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--INSTRUMENTS--
ACCORDEON
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BANJO
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TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
Child Of God
Sheetmusicplus
Non classifié
385
Piano & claviers
Piano seul
120
Piano Facile
104
Piano, Voix
84
Piano, Voix et Guitare
63
Orgue
19
Accompagnement Piano
8
Instruments en Do
7
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
11
Guitare
4
Ukulele
4
Paroles et Accords
3
2 Guitares (duo)
1
Basse electrique
1
Piano, Guitare (duo)
1
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242
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175
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54
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45
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12
Voix seule
8
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7
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6
Voix Soprano, Piano
4
Voix haute
3
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Chorale
1
Voix Tenor, Piano
1
Voix duo
1
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Vents
Flûte traversière et Piano
14
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor et Piano
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Piano (duo)
6
2 Saxophones (duo)
6
Saxophone Alto et Piano
5
2 Flûtes traversières (duo)
5
Flûte, Clarinette (duo)
5
Clarinette et Piano
4
Saxophone Tenor
4
2 Clarinettes (duo)
4
Flûte traversière
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto
3
Ensemble de Flûtes
3
Ocarina
3
Clarinette
3
Clarinette, Basson (duo)
2
Saxophone Soprano et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano
2
Hautbois, Guitare (duo)
2
Saxophone (partie séparée)
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Saxophone Soprano
1
Hautbois, Clarinette (duo)
1
Flute, harpe et violon
1
Saxophone Baryton, Piano
1
Quintette de Flûte : 5 flûtes
1
2 Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
+ 38 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trombone et Piano
5
Trompette
5
2 Trombones (duo)
4
Cor
4
Trio de Cuivres
3
Quatuor de Cuivres
3
Trompette, Piano
3
2 Trompettes (duo)
3
2 Cors (duo)
2
Trombone
2
Cor et Piano
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Piano
1
Tuba
1
2 Tubas (duo)
1
+ 18 instrumentations
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Cordes
Violon et Piano
31
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violoncelle, Piano
12
2 Violons (duo)
9
2 Violoncelles (duo)
8
Violon, Alto (duo)
8
2 Altos (duo)
7
Alto, Piano
6
Violoncelle, Contrebasse (duo)
6
Harpe
6
Violon, Violoncelle (duo)
6
Alto, Violoncelle (duo)
5
Alto seul
5
Violoncelle
4
Contrebasse, Piano (duo)
4
2 Contrebasses (duo)
3
Harpe, Voix
3
Trio à Cordes: violon, alto, violoncelle
3
Violon
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
66
Cloches
24
Orchestre
19
Ensemble Jazz
7
Ensemble de cuivres
5
Orchestre à Cordes
3
Jazz combo
2
Orchestre de chambre
2
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Batterie
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Vous avez sélectionné:
Child Of God
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
Mother Goose Suite - Five Children's Pieces for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Maurice Ravel
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Ralph Sauer
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Mother Goose Suite - Five Chil
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811170 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. Score and part. 28 pages. Gordon Cherry #580...
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Piano,Trombone - Level 5 - SKU: A0.811170 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. Score and part. 28 pages. Gordon Cherry #5800869. Published by Gordon Cherry (A0.811170). Ravel's Mother Goose was composed in 1908 as a suite of five piano duets for the children of his friends, the Godebski's. They are based on the well-known story first published in 1697. In 1911 Ravel arranged them in a longer format for a ballet orchestra. The music has a magical childlike quality to it of innocence and simplicity. The group of five pieces are entitled: 1. Pavane of the Sleeping Beauty in the forest 2. Little Tom Thumb 3. Laideronnette, Empress of the Pagodas 4. Conversation between Beauty and the Beast 5. The Enchanted Garden Ralph Sauer has worked his magic on this masterpiece, creating an extraordinary arrangement for Trombone and Piano. For advanced performers and about 16 minutes in length.
$27.50
God Help The Outcasts
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Trombone et Piano
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Film Walt Disney
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Bette Midler
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Stephen DeCesare
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God Help The Outcasts
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Exultet Music
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SheetMusicPlus
Piano,Trombone - SKU: A0.497382 By Bette Midler. By Alan Menken and Stephen Schwartz. Arranged by Stephen DeCesare. Broadway,Children,Film/TV,Musical/Sh...
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Piano,Trombone - SKU: A0.497382 By Bette Midler. By Alan Menken and Stephen Schwartz. Arranged by Stephen DeCesare. Broadway,Children,Film/TV,Musical/Show,Pop,Sacred. Score and part. 11 pages. Published by Exultet Music (A0.497382). The somber song song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 34th animated feature film The Hunchback of Notre Dame has been freshly arranged for a Trombone solo with Piano accompaniment. Accessible and appropriate for any school, concert or audition setting.
$4.99
Morning Has Broken
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Trombone et Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3...
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Piano,Trombone - Level 1 - SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415223. Published by jmsgu3 (A0.548748). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
The First Noel for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Trombone &a
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Trombone - Level 1 - SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387395. Published by jmsgu3 (A0.548503). The First Noel arranged for Trombone & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trombone Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
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