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--INSTRUMENTS--
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4 Movements From
Trombone et Piano
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12 partitions trouvées
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1
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Four Pieces Op. 40 for Tuba or Bass Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Tchaikovsky, Pytor Ilyich
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Sauer, Ralph
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Four Pieces Op. 40 for Tuba or
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 5 - SKU: A0.792169 Composed by Tchaikovsky, Pytor Ilyich. Arranged by Sauer, Ralph. Romantic P...
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Instrumental Duet Instrumental Duet,Trombone,Tuba - Level 5 - SKU: A0.792169 Composed by Tchaikovsky, Pytor Ilyich. Arranged by Sauer, Ralph. Romantic Period. Score and parts. 28 pages. Gordon Cherry #3879689. Published by Gordon Cherry (A0.792169). Ralph Sauer has beautifully arranged four movements from Tchaikovsky's Four Pieces Opus. 40 for Tuba or Bass Trombone and Piano: 1. Chanson Triste2. Valse 3. Rêverie interrompue 4. Danse russe These four movements, totaling fourteen minutes offer the artist a great deal of musical contrasts, ranging from lyrical, dramatic, dance-like, etc. An excellent collection of the Russian master's music for advanced performers of the Tuba or Bass Trombone.
$20.00
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Sonata No 1, Op. 120 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No 1, Op. 120 for Tromb
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792818 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry...
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Piano,Trombone - Level 5 - SKU: A0.792818 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6679905. Published by Gordon Cherry (A0.792818). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Trombone and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Trombone repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$30.00
Minuet - Pezold (Bach) + FREE Playback + PDF Solo and Piano Parts
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Trombone et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Minuet - Pezold
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Trombone - Level 1 - SKU: A0.1266685 By Fabio Eduardo de Oliveira. By Petzold. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Cent...
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Piano,Tenor Trombone - Level 1 - SKU: A0.1266685 By Fabio Eduardo de Oliveira. By Petzold. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #859363. Published by Fabio Eduardo (A0.1266685). FREE Download Backing TrackThe Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 Notebook for Anna Magdalena Bach, used to be attributed to Johann Sebastian Bach.
$1.99
Arioso by Bach for Trombone
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Trombone et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Trombone
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.1125993 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.1125993 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726721. Published by Woods Only, Arrangements (A0.1125993). This easy arrangement for trombone and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Vivaldi: The Four Seasons Complete for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.551445 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedd...
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Piano,Trombone - Level 5 - SKU: A0.551445 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 188 pages. Jmsgu3 #5205021. Published by jmsgu3 (A0.551445). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Adages II for Bass Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Adages II for Bass Trombone an
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 page...
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Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 pages. Sy Brandon #4886103. Published by Sy Brandon (A0.755280). Adages II is the second in a series of compositions based on familiar sayings. It is composed for Dr. Joseph Murrell and is for bass trombone and piano. There are five movements in this composition. 1. Strike while the iron is hot – This movement is in a fast tempo with a lot of syncopation and irregular meter change. The piano frequently plays two loud chords that indicate the striking. 2. Opposites attract – The opposites in this movement are a swing style and a classical style. Each has its moments to shine and yet one clearly influences the other. 3. Stop and Smell the roses – This movement is lyrical representing the beauty of smelling roses. A motif that contains rests is a reminder to stop and take time for the beautiful things in life. A contrapuntal middle section with steady sixteenth notes builds in intensity as another reminder that one needs to take time from the hectic pace of life to enjoy beauty. 4. Curiosity killed the cat – This movement is mostly soft, staccato, and furtive representing the curiosity of the cat. A loud chord or succession of chords indicates the cat getting into trouble. This happens a total of nine times representing the cat’s nine lives before the cat is finally doomed. 5. Look before you leap – As the adage implies, there are a lot of melodic leaps in this movement. Any scalar material or repeated note figures serve as a warning to look before one leaps.
$14.99
Debussy Menuet and Passepied for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Claude Debussy
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Ralph Sauer
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Debussy Menuet and Passepied f
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1412589 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Score and part. 24 pages. Gordon Che...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1412589 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Score and part. 24 pages. Gordon Cherry #994606. Published by Gordon Cherry (A0.1412589). Menuet and Passepied movements have been beautifully arranged by Ralph Sauer for Trombone and Piano. These two lovely miniatures are taken from the Suite Bergamasque composed by Claude Debussy, originally composed for the Piano between 1890 and 1905. The Menuet is non-Baroque-like and with all the embellishments is more like an arabesque.The Passepied also a dance, is fast and light with a 3 against 4 polyrhythm. (Wikipedia).This work is suitable for advanced performers.
$25.00
Christchurch Variations for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephen Lines
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Christchurch Variations for Tr
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Stephen Lines
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.957735 Composed by Stephen Lines. Contemporary. Score and part. 26 pages. Stephen Lines #26253. Published by Stephen ...
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Piano,Trombone - Level 4 - SKU: A0.957735 Composed by Stephen Lines. Contemporary. Score and part. 26 pages. Stephen Lines #26253. Published by Stephen Lines (A0.957735). This piece was composed for Will Hutchinson, an up-and-coming young trombonist from Christchurch, New Zealand. It is in three movements, the first is chorale-like and calls for a rich tone together with excellent lyrical interpretation - a fine opportunity to bring the romantic element to the fore. The second movement is a waltz and great fun for the player(s) and the audience. The third movement gives the soloist the opportunity to show his or her musicianship and is much loved by audiences. For the soloist and pianist this is not a technically difficult piece to play - but it provides an excellent opportunity to interpret the music and draw the audience in.
$17.50
Sonata No. 1 for Bass Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 1 for Bass Trombone
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Pete Strohm Music
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SheetMusicPlus
Bass Trombone,Piano - Level 4 - SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. ...
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Bass Trombone,Piano - Level 4 - SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 40 pages. Pete Strohm Music #852535. Published by Pete Strohm Music (A0.1259263). Sonata No. 1 for Bass Trombone and Piano from American composer P. F. Strohm is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies.The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Dedicated to trombonist Eric Wallace, it's difficulty level is medium-advanced. Sonata No. 1 for Bass Trombone and Piano is perfect for bass trombone recital or contest. Total performance time is 13:35.  Member, ASCAP.
$13.00
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