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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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BASSON
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27
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1 Piano, 4 mains
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1
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1
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1
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Trombone et Piano
4
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4
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3
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3
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Quatuor à cordes: 2 violons, alto, violoncelle
16
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7
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Harpe
7
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2 Violons (duo)
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6
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4
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3
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2 Violoncelles (duo)
3
2 Altos (duo)
2
Alto seul
2
Trio à Cordes: 2 violons, alto
1
Violoncelle
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Violoncelle, Orgue
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Alto (partie séparée)
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44
Orchestre
15
Orchestre à Cordes
5
Orchestre de chambre
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Marimba
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Batterie
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AUTRES
Vous avez sélectionné:
Four variations on
Trombone et Piano
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Sonata for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792532 Composed by Armand Russe…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792532 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 33 pages. Gordon Cherry #5008359. Published by Gordon Cherry (A0.792532). The first movement, Prologue, consists of an Exposition (bars 1-42) with a main theme followed by four development sections and ending with a return to the main theme before a short coda. The second movement, Variants is a set of seven variations on the theme presented in the opening with descriptive terms pointing out the contrasts between the variations. The final movement is titled an Epilogue follows the general structure of ABCDCEBA which is a modified arch form with an abundant use of dance-like syncopated rhythms but a lyric and less active middle section D for contrast. This work of about 17 minutes in length is suitable for advanced performers.
$22.50
20.31 €
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Trombone et Piano
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Armand Russell
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Sonata for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - trombone and piano by Jean-Thierry Boisseau
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.533223 Composed by Traditional …
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Piano,Trombone - Level 2 - Digital Download SKU: A0.533223 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Folk,Holiday,Standards,World. Score and part. 13 pages. Musik Fabrik Music Publishing #2080125. Published by Musik Fabrik Music Publishing (A0.533223). This is an arrangement of the famous Welsh lullaby.This work for trombone and piano is not at all a set of variations on a theme, because the trombone always plays, without embellishment, the same sixteen-measuresequence four times. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the trombonist to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!
$8.95
8.08 €
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Trombone et Piano
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - trombone and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Wachet auf for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebas…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.52 €
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Trombone et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone & Piano
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jmsgu3
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
24.82 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
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