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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fuga 5
Non classifié
20
Piano & claviers
Piano seul
38
Orgue
17
2 Pianos, 4 mains
1
Clavecin
1
Piano, Voix et Guitare
1
Piano, Voix
1
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
+ 3 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
1
Voix
Chorale SATB
4
Chorale TTBB
2
Chorale SSAA
1
Vents
Quintette de Saxophone: 5 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Saxophones (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes à bec
2
2 Hautbois (duo)
2
2 Clarinettes (duo)
2
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
2 Flûtes traversières (duo)
1
5 Flûtes à bec
1
Flûte traversière et Piano
1
+ 10 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Ensemble de Trompettes
3
Trombone et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors (duo)
1
Ensemble de Trombones
1
Ensemble de Cors
1
4 Tubas
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
2 Violoncelles (duo)
3
Violon
2
Ensemble de Violons
1
Trio à Cordes: violon, alto, violoncelle
1
Alto, Piano
1
2 Violons (duo)
1
Ensemble d'Altos
1
2 Altos (duo)
1
+ 4 instrumentations
Retracter
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Orchestre à Cordes
6
Orchestre
3
Orchestre d'harmonie
3
Ensemble de Percussions
2
Ensemble de cuivres
2
Orchestre de chambre
2
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Fuga 5
Trombone et Piano
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Pequena Suite for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792523 Composed by Heitor Villa…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792523 Composed by Heitor Villa-Lobos. Arranged by Ralph Sauer. 20th Century,Contemporary,Romantic Period. Score and part. 23 pages. Gordon Cherry #5008305. Published by Gordon Cherry (A0.792523). Villa-Lobos' Pequena Suite is an early work written in 1913 originally composed for Cello and has been arranged for Trombone and Piano by Ralph Sauer. The Suite of six movements are titled: 1. Romancette 2. Legendária 3. Harmonias soltas 4. Fugato (all’antica) 5. Melodia 6. Gavotte-Scherzo The movements alternate slow-fast-slow-fast, etc., the slow movements are serious and contemplative and the fast ones are playful and bouncy. The complete work is about 13 minutes in length and suitable for advanced performers.
$22.50
20.74 €
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Trombone et Piano
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Heitor Villa-Lobos
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Ralph Sauer
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Pequena Suite for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.27 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
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