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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
SYMPHONY
Non classifié
231
Piano & claviers
Piano seul
68
Orgue
23
2 Pianos, 4 mains
12
Accordéon
2
Piano Facile
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano, Voix et Guitare
1
1 Piano, 4 mains
1
Piano, Voix
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
2 Guitares (duo)
1
Voix
Chorale SATB
17
Voix Soprano, Piano
2
Chorale SSATB
1
Voix Alto, Piano
1
Chorale 2 parties
1
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
Clarinette
20
Hautbois (partie séparée)
18
Ensemble de saxophones
17
Ensemble de Clarinettes
14
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
10
Flute (partie séparée)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Clarinettes: 4 clarinettes
5
Flûte traversière
4
Saxophone Alto
3
Clarinette (partie séparée)
3
Saxophone (partie séparée)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Piano (duo)
2
Hautbois
2
Ensemble de Flûtes
2
Flûte et Guitare
1
Clarinette, Violon (duo)
1
3 Clarinettes (trio)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
2 Clarinettes (duo)
1
2 Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière et Piano
1
Clarinette et Piano
1
Quintette de Saxophone: 5 saxophones
1
Clarinette Basse, Piano
1
Saxophone Alto et Piano
1
Piccolo
1
+ 27 instrumentations
Retracter
Cuivres
Cor
33
Ensemble de Trombones
19
Trompette
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trombone et Piano
7
Trompette (partie séparée)
6
Cor et Piano
5
Trombone basse et Piano
5
Tuba
4
Cor (partie séparée)
4
Trombone (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Trombone et orchestre
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Tuba et Piano
2
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse
1
Trombone, Orgue
1
Cor Anglais
1
Ensemble de Trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon
26
Violoncelle
16
Contre Basse
13
Alto seul
11
2 Violons (duo)
10
Violon et Piano
10
Violoncelle, Piano
4
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Violon, Alto (duo)
1
Alto, Piano
1
Violoncelle, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Orchestre
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre
310
Orchestre d'harmonie
70
Orchestre de chambre
43
Orchestre à Cordes
33
Ensemble de cuivres
24
Ensemble de Percussions
12
Ensemble Jazz
4
Percussion (partie séparée)
3
Batterie
3
Caisse Claire
1
Marimba
1
Cloches
1
+ 7 instrumentations
Retracter
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ACCORDEON
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CLAIRON
CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Trombone et Piano
Partitions à imprimer
7 partitions trouvées
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1
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.27 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Concertino for Trombone & Piano, "Devil or Angel?"
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792589 Composed by Ian McDougal…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792589 Composed by Ian McDougall. 20th Century,Contemporary. Score and part. 24 pages. Gordon Cherry #5010287. Published by Gordon Cherry (A0.792589). Ian McDougall has written a stellar new major work entitled Concertino for Trombone with Piano accompaniment, Devil or Angel?. The composition is in three movements: I Cherub vs Imp II Guardian III Old Nick This new work was commissioned by his former student, Gordon Wolfe, Principal Trombonist of the Toronto Symphony. The Concertino is one of the featured works on Wolfe's beautiful new recording, REFLECTIONS. Here is what the composer says about his own work: The 'tritone' has been referred to as a dissonance for centuries, and has been called 'the devil in music'. This interval can be quite difficult to sing in tune, and can often grate on the ears, yet it can also have a great dramatic effect. It is tuly a 'devilish' little beast, and it is what inspired me. The devil's antagonist is surely an angel. So, imagine one's guardian angel on one shoulder, and 'Old Nick' on the other, battling for your conscience, and you will essentially have what this three movement piece is all about. Concertino is for very advanced performers and is about 15 minutes in length.
$27.50
25.35 €
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Trombone et Piano
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Ian McDougall
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Concertino for Trombone & Piano, "Devil or Angel?"
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Gordon Cherry
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SheetMusicPlus
Concertpiece for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792301 Composed by Mizesko, Ter…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. Gordon Cherry #4803945. Published by Gordon Cherry (A0.792301). Terry Mizesko has performed as the Bass Trombonist for the North Carolina Symphony since 1971. As well he is a noted composer and has had his works performed by a number of orchestras and well known musicians. The Concertpiece for Tenor Trombone and Piano composed in 2009 is an extensive work in a traditional yet contemporary Sonata style in four movements. The Concertpiece ends with an eloquent Epilog which sums up the entire work. Movement I is titled Intrada and is mostly in an Allegro Tempo.<BR> Movement II is titled Romanza marked Moderato e rubato Movement III is titled Danza Rustica and moves with quick rhythmic energy. Movement IV is titled Epilog, slow and evocative in nature. Concertpiece is about 27 minutes in length and can be performed by advanced musicians.
$22.50
20.74 €
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Trombone et Piano
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Mizesko, Terry
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Mizesko, Terry
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Concertpiece for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Situation Update - Suite for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810761 Composed by Fetter, Davi…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon Cherry (A0.810761). David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by composer Eric Ewazen. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire.
$25.00
23.05 €
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Trombone et Piano
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Fetter, David
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Situation Update - Suite for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Élégie Opus 17 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792623 Composed by Alexander Gl…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792623 Composed by Alexander Glazunov. Arranged by Ralph Sauer. 20th Century,Concert,Romantic Period,World. Score and part. 20 pages. Gordon Cherry #5040983. Published by Gordon Cherry (A0.792623). Young Glazunov had the special opportunity to meet Franz Liszt in 1884 while on a tour of Europe arranged by his publisher. Liszt was very impressed with the young Glazunov and arranged to have his 1st Symphony performed in Weimar. Upon hearing of Liszt’s death in 1886, Glazunov wrote this Élégie in his memory with the subtitile Une Pensée à François Liszt. The music embodies emotions of nostalgia, sweet remembrance and grief. This 8-minute jewel, originally for Cello and Piano has been beautifully arranged for Trombone by Ralph Sauer. For advanced performers.
$22.50
20.74 €
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Trombone et Piano
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Alexander Glazunov
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Ralph Sauer
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Élégie Opus 17 for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.35 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
#
SheetMusicPlus
Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Elizabeth Raum …
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Elizabeth Raum (1945-). 20th Century, Post- Romantic, Modern. Score, Solo Part. 13 pages. Published by Cherry Classics Music
Fantasy for Trombone and Piano was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos.<br> <br> Fantasy for Trombone is dramatic, lyrical and very expressive, making it an ideal recital choice.<br> <br> The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.<br> <br> Performers are Gordon Cherry, trombone and Joyce Cherry, piano from a live recital in 1986.Fantasy for Trombone and Piano was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos.<br> <br> Fantasy for Trombone is dramatic, lyrical and very expressive, making it an ideal recital choice.<br> <br> The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.<br> <br> Performers are Gordon Cherry, trombone and Joyce Cherry, piano from a live recital in 1986.
$25.00
23.05 €
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Trombone et Piano
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Elizabeth Raum (1945-)
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Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
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