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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
306
Piano & claviers
Piano seul
150
Piano, Voix
91
Orgue
40
Piano, Voix et Guitare
22
Piano Facile
18
Instruments en Do
9
Piano grosses notes
8
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
12
Basse electrique
3
Ukulele
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Banjo
1
Mandoline
1
Ukulele Baryton
1
2 Guitares (duo)
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
146
Chorale 2 parties
26
Chorale 3 parties
26
Chorale Unison
17
Voix duo, Piano
14
Chorale TTBB
12
Chorale SSAA
10
Pack Instrumental pour Chorale
8
Voix duo
7
Voix haute
3
Voix Alto, Piano
3
Chorale
2
Voix Tenor
1
Voix basse
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
30
Flûte, Hautbois, Clarinette, Basson
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Ensemble de Clarinettes
18
2 Clarinettes (duo)
17
Quatuor de Saxophones: 4 saxophones
14
Clarinette et Piano
14
Ensemble de Flûtes
13
Flûte traversière et Piano
13
Quatuor de Flûtes : 4 flûtes
13
Saxophone Alto et Piano
10
2 Flûtes traversières (duo)
8
Hautbois, Piano (duo)
7
2 Saxophones (duo)
7
Flûte traversière
6
Clarinette
6
3 Clarinettes (trio)
5
Saxophone Tenor et Piano
5
Flûte, Clarinette (duo)
5
Ensemble de saxophones
5
Quintette de Saxophone: 5 saxophones
4
Clarinette, Violon (duo)
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Flûte, Clarinette et Basson
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette, Piano (trio)
2
Hautbois (partie séparée)
2
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Guitare (duo)
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Saxophone Alto
2
Flute, harpe et violon
2
Flûte, Hautbois, Clarinette (trio)
2
3 Saxophones (trio)
2
Saxophone Soprano et Piano
1
Flûte, Hautbois (duo)
1
2 Hautbois (duo)
1
2 Clarinettes, Piano
1
Hautbois, Flûte
1
Saxophone Baryton, Piano
1
Saxophone Tenor
1
2 Flûte à bec (duo)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette et Alto
1
Cor anglais, Piano
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quatuor de cuivres: 4 trombones
14
Trompette, Piano
8
Trombone et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
4
Trompette
4
4 Tubas
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
3
Trompette, Saxophone (duo)
2
Tuba et Piano
2
3 Trompettes (trio)
2
Ensemble de Trombones
2
2 Trompettes (duo)
2
Cor et Piano
2
Euphonium, Piano (duo)
1
Trompette, Basson (duo)
1
3 Trombones (trio)
1
Trombone
1
Tuba et Orgue
1
Tuba
1
2 Trombones (duo)
1
Cor anglais, Piano
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
25
2 Violons (duo)
10
Harpe
9
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
8
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
Violoncelle, Piano
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
6
Violon, Alto (duo)
5
Violon
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Violoncelle
3
Trio à cordes: 3 violins
3
Violon (partie séparée)
2
Harpe, Voix
2
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Ensemble d'Altos
1
4 Contrebasses
1
Ensemble de Violons
1
Alto seul
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
43
Batterie
27
Orchestre
25
Orchestre à Cordes
24
Ensemble de cuivres
16
Orchestre de chambre
15
Cloches
14
Ensemble Jazz
7
Ensemble de Percussions
5
Vibraphone
1
Fanfare
1
Jazz combo
1
Orchestre, Violon
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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POP ROCK - ROCK CLAS…
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Trombone et Piano
Partitions à imprimer
8 partitions trouvées
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1
Prayer for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Friedrich August Belcke
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Niels_Ole Bo Johansen
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Prayer for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.792705 Composed by Friedrich August Belcke. Arranged by Niels_Ole Bo Johansen. Praise & Worship,Romantic Period. Scor...
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Piano,Trombone - Level 3 - SKU: A0.792705 Composed by Friedrich August Belcke. Arranged by Niels_Ole Bo Johansen. Praise & Worship,Romantic Period. Score and part. 4 pages. Gordon Cherry #5828295. Published by Gordon Cherry (A0.792705). German-born Friedrich August Belcke was the first trombone virtuoso. He performed in the famous Gewandhaus orchestra of Leipzig and then the Royal orchestra of Berlin for over 42 seasons. His many compositions from the mid 19th Century are beginning to be unearthed. Prayer for Trombone and Piano has been edited by Niels-Ole Bo Johansen who has brought this work back to life. It is a serious work in the German Romantic style of moderate difficulty marked Adagio Religioso. This composition may likely have been dedicated in praise of the Danish King.
$15.00
50 Greatest Hymns for Trombone Solo with Piano Accompaniment
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Trombone et Piano
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FACILE
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Various
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B
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50 Greatest Hymns for Trombone
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Ben Dockery
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1509388 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score and part....
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Piano,Tenor Trombone - Level 2 - SKU: A0.1509388 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score and part. 207 pages. Ben Dockery #1084627. Published by Ben Dockery (A0.1509388). These fifty classic hymns have been arranged for trombone solo with piano accompaniment. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. Includes both scores and individual parts.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$24.99
Gregory Sullivan Isaacs: The Angel's Pavanne for trombone and piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The A
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.533520 Composed by Gregory Sullivan Isaacs. Christian,Concert,Contemporary,Standards. Score and part. 9 pages. Musik ...
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Piano,Trombone - Level 4 - SKU: A0.533520 Composed by Gregory Sullivan Isaacs. Christian,Concert,Contemporary,Standards. Score and part. 9 pages. Musik Fabrik Music Publishing #3006669. Published by Musik Fabrik Music Publishing (A0.533520). After silence, that which comes nearest to expressing the inexpressible is music - Aldous HuxleyWritten at the request of horn player David Cooper as a gift to Cliburn winner Vadym Kholodenko,when his children were killed. This became the second movement of the composer's horn sonata,which was nearly finished at the time.The Pavane can be presented by itself as a single piece and is especially suitable for anysolemn occasion (memorial services, funerals, commemorations)
$12.95
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
The Troll Arrives
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Trombone et Piano
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FACILE
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Lori Archer Sutherland
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The Troll Arrives
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Lori Archer Sutherland
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.765027 Composed by Lori Archer Sutherland. Chamber,Children,Contemporary,Contest,Festival,Halloween. Score and part. ...
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Piano,Trombone - Level 2 - SKU: A0.765027 Composed by Lori Archer Sutherland. Chamber,Children,Contemporary,Contest,Festival,Halloween. Score and part. 6 pages. Lori Archer Sutherland #4839529. Published by Lori Archer Sutherland (A0.765027). They’re big, they’re strong, they’re smelly. Trolls have a certain reputation in stories. When one arrives near town, it may sound a bit jarring!For trombone or baritone/euphonium.The Troll Arrives features interplay between the soloist and the piano accompaniment and introduces tonalities that, at first, may not be what the listener expects. Suitable for solo and ensemble contest.
$4.99
Away In A Manger: for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3...
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Piano,Trombone - Level 1 - SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386541. Published by jmsgu3 (A0.548479). Traditional Christmas song arranged for Trombone & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
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