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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Good Ale
Non classifié
400
Piano & claviers
Piano seul
280
Piano, Voix
198
Piano Facile
104
Piano, Voix et Guitare
71
Orgue
23
Instruments en Do
17
Accordéon
5
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
3
Piano (partie séparée)
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
74
Guitare
49
Basse electrique
20
Ukulele
19
Ligne De Mélodie, (Paroles) et Accords
8
Mandoline
5
Paroles et Accords
5
Guitare (partie séparée)
4
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Ukulele Baryton
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
1 876
Chorale 3 parties
613
Chorale TTBB
526
Chorale 2 parties
483
Chorale SSAA
287
Chorale Unison
233
Pack Instrumental pour Chorale
184
Chorale
47
Voix duo
20
Voix haute
13
Voix duo, Piano
9
Voix moyenne, Piano
5
Chorale SSAB a cappella
4
Chorale SSAATTBB
3
Voix Soprano, Piano
3
Voix Alto, Piano
3
Chorale SSATB
2
Voix seule
2
Chorale SSAB, Piano
2
Chorale SSATTB
2
Chorale SATTBB A Cappella
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix basse
1
Chorale SSAATB
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
66
Quatuor de Saxophones: 4 saxophones
34
Saxophone (partie séparée)
32
Saxophone Alto et Piano
30
Clarinette
25
Quatuor de Clarinettes: 4 clarinettes
23
Flûte traversière et Piano
23
Clarinette et Piano
20
2 Flûtes traversières (duo)
19
Flûte traversière
19
Saxophone Soprano et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois (partie séparée)
17
Saxophone Alto
16
2 Clarinettes (duo)
15
Saxophone Tenor
15
Saxophone Tenor et Piano
13
Hautbois, Piano (duo)
11
Flûte, Hautbois, Clarinette, Basson
10
Quintette de Clarinettes: 5 clarinettes
9
Quintette de Saxophone: 5 saxophones
8
Quatuor de Flûtes : 4 flûtes
8
Ensemble de Clarinettes
7
Saxophone, Clarinette (duo)
6
Saxophone
6
Clarinette (partie séparée)
6
Saxophone Baryton, Piano
5
3 Saxophones (trio)
5
Flûte, Clarinette (duo)
5
Clarinette Basse, Piano
4
Clarinette, Violon (duo)
4
Flûte et Guitare
4
Flûte, Violon
4
Cor anglais, Piano
4
Trio de Flûtes: 3 flûtes
4
3 Clarinettes (trio)
3
2 Flûte à bec (duo)
3
Ensemble de Flûtes
3
Flute (partie séparée)
3
Flûte, Violoncelle
3
Hautbois, Basson (duo)
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Clarinette, Trompette (duo)
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Flûte à Bec
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette et Basson
2
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Violon et Violoncelle
1
Hautbois
1
Flûte à bec Soprano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse
1
Flûte, Alto (duo)
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Cor Anglais
1
Flûte, Trompette (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette
24
Trombone
21
Trombone et Piano
16
Cor
16
Trombone (partie séparée)
13
Cor et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Piano
11
Trompette, Saxophone (duo)
11
Tuba
9
Tuba et Piano
7
Trompette (partie séparée)
7
Euphonium
6
2 Trombones (duo)
5
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
Tuba (partie séparée)
4
Cor anglais, Piano
4
2 Trompettes (duo)
3
Ensemble de Cors
3
Cor (partie séparée)
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
Ensemble de Trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
4 Tubas
2
Trombone basse et Piano
1
Ensemble de Tubas
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Trio de Cuivres
1
3 Trombones (trio)
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
Cor Anglais
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon
31
Violon et Piano
28
Violoncelle
24
2 Violons (duo)
16
Alto, Piano
15
Alto seul
14
Violoncelle, Piano
14
Violon, Violoncelle (duo)
13
Contre Basse
8
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
6
Contrebasse, Piano (duo)
5
Violon, Alto (duo)
5
Harpe
5
2 Violoncelles (duo)
5
2 Altos (duo)
4
4 Violoncelles
4
2 Harpes (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
3
Violon, Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
111
Ensemble Jazz
63
Orchestre à Cordes
47
Orchestre
25
Batterie
20
Ensemble de cuivres
16
Orchestre de chambre
12
Cloches
11
Timbales (partie séparée)
9
Fanfare
8
Jazz combo
7
Ensemble de Percussions
6
Percussion (partie séparée)
5
Percussion
4
Batterie (partie séparée)
2
Quatuor à Vent : 4 instruments à vents
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Vous avez sélectionné:
Good Ale
Trombone et Piano
Partitions à imprimer
16 partitions trouvées
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1
Good King Wenceslas
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Trombone et Piano
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FACILE
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Noël
#
John Mason Neale
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Wesley S
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Good King Wenceslas
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Wesley S. Silva
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1499868 Composed by John Mason Neale. Arranged by Wesley S. SIlva. Christmas. Score and part. 4 pages. Wesley S...
