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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As Long As You Love Me
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127
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77
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55
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34
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15
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14
Orgue
2
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2
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2
Piano grosses notes
2
2 Pianos, 4 mains
1
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
3
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3
Ukulele
2
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1
2 Guitares (duo)
1
Mandoline
1
Basse electrique
1
+ 2 instrumentations
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24
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8
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7
Chorale Unison
5
Voix Soprano, Piano
3
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3
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1
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1
Voix duo
1
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Vents
2 Saxophones (duo)
12
2 Flûtes traversières (duo)
8
2 Clarinettes (duo)
8
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5
Saxophone (partie séparée)
5
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5
Saxophone Tenor et Piano
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Saxophone Alto
3
Flûte traversière
3
Clarinette
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
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2
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2
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2
Hautbois, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Clarinette et Piano
1
Flute (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Alto et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
5 Flûtes à bec
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
3 Flûtes à bec (trio)
1
Flûte, Violon
1
+ 33 instrumentations
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Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor
3
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3
Trompette
3
Trombone
3
Euphonium
2
Trombone et Piano
2
Trompette, Trombone (duo)
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors Anglais Et Pianoforte
1
2 Trombones (duo)
1
Tuba
1
Ensemble de Tubas
1
+ 11 instrumentations
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Violon
44
Quatuor à cordes: 2 violons, alto, violoncelle
16
2 Violons (duo)
7
Violon, Alto (duo)
6
Violon et Piano
5
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
3
Alto seul
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Voix
2
Alto, Piano
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Alto (partie séparée)
1
Contre Basse
1
Violon (partie séparée)
1
+ 13 instrumentations
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Orchestre d'harmonie
4
Ensemble de cuivres
4
Orchestre
4
Batterie
2
Orchestre de chambre
2
Ensemble Jazz
2
Cloches
2
Orchestre à Cordes
2
Jazz combo
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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As Long As You Love Me
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Partitions à imprimer
2 partitions trouvées
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50 Greatest Hymns for Trombone Solo with Piano Accompaniment
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Trombone et Piano
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FACILE
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Various
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B
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50 Greatest Hymns for Trombone
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Ben Dockery
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1509388 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score and part....
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Piano,Tenor Trombone - Level 2 - SKU: A0.1509388 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score and part. 207 pages. Ben Dockery #1084627. Published by Ben Dockery (A0.1509388). These fifty classic hymns have been arranged for trombone solo with piano accompaniment. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. Includes both scores and individual parts.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$24.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
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