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Hymns for Flute
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264
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142
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82
Orgue
6
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4
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1
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1
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2
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1
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21
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8
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6
Chorale 3 parties
4
Voix moyenne, Piano
1
Pack Instrumental pour Chorale
1
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Flûte traversière et Piano
219
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63
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61
Flûte, Hautbois, Clarinette, Basson
56
Flûte traversière
44
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19
Flûte, Trompette (duo)
18
Hautbois, Piano (duo)
18
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13
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13
Flute (partie séparée)
12
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9
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8
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8
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7
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7
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6
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6
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6
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5
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5
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5
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4
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4
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4
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4
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3
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Saxophone Baryton, Piano
1
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1
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1
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1
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1
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2 Hautbois (duo)
1
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Clarinette
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1
Flûte, Harpe et Violoncelle
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2 Flûtes traversières, Harpe
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1
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6
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4
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2 Trompettes (duo)
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Trompette, Cor (duo)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Euphonium, Piano (duo)
1
2 Tubas (duo)
1
Trompette, Piano
1
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34
Violon et Piano
23
Alto, Piano
10
Violoncelle, Piano
6
Harpe
3
Quatuor à cordes: 2 violons, alto, violoncelle
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Alto et Harpe
2
2 Violons (duo)
2
Violon, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
2 Harpes (duo)
2
2 Violons, Piano
1
Violon
1
Violon, Alto (duo)
1
2 Altos (duo)
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9
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Vous avez sélectionné:
Hymns for Flute
Trombone et Piano
Partitions à imprimer
4 partitions trouvées
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Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
LOVE IS THE THEME (Trio – Flute, Trombone & Piano with Score/Part)
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Trombone et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.615758 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 14 pages. The ...
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Piano,Trombone - Level 3 - SKU: A0.615758 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 14 pages. The Lanier Company #3031137. Published by The Lanier Company (A0.615758). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Flute, Trombone and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Flute, Trombone).
$8.99
Blessed Assurance--trombone solo
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Fanny Crosby, Phoebe Palmer Kn
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Beka Wilson
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Blessed Assurance--trombone so
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Beka Wilson
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.786581 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and par...
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Piano,Trombone - Level 4 - SKU: A0.786581 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260817. Published by Beka Wilson (A0.786581). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
$6.99
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Hymns for Flute
