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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4 HIM
Sheetmusicplus
Non classifié
900
Piano & claviers
Piano seul
559
Piano, Voix
340
Piano, Voix et Guitare
186
Orgue
75
Piano Facile
74
1 Piano, 4 mains
71
Instruments en Do
61
2 Pianos, 4 mains
40
Piano Trio: piano, violon, violoncelle
26
Accompagnement Piano
9
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
Clavier
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare
45
Guitare notes et tablatures
38
Ligne De Mélodie, (Paroles) et Accords
19
4 Guitares (Quatuor)
13
2 Guitares (duo)
7
Ukulele
5
Basse electrique
4
Guitare (partie séparée)
3
Banjo
2
Mandoline
2
Paroles et Accords
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
379
Chorale TTBB
35
Chorale Unison
34
Chorale 3 parties
33
Chorale SSAA
14
Voix Soprano, Piano
14
Chorale 2 parties
12
Voix duo
10
Pack Instrumental pour Chorale
8
Voix Alto, Piano
5
Voix duo, Piano
4
Voix seule
4
Voix Baryton, Piano
4
Chorale SSAATTBB
3
Voix Tenor, Piano
3
Voix haute
3
Voix moyenne, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
Voix Soprano
1
+ 16 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
110
Quatuor de Clarinettes: 4 clarinettes
69
2 Flûtes traversières (duo)
63
Flûte traversière et Piano
61
2 Saxophones (duo)
58
Clarinette et Piano
52
Hautbois, Piano (duo)
43
Saxophone Alto et Piano
39
Flûte traversière
37
Quatuor de Flûtes : 4 flûtes
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette
29
2 Clarinettes (duo)
28
Saxophone Tenor et Piano
25
Saxophone Soprano et Piano
24
Flûte, Hautbois, Clarinette, Basson
24
2 Hautbois (duo)
21
Ensemble de Flûtes
20
Saxophone, Clarinette (duo)
18
Ensemble de saxophones
18
Quintette de Saxophone: 5 saxophones
17
Saxophone Baryton, Piano
16
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Ensemble de Clarinettes
14
Clarinette Basse, Piano
13
Cor anglais, Piano
13
Clarinette, Trompette (duo)
11
Hautbois, Basson (duo)
11
Flûte, Clarinette (duo)
11
Clarinette et Alto
10
Saxophone (partie séparée)
10
Hautbois, Clarinette (duo)
10
Flûte, Trompette (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Hautbois
8
Flûte, Alto (duo)
8
Flûte, Violon
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Quatuor de Flûtes à bec
6
Clarinette, Basson (duo)
6
Saxophone Alto
6
Saxophone Tenor
5
Clarinette, Guitare (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte et Guitare
4
Trio de Flûtes: 3 flûtes
3
Hautbois et alto (duo)
3
Flûte à Bec
3
Clarinette, Violoncelle (duo)
3
Hautbois, Guitare (duo)
3
Flûte à bec Soprano
3
Hautbois, Violoncelle
3
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
3
Piccolo, Piano
3
3 Saxophones (trio)
3
Hautbois, violon (duo)
2
Flûte traversière, Basse continue
2
Flute (partie séparée)
2
Flûte, Hautbois, Clarinette (trio)
2
Cor anglais, Guitare (duo)
2
Flûte, Tuba (duo)
1
3 Clarinettes (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Contrebasse (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Clarinette (partie séparée)
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Violon
1
Flûte, Basson et Piano
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Basson
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trombone et Piano
39
Cor et Piano
38
Quatuor de cuivres: 4 trombones
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Piano
31
Trompette
19
2 Trombones (duo)
19
Euphonium, Piano (duo)
16
Trompette, Saxophone (duo)
16
2 Trompettes (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Tuba et Piano
13
Cor anglais, Piano
13
2 Cors (duo)
12
Trombone
11
Cor
11
Tuba
11
Quatuor de cuivres: 4 cors
11
Trompette, Trombone (duo)
9
Trompette (partie séparée)
8
Trombone (partie séparée)
8
Ensemble de Trombones
7
Quatuor de cuivres: 4 trompettes
5
2 Euphoniums (duo)
5
Cor (partie séparée)
4
2 Tubas (duo)
4
Ensemble de Cors
3
4 Tubas
3
Quatuor de Cuivres
3
Tuba (partie séparée)
2
Ensemble de Trompettes
2
Cor anglais, Guitare (duo)
2
Trombone basse
2
Trombone, Orgue
1
Trombone, Violon (duo)
1
Euphonium
1
Ensemble de Tubas
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon et Piano
