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Trombone et Piano
Partitions à imprimer
6 partitions trouvées
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Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Ralph Sauer
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,World. Score and par...
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Piano,Trombone - Level 5 - SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4821573. Published by Gordon Cherry (A0.792414). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and pa...
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Piano,Trombone - Level 5 - SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4803779. Published by Gordon Cherry (A0.792275). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
Three Pieces for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone &
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820415. Published by Gordon Cherry (A0.792166). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$15.00
Sonatina for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Krejci, Miroslav
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Sonatina for Trombone & Pi
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cher...
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Piano,Trombone - Level 5 - SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cherry #4728857. Published by Gordon Cherry (A0.792223). The Sonatina for Trombone & Piano was originally published after its composition, but soon became lost. It has recently been brought back into the repertoire. Cherry Classics Music is proud to be bringing this very fine work back to life. The style of this 3 movement work is similar to the well known Sonatina for Trombone and Piano by Serocki. Miroslav Krejci was born on the 4th of November, 1891 in Rychnov nad Kn??nou (a small town situated in the eastern part of Bohemia of the Czech Republic). There, he also attended high school. After graduation he travelled to Prague, studying natural science, geography and musicology at Charles University. At the Conservatory he studied composition under Vitezslav Novak. Krejci also became a teacher at a few grammar schools in the Czech republic. He died on the 29th of December 1964 in Prague. Miroslav Krejci created music for many various ensembles and his compositions are among the most prolific of Czech composers. For example, he composed the following: two Operas: The Summer and The Last Hetman, two Symphonies, string quartets, sonatas for violins, trios for wind instruments, sonatinas for brasswind instruments and piano and five piano cycles. He wrote many vocal compositions, especially for chorus. Krejci also created many arrangements of folk songs for chorus and for solo voice with piano accompaniment. The Sonatina for Trombone and Piano was composed in 1948. It was first performed on the occasion of the composer's birthday.
$27.50
Those Were The Days
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Trombone et Piano
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AVANCÉ
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Comédie Musicale
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Charles Strouse
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Fishel Pustilnik
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Those Were The Days
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F & N Enterprise
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.633872 Composed by Charles Strouse. Arranged by Fishel Pustilnik. Broadway. Score and part. 8 pages. F & N Enterprise...
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Piano,Trombone - Level 5 - SKU: A0.633872 Composed by Charles Strouse. Arranged by Fishel Pustilnik. Broadway. Score and part. 8 pages. F & N Enterprise #3471443. Published by F & N Enterprise (A0.633872). An excellent arrangement of famous Song Those Were The Days for Trombone and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
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