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Piano,Tenor Trombone - Level 2 - SKU: A0.1499868 Composed by John Mason Neale. Arranged by Wesley S. SIlva. Christmas. Score and part. 4 pages. Wesley S. Silva #1075934. Published by Wesley S. Silva (A0.1499868). Good King Wenceslas is a traditional Christmas carol that is ideal for beginner musicians. The song features a simple melody and a steady rhythm, making it easy to learn and perform. Its repetitive structure allows beginners to practice playing with confidence while focusing on essential musical skills like timing and dynamics. With its clear and singable tune, Good King Wenceslas is a perfect choice for those starting to build their repertoire of Christmas songs.
$5.99
Good King Wenceslas for Trombone in C and Piano
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Trombone et Piano
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FACILE
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Noël
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Traditional
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Tim Curd
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Good King Wenceslas for Trombo
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Tim Curd
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1299049 Composed by Traditional. Arranged by Tim Curd. Christmas. Score and part. 2 pages. Tim Curd #888899. Pu...
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Piano,Tenor Trombone - Level 2 - SKU: A0.1299049 Composed by Traditional. Arranged by Tim Curd. Christmas. Score and part. 2 pages. Tim Curd #888899. Published by Tim Curd (A0.1299049). Good King Wenceslas for Trombone in C and PianoGood King Wenceslas was written in 1853 by the English preist John Mason Neale inspired and was an old Czech poem.Piano and solo part included.There is a backing track that can be downloaded here:.
$3.99
Good King Wenceslas - Trombone (Treble Clef) and Piano
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Trombone et Piano
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FACILE
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Noël
#
John Mason Neale, Thomas Helmo
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Kacie J
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Good King Wenceslas - Trombone
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Kacie Rickells
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.821802 Composed by John Mason Neale, Thomas Helmore. Arranged by Kacie J. Rickells. Christian,Christmas. Score and pa...
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Piano,Trombone - Level 2 - SKU: A0.821802 Composed by John Mason Neale, Thomas Helmore. Arranged by Kacie J. Rickells. Christian,Christmas. Score and part. 3 pages. Kacie Rickells #3411273. Published by Kacie Rickells (A0.821802). An early intermediate arrangement of a traditional Christmas carol for Trombone and Piano accompaniment.
$2.25
Handel: Largo from Xerxes for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Sco...
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Piano,Trombone - Level 3 - SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
O Jesulein süss by Bach for Trombone
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Trombone et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.1126230 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.1126230 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 3 pages. Woods Only, Arrangements #726932. Published by Woods Only, Arrangements (A0.1126230). This easy arrangement for trombone and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Pure Imagination
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Trombone et Piano
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FACILE
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Mormon Tabernacle Choir
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Rodrigo Faleiros
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Pure Imagination
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1284157 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Rodrigo Faleiros. Broadway,Com...
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Piano,Trombone - Level 2 - SKU: A0.1284157 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Rodrigo Faleiros. Broadway,Comedy,Film/TV,Musical/Show,Wedding. Score and part. 3 pages. Rodrigo Faleiros #875286. Published by Rodrigo Faleiros (A0.1284157). This is an easy trombone sheet music arrangement of the song “Pure Imagination†from the movie Willy Wonka and the Chocolate Factory. The song is about a magical world of imagination and adventure. The arrangement is for trombone and piano, and it is easy to play. The trombone plays the main tune, and the piano plays the background music. The arrangement has some changes and additions to make it more fun and beautiful. This is a good arrangement for beginners or intermediate players who like this classic song.