89
Violoncelle, Piano
49
Alto, Piano
38
2 Violons (duo)
33
Violoncelle
29
Violon
27
Trio à Cordes: violon, alto, violoncelle
27
2 Violoncelles (duo)
26
Violon, Alto (duo)
20
Violon, Violoncelle (duo)
20
2 Altos (duo)
18
Contrebasse, Piano (duo)
16
4 Violoncelles
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Harpe
13
Alto seul
12
Contre Basse
10
2 Contrebasses (duo)
9
Quatuor à cordes: 4 violons
6
Violon (partie séparée)
5
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
3
2 Violons, Piano
3
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
2
4 Contrebasses
2
Ensemble de Violons
2
Violoncelle, Orchestre
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
2 Harpes (duo)
1
2 Altos, Piano
1
Flûte, Contrebasse (duo)
1
Ensemble d'Altos
1
Violoncelle (partie séparée)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
283
Cloches
243
Orchestre
116
Ensemble de cuivres
47
Orchestre à Cordes
45
Orchestre de chambre
42
Ensemble Jazz
24
Ensemble de Percussions
22
Batterie
18
Fanfare
6
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
2
Marimba
2
2 Marimbas
2
Batterie (partie séparée)
1
Vibraphone
1
Percussion (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
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39
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
4 HIM
SheetMusicPlus
Partitions à imprimer
39 partitions trouvées
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1
26
Crown Him with Many Crowns (Trombone Solo with Piano Accompaniment)
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Trombone et Piano
#
FACILE
#
Musique Sacrée
#
George Job Elvey
#
B
#
Crown Him with Many Crowns
#
Ben Dockery
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1184906 Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. Score...
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Piano,Trombone - Level 2 - SKU: A0.1184906 Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. Score and part. 4 pages. Ben Dockery #784586. Published by Ben Dockery (A0.1184906). Arranged for trombone solo with piano accompaniment. Great for preludes, offertories, postludes, lessons, and recitals. Especially well-suited for Easter services. Includes score and parts.
$3.99
Shimmering River, Starry Night (Trombone and Piano)
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
John A
#
Shimmering River, Starry Night
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John A. Dempsey
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.525030 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey ...
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Piano,Trombone - Level 4 - SKU: A0.525030 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey #6617251. Published by John A. Dempsey (A0.525030). Music mirroring the flowing beauty of rivers and the nighttime canvas of stars found on a magical, midsummer evening, this romantic duet for trombone and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: a prelude, unity candle music, a bridesmaid processional and a wedding recessional. Â Key: F major. Â 9 pages of music (that includes a separate two-page trombone part).
$7.99
Shimmering River, Starry Night (Trio for Trumpet, Trombone and Piano)
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
John A
#
Shimmering River, Starry Night
#
John A. Dempsey
#
SheetMusicPlus
Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 4 - SKU: A0.858780 By John A. Dempsey. By John A. Dempsey. Classical,Contemporary,Holiday,Wedding. ...
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Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 4 - SKU: A0.858780 By John A. Dempsey. By John A. Dempsey. Classical,Contemporary,Holiday,Wedding. Score and parts. 18 pages. John A. Dempsey #464078. Published by John A. Dempsey (A0.858780). Music mirroring the flowing beauty of rivers and nighttime canvas of stars found on a magical, midsummer evening, this romantic trio for Bb trumpet, trombone and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 14 pages of music (that includes separate two-page parts for trumpet and trombone).
