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73
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11
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2
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9
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7
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6
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5
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1
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1
Clarinette, Harpe (duo)
1
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1
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1
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1
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1
Flûte, Violon, Violoncelle et Piano
1
Saxophone Soprano
1
Clarinette Basse, Piano
1
Flûte à bec Soprano, Piano
1
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1
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1
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1
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1
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Hautbois, Violoncelle
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6
Trombone
6
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5
2 Trompettes (duo)
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5
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4
Cor anglais, Piano
4
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4
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3
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1
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44
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29
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9
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8
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7
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2 Harpes (duo)
6
2 Violons (duo)
6
Alto seul
6
Trio à Cordes: 2 violons, violoncelle
6
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5
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
4 Violoncelles
2
Contre Basse
2
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2
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2
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1
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1
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54
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Vous avez sélectionné:
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Trombone et Piano
Partitions à imprimer
8 partitions trouvées
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1
First Three Notes - Three Blind Mice - Mary Had a Little Lamb - trombone and piano
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Trombone et Piano
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DÉBUTANT
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Anon
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Phil Beaman
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First Three Notes - Three Blin
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Phil Beaman
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.1204844 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part....
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Piano,Trombone - Level 1 - SKU: A0.1204844 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part. 4 pages. Phil Beaman #803210. Published by Phil Beaman (A0.1204844). You have just learned how to finger and play the first three notes on your instrument.  Now it is time for your first easy piece for performance!  My booklet  First Three Notes contains my arrangements of two well known tunes, Three Blind Mice and Mary Had a Little Lamb.  Prepared for the earliest beginners, it uses only the first three notes you learned on your instrument, and also uses only crotchet notes (quarter notes) and crotchet rests (quarter rests).  The piano accompaniment fills it out with simple but richly updated harmony.  4 pages, with cover, scores, parts1:30 minutes, totalAlso available on this site, I have transposed this booklet for most of the traditional instruments that I know.
$2.99
Blinding Lights
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Trombone et Piano
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INTERMÉDIAIRE
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The Weeknd
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Samuel Sequeira
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Blinding Lights
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Samuel Sequeira
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1183726 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Sa...
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Piano,Trombone - Level 3 - SKU: A0.1183726 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Samuel Sequeira. Disco,Pop,Rock,Singer/Songwriter. Score and part. 14 pages. Samuel Sequeira #783413. Published by Samuel Sequeira (A0.1183726). Blinding Lights - The Weeknd - SheetMusicPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.More arrangements on the link: Sam'S arrangementsBlinding Lights - The Weeknd - TrombonePiano + Instrument sheet music and Instrument part avaiable on this sale, with playalong youtube linkContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
$4.99
Blinding Lights
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Trombone et Piano
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DÉBUTANT
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Pop musique
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Soul/R&B
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The Weeknd
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André Laitano
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Blinding Lights
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Trombone - Level 1 - SKU: A0.706523 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Marti...
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Instrumental Duet Instrumental Duet,Piano,Trombone - Level 1 - SKU: A0.706523 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by André Laitano. Pop,R & B. Score and parts. 12 pages. ANDRÉ DOS SANTOS #6247457. Published by ANDRÉ DOS SANTOS (A0.706523). The Weeknd - Blinding Lights (Trombone Solo)
$4.99
Jingle Bells for Trombone & Piano
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Trombone et Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Trombone &
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3...
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Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408227. Published by jmsgu3 (A0.548658). Jingle Bells arranged for trombone & piano featuring an unusual final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Blessed Assurance, Gospel Hymn for Trombone (Treble Clef in B Flat) and Piano
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Trombone et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Fanny J
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David McKeown
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Blessed Assurance, Gospel Hymn
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.592679 Composed by Fanny J. Crosby. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sc...
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Piano,Trombone - Level 2 - SKU: A0.592679 Composed by Fanny J. Crosby. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411565. Published by David McKeown (A0.592679). Blessed Assurance is a beautiful hymn arranged here for Solo Trombone (Treble Clef in b Flat) and Piano.Blessed Assurance was written by the blind hymn writer Fanny Crosby and her friend Phoebe Knapp in 1873, and first published in the same year.
$2.49
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
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