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Going Down Slow
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Vous avez sélectionné:
Going Down Slow
Trombone et Piano
Partitions à imprimer
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Perplexing and Perilous Pieces for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Armand Russell
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Perplexing and Perilous Pieces
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.792690 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 12 pages. Gordon Cherry #5760077. Publi...
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Piano,Trombone - Level 3 - SKU: A0.792690 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 12 pages. Gordon Cherry #5760077. Published by Gordon Cherry (A0.792690). Armand Russell's Perplexing and Perilous Pieces for Trombone and Piano is in two contrasting movements. The first movement Perplexing Prelude is slow, sad, gloomy, worried and moody. The second movement Perilous Pursuit is fast with many different 4-note Bartokian modal-like scales and quite playful in mood. It gets going faster and faster, finally slowing right down and becoming quiet at the end like an exhausted child, but giving one surprise last gasp of a Hoorah to conclude. This work of a bit over 5 minutes in length is appropriate for intermediate performers and is all in bass clef.
$17.50
Busy Tone
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hayden Woods
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Busy Tone
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Hayden Lee Woods
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayd...
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Piano,Trombone - Level 4 - SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayden Lee Woods (A0.901482). Original trombone solo by Hayden WoodsWhat do you do when you try calling for something dire that must be addressed and the phones are backed up for hours...and hours...with no end in sight? Other than losing patience (which you should never lose), going crazy might be the next step. Hearing the busy tone over-and-over again as it pounds your brain into a mushed pile of misfiring neurons with a side of bloodshot eyes from straining to keep conscious. This 12-tone project enamors the mind with blips of melody, sprinkled over the piano’s endless E-flats that simulate the pain of trying to get past the busy tone. It’s short and to the point on the premise and only takes the 80 seconds (ish, it’s up to you how fast/slow dial tones make you feel) to drive the sanity down.
$8.99
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
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Going Down Slow