$5.99
Pure Imagination
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Trombone et Piano
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FACILE
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Mormon Tabernacle Choir
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Rodrigo Faleiros
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Pure Imagination
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1284156 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Rodrigo Faleiros. Broadway,Com...
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Piano,Trombone - Level 2 - SKU: A0.1284156 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Rodrigo Faleiros. Broadway,Comedy,Film/TV,Musical/Show,Wedding. Score and part. 3 pages. Rodrigo Faleiros #875285. Published by Rodrigo Faleiros (A0.1284156). This is an easy trombone sheet music arrangement of the song “Pure Imagination†from the movie Willy Wonka and the Chocolate Factory. The song is about a magical world of imagination and adventure. The arrangement is for trombone and piano with chords, and it is easy to play. The trombone plays the main tune, and the piano plays the background music. The arrangement has some changes and additions to make it more fun and beautiful. This is a good arrangement for beginners or intermediate players who like this classic song.
$5.99
Via Dolorosa
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Trombone et Piano
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FACILE
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Musique Sacrée
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Christian contemporain
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Sandi Patty
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Stephen DeCesare
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Via Dolorosa
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Exultet Music
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.626197 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise ...
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Piano,Trombone - Level 2 - SKU: A0.626197 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and part. 13 pages. Exultet Music #5362847. Published by Exultet Music (A0.626197). The beautiful Passion song by Sandi Patty which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Also concert appropriate. Scored for a Trombone Solo with Piano accompaniment.
$4.99
Ciao Papa
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Trombone et Piano
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FACILE
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Alexandre Desplat, Guillermo d
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Henrique Oliveira
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Ciao Papa
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Henrique Oliveira
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1164497 Composed by Alexandre Desplat, Guillermo del Toro, and Roeban Katz. Arranged by Henrique Oliveira. Broadway,C...
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Piano,Trombone - Level 2 - SKU: A0.1164497 Composed by Alexandre Desplat, Guillermo del Toro, and Roeban Katz. Arranged by Henrique Oliveira. Broadway,Chamber,Children,Film/TV,Musical/Show. Score and part. 19 pages. Henrique Oliveira #764831. Published by Henrique Oliveira (A0.1164497). Beautiful arrangement of Ciao Papa from the musical Guillermo del Toro's Pinocchio for Trombone and Piano, perfect to play among your friends, students or family. The PDF file is instantly available with the individual part and the full score. For more arrangements like this, please make sure to check out my page.I hope you enjoy it and have a good practice! 🙂.
$4.99
Andre Van Haren: Moments instantly for trombone & piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Andre Van Haren
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Virtualsheetmusic
This is an exclusive transcription for trombone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for...
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This is an exclusive transcription for trombone & piano of MEDIUM/HIGH skill level from the original composition by Andre Van Haren. This title is available as instant sheet music download. Contents: after work late at night,cat's play,on a summer day,at work,who's there,good night,for beatrice,the lost child,for mateo,for isabella,a winter tale,the snow is melting,in silence / classical,inspirational,contemporary
$9.99
Chorus and Dance of the Polovetsian Maidens from Prince Igor
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Alexander Borodin
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Ralph Sauer
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Chorus and Dance of the Polove
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.792632 Composed by Alexander Borodin. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 12 pa...
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Piano,Tenor Trombone - Level 4 - SKU: A0.792632 Composed by Alexander Borodin. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #5042817. Published by Gordon Cherry (A0.792632). Alexander Borodin was actually trained as a chemist and physician and spent a good deal of his time promoting womens’ issues, much to the consternation of his fellow composers who wound up finishing up much of his work after his sudden death at the age of 53. The opera Prince Igor is possibly his greatest and boldest work with many beautiful melodies coming forth, especially the Chorus and Dance of the Polovetsain Maidens. The music has an mysterious Eastern sound which is very captivating. There is nothing like this written for the Trombone and Mr. Sauer’s arrangement is wonderful.This work is about 7 minutes in length for advanced performers.
$22.50
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Piano,Trombone - Level 3 - SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
The First Noel for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Trombone &a
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Trombone - Level 1 - SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387395. Published by jmsgu3 (A0.548503). The First Noel arranged for Trombone & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trombone Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
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