$12.99
Hungarian Dance No. 4 for Two Trombones and Piano
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johannes Brahms
#
P
#
Hungarian Dance No. 4 for Two
#
Pete Strohm Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928173 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928173 Composed by Johannes Brahms. Arranged by P. F. Strohm. Contest,Festival,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Pete Strohm Music #6672693. Published by Pete Strohm Music (A0.928173). Johannes Brahms' Hungarian Dance No. 4, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. Performance time for Hungarian Dance No. 4 for Two Trombones and Piano is 4:52. Difficulty is Medium-Advanced. Member, ASCAP
$6.95
Whimsical Pieces for Trombone and Piano
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Trombone et Piano
#
AVANCÉ
#
Contemporain
#
Armand Russell
#
Whimsical Pieces for Trombone
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792038 Composed by Armand Russell. Contemporary. Score and part. 28 pages. Gordon Cherry #2080117. Published by Gordo...
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Piano,Trombone - Level 5 - SKU: A0.792038 Composed by Armand Russell. Contemporary. Score and part. 28 pages. Gordon Cherry #2080117. Published by Gordon Cherry (A0.792038). Armand Russell’s Whimsical Pieces for Trombone & Piano are in six short movements with alliterative titles that are mostly self-explanatory: 1. Problematic Prelude 2. Developing Dance 3. Introspective Interlude 4. Diverting Departure 5. Intrepid Intermezzo 6. Robust Rondo This imaginative 13-minute work is appropriate for advanced performers.
$25.00
3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Trombone and Piano
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
3rd Movement, Rondo, from Moza
#
Music-Scores.com
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.729595 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,H...
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Piano,Trombone - Level 4 - SKU: A0.729595 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Instructional,Wedding. Score and part. 15 pages. Music-Scores.com #337856. Published by Music-Scores.com (A0.729595). This Rondo from Mozart's 4th Concerto (originally for Horn) is very well known and adored, for its simple and humorous theme which was immortalised by the comedians Flanders and Swann in their song: I once had a whim and I had to obey it, to buy a french horn in a second-hand shop. For Trombone and Piano. Duration 4 minutes. Transcribed by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$3.95
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Sta...
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Piano,Trombone - Level 3 - SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards....
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Piano,Trombone - Level 3 - SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Peer Gynt Suite Complete for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards....
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Piano,Trombone - Level 4 - SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Giacomo Puccini
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Rob Bushnell
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E lucevan le stelle from "Tosc
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Rob Bushnell
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SheetMusicPlus
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1490460 Co...
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B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
I Write The Songs
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Trombone et Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549338 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8...
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Piano,Trombone - Level 3 - SKU: A0.549338 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486683. Published by jmsgu3 (A0.549338). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. S...
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Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria for Trombone & Piano
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Trombone et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and...
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Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Slumber Song
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Trombone et Piano
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FACILE
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Classique
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1910, he was considered a comp
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Gretchaninov
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Jane Frasier
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Slumber Song
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Jane Frasier
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1152638 Composed by Gretchaninov. Arranged by Jane Frasier. Classical. Score and part. 4 pages. Jane Frasier #752866....
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Piano,Trombone - Level 2 - SKU: A0.1152638 Composed by Gretchaninov. Arranged by Jane Frasier. Classical. Score and part. 4 pages. Jane Frasier #752866. Published by Jane Frasier (A0.1152638). Alexander Gretchaninov (1864-1956) was a Russian composer and he studied composition and orchestration with Rimsky-Korsakov. His works, especially those for voice, achieved considerable success within Russia, while his instrumental works enjoyed even wider acclaim. By 1910, he was considered a composer of such distinction that the Tsar had awarded him an annual pension.
$4.99
Handel: Largo from Xerxes for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sco...
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Piano,Trombone - Level 3 - SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone et Piano
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FACILE
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AntonÃn Dvořák
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Take My Hand, Precious Lord
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Thomas A
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Brent Olstad, ASCAP
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Take My Hand, Precious Lord
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Brent Olstad
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1207761 Composed by Thomas A. Dorsey. Arranged by Brent Olstad, ASCAP. Christian,Contemporary,Praise & Worship,Religi...
