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Scott Joplin
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Ralph Sauer
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Four Rags for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
Trombone et Piano
B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keik…
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B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
46.21 €
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Trombone et Piano
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Keiko Takashima
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Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Ruckert Lieder for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.745511 Composed by Gustav Mahle…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.745511 Composed by Gustav Mahler. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 25 pages. Gordon Cherry #353428. Published by Gordon Cherry (A0.745511). The Rückert Lieder by Gustav Mahler were written between 1901 and 1902, being first premiered in 1905 with Mahler himself conducting. The text of the songs is taken from poems set by Friedrich Rückert, a professor of Oriental languages. Mahler's music, able to convey complex emotions with seemingly simple melodic lines is the perfect vehicle for these poems. Ralph Sauer has taken four of these songs and edited them for performance on the Tenor or Bass Trombone. He has also included the original German and English translations of the songs to aid the performers and also the listener to best enjoy the feelings coming from this sublime music. All together the songs are about 15 minutes in length. Although technically not difficult, these songs require a mature interpretation in order to best convey their message.
$27.50
25.42 €
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Trombone et Piano
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Gustav Mahler
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Ralph Sauer
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Ruckert Lieder for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
The Scomorokhs for Trombone and Piano (The Tragicomic Scene).
Trombone et Piano
Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1032838 Composed by Dmytro Malyi. 20th Century,Concert,Contemporary. Score and parts. 41 pages. Dmytro Malyi #5898937. Published by Dmytro Malyi (A0.1032838). The piece is very bright, masterly, can be played as the final piece in your recital. After listening it everyone can remember your performing. It was played at the ITF-2019 in USA. It is interpreted as a scene, where it is involved trombonist, pianist and others additional characters acting (it is not necessary, but according to a composer it is desirable). The main aim of performers is to show psychological image of the scomorokhs, their changeable mood, crying, sarcastic, lashing, etc.
$15.00
13.87 €
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Trombone et Piano
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Dmytro Malyi
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The Scomorokhs for Trombone and Piano
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Dmytro Malyi
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SheetMusicPlus
Romantic Concerto for Trombone with Piano reduction accompaniment
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin …
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425<br> <br> Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.<br> <br> Below is what the composer has written about his work:<br> <br> "Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.<br> <br> The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.<br> <br> The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.<br> <br> With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.<br> <br> The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."<br> <br> Jan Freidlin <br> <br> The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
32.36 €
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Trombone et Piano
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Jan Freidlin (1944-)
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Romantic Concerto for Trombone with Piano reduction accompaniment
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Cherry Classics Music
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.42 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
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