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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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EUPHONIUM
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117
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186
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156
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28
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15
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7
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3
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2
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2
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1
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1
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1
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1
2 Pianos, 4 mains
1
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6
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3
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1
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1
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1
4 Guitares (Quatuor)
1
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1
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43
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14
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13
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11
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5
Voix duo, Piano
3
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3
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1
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1
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1
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1
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36
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31
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13
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9
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9
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7
2 Flûtes traversières (duo)
5
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5
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4
Saxophone Alto
4
Clarinette
4
Hautbois, Piano (duo)
4
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3
2 Saxophones (duo)
3
Saxophone Alto et Piano
3
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3
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3
Saxophone Tenor
3
2 Clarinettes (duo)
3
Clarinette, Guitare (duo)
2
Flûte, Clarinette (duo)
2
Hautbois
2
Clarinette et Piano
2
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Basson (duo)
1
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
2 Hautbois (duo)
1
Piccolo
1
Ensemble de Flûtes
1
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1
Flûte, alto et harpe
1
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26
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19
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13
Tuba (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
6
Trompette, Piano
4
Trompette, violon (duo)
3
Ensemble de Trombones
3
Trombone et Piano
3
Trombone
3
Cor
3
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors (duo)
1
Tuba
1
3 Trompettes (trio)
1
Euphonium, Piano (duo)
1
2 Tubas (duo)
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
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15
Violon et Piano
11
Violon (partie séparée)
6
Contrebasse (partie séparée)
3
Violon, Violoncelle (duo)
3
Violon
3
Harpe
3
Violoncelle, Piano
2
Alto seul
2
2 Violoncelles (duo)
2
Violoncelle
2
2 Altos (duo)
2
2 Violons (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Alto, Piano
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
2 Contrebasses (duo)
1
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157
Orchestre
25
Cloches
24
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22
Orchestre à Cordes
9
Ensemble de cuivres
6
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5
Ensemble Jazz
5
Percussion
4
Orchestre de chambre
3
Fanfare
2
Jazz combo
2
Batterie
2
Timbales
1
Ensemble de Percussions
1
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Trombone et Piano
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Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Trombone Concerto-Miami, 3 movements
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Trombone et Piano
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Contemporain
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Dan Cutchen
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Trombone Concerto-Miami, 3 mov
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Dan Cutchen Music
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SheetMusicPlus
Piano,Trombone - SKU: A0.844282 Composed by Dan Cutchen. Contemporary. Score and part. 26 pages. Dan Cutchen Music #2961177. Published by Dan Cutchen Mu...
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Piano,Trombone - SKU: A0.844282 Composed by Dan Cutchen. Contemporary. Score and part. 26 pages. Dan Cutchen Music #2961177. Published by Dan Cutchen Music (A0.844282). Trombone solo with piano accompaniment. 3 movements.Time: between 10:30 and 11 minutes long.For advanced high school/college/professional trombonist and advanced pianist.Piano score with trombone part and Trombone solo parts.The movements progress from harmonic simplicity to complexity. The first movement makes slow harmonic changes in contrast to a constant 8th note pattern throughout. As the movement concludes, the notes become less and spaced farther apart.The second movement echoes fragments of the 1st movement but ramps up the rhythmic complexity.The third movement is the most complex harmonically. There is a short section in the middle where the soloist has the option to sing/hum through the instrument while playing.
$14.95
My Song Is Love Unknown - for Trombone, Baritone Horn, or Euphonium and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Ron Planting
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My Song Is Love Unknown - for
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Converging Prospect Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1175016 Composed by Ron Planting. Sacred. Score and part. 6 pages. Converging Prospect Music #775147. Published by Co...
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Piano,Trombone - Level 3 - SKU: A0.1175016 Composed by Ron Planting. Sacred. Score and part. 6 pages. Converging Prospect Music #775147. Published by Converging Prospect Music (A0.1175016). This would still likely be John Ireland's most-loved hymn tune -- even if he had written more than one! The arrangement echoes the yearning to comprehend that's expressed in Samuel Crossman's text. Includes an extra euphonium part in treble clef. Also available as a solo for many other orchestral and band instruments. Approximate duration: Â 3 minutes.
$4.95
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