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Piano,Trombone - Level 3 - SKU: A0.1207761 Composed by Thomas A. Dorsey. Arranged by Brent Olstad, ASCAP. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 22 pages. Brent Olstad #805887. Published by Brent Olstad (A0.1207761). This classic modern spiritual is arranged for 4 trombones and piano. It is a fun and easily accessible arrangement for the intermediate player and features great harmonies, fun rhythms, and lots of interaction between parts. It is ideal for any church service, concert, or recital. Brent Olstad is a member of ASCAP and you can find him at www.brentolstadmusic.com. Look for Brent Olstad Music on Facebook, Instagram, YouTube and Twitter.
$19.99
Trombone Français for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Nathaniel Cleophas Davis
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Aaron Hettinga
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Trombone Français for T
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.792719 Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century,Folk,Jazz,Ragtime. Score and pa...
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Piano,Trombone - Level 4 - SKU: A0.792719 Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century,Folk,Jazz,Ragtime. Score and part. 10 pages. Gordon Cherry #6018175. Published by Gordon Cherry (A0.792719). Trombone Francais by African American composer, trombonist, bandleader and publisher Nathaniel Cleophas Shorty Davis was written in 1921 as a Trombone solo in the American genre of Ragtime featuring the trombone's patented glissando as the hook. These solos were also called smears or jazzes.Trombone Francais is one of five entertaining works from Davis' Trombone Family written between 1915 and 1921 and comes with the subtitle - A Trombone Novelty. Nathaniel Davis served in the U.S. forces in WW I and was stationed in France during his posting. His fond memories of the country inspired him to write this work after he returned home to America.This arrangement has been beautifully arranged by Aaron Hettinga for Trombone and Piano. It is playable by moderately advanced performers.Cherry Classics Music will be publishing the complete series of these works for Trombone and Piano by Davis arranged by Mr. Hettinga.Thanks to Douglas Yeo for his research and advice.
$12.50
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
6 BEAUTIFUL HYMNS, Set III & IV (Duets - Trombone and Piano with Parts)
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Gary Lanier
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6 BEAUTIFUL HYMNS, Set III &am
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The Lanier Company
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.615826 Composed by Various. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 47 pages. The Lanier Co...
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Piano,Trombone - Level 3 - SKU: A0.615826 Composed by Various. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 47 pages. The Lanier Company #3042007. Published by The Lanier Company (A0.615826). 6 BEAUTIFUL HYMNS, Set III & IV is a collection of 6 hymn arrangements by Gary Lanier for Trombone and Piano. The hymn titles are: (1) Just When I Need Him Most, (2) I Must Tell Jesus, (3) 'Tis So Sweet to Trust in Jesus, (4) It Is Well With My Soul, (5) Turn Your Eyes Upon Jesus, (6) Beneath the Cross of Jesus
$19.99
Pachelbel's Canon in D - Trombone and Piano - Simple Version (Individual Parts)
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Trombone et Piano
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FACILE
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Classique
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Tromb
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1222301 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renais...
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Piano,Tenor Trombone - Level 2 - SKU: A0.1222301 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renaissance. Score and part. 4 pages. Sheet Music To Play Editions #818566. Published by Sheet Music To Play Editions (A0.1222301). Pachelbel's Canon in D. Arrangement for Trombone and Piano in a simple version for beginners. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Can't Help Falling In Love
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Trombone et Piano
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DÉBUTANT
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Rock
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Rock
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Elvis Presley
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Idalmo Santos
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Can't Help Falling In Love
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Idalmo Santos
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.1086236 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Idalmo Santos. Pop,Roc...
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Piano,Trombone - Level 1 - SKU: A0.1086236 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Idalmo Santos. Pop,Rock. Score and part. 9 pages. Idalmo Santos #690434. Published by Idalmo Santos (A0.1086236). Can't Help Falling in Love is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc.[1] The melody is based on Plaisir d'amour,[3] a popular French love song composed in 1784 by Jean-Paul-Égide Martini. The song was initially written from the perspective of a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you.[4] Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. It has also been recorded by many other artists, including Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the US and UK charts. It was listed as one of the greatest songs by Rolling Stone, ranking #403 in the list's 2012 editio.
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