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26
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette, Saxophone (duo)
22
2 Trombones (duo)
20
Trompette
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Cor
14
2 Trompettes (duo)
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Trombone et Piano
13
Cor et Piano
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Trompette, Trombone (duo)
11
Trompette, Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
8
2 Tubas (duo)
6
Quatuor de Cuivres
6
Ensemble de Trompettes
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums (duo)
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
Trombone (partie séparée)
3
Quatuor de cuivres: 4 trompettes
3
Trompette (partie séparée)
3
Trio de Cuivres
3
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Tuba
2
2 Cors Anglais Et Pianoforte
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Euphonium
2
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2
Trompette, Cor (duo)
2
Cor anglais, Piano
2
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1
Cor et Harpe
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Trombone basse
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Trompette, Euphonium (duo)
1
Cor (partie séparée)
1
Trombone et orchestre
1
4 Tubas
1
Trompette, Trombone, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
43
Violon
34
2 Violoncelles (duo)
22
Violoncelle, Piano
19
Violon, Violoncelle (duo)
18
2 Violons (duo)
18
Alto, Piano
16
2 Altos (duo)
15
Violon, Alto (duo)
15
Harpe
14
Violoncelle
14
Trio à Cordes: violon, alto, violoncelle
12
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
6
Violon, Guitare (duo)
5
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
4
Alto seul
4
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Contrebasse, Piano (duo)
3
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
1
Alto et Basson
1
Violoncelle (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
495
Orchestre à Cordes
91
Orchestre
61
Ensemble de cuivres
29
Orchestre de chambre
27
Cloches
25
Ensemble Jazz
19
Ensemble de Percussions
12
Jazz combo
6
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Marimba
1
Fanfare
1
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AUTRES
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1
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van B…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.81 €
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Trombone et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Concerto for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins.…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
25.14 €
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Trombone et Piano
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Mark Narins
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Concerto for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
10 Easy Romantic Pieces for bass clef Trombone/Euphonium or Bassoon and Piano
Trombone et Piano
Piano,Tenor Trombone - Level 1 - Digital Download SKU: A0.1224264 By Various. By Lu…
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Piano,Tenor Trombone - Level 1 - Digital Download SKU: A0.1224264 By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820365. Published by Glissato Edizioni Musicali (A0.1224264). 10 Romantic Pieces is the perfect collection to help students and beginner players excel in their performances. This collection includes 10 easy pieces of the romantic period, arranged for Trombone, Euphonium or Bassoon (bass clef) and Piano. These pieces are great for essays, concerts, or any other performance. With its carefully crafted melodies, these pieces are sure to captivate any audience. Easy keys and range Easy Piano accompaniment Duration 15 minutes (+-) Musical themes taken from the original compositions: Largo from “New World Symphony†– A. Dvorák                               Theme from Le Streghe - N. Paganini  Melody in F – A. Rubinstein           Soldier March – R. Schumann         The Great Gate of Kiev - M. Mussorgsky Theme from New World Symphony (IV mov.) - A. Dvorák              Theme from Symphony n. 1 (IV mov.) - J. Brahms                    Theme from Symphony n. 5 (II mov.) - L. van Beethoven             Theme from Symphony n. 7 (II mov.) - L. van Beethoven         Theme from Swane Lake - P. I. Tchaikovsky.  Â
$14.99
13.7 €
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Trombone et Piano
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Various
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10 Easy Romantic Pieces for bass clef Trombone/Euphonium or Bassoon and Piano
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Glissato Edizioni Musicali
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SheetMusicPlus
Sonata No. 4 for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.928162 Composed by P. F. Strohm…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.928162 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 40 pages. Pete Strohm Music #6285133. Published by Pete Strohm Music (A0.928162). Sonata No. 4 for Trombone and Piano was written for American trombonist Mark Kellogg. The rhythmic roots of this piece are in the music of Central and South America. Â The first movement is based on bossa nova, in ABCBA form, with trombone and piano working together to create the syncopation. It segues into the second movement, a sweeping slow beguine in A-flat minor with a lovely A-flat major mid-section. The third movement has a declamatory opening, that goes into a driving samba. The piano generates the rhythm, with the trombone providing an aggressive lead and a fierce, improvisational-sounding midsection. An outstanding and unique work for contest, concert or recital. Â Difficulty level for both instruments is advanced. Total performance time is 14:40. Â Member, ASCAP.Â
$13.00
11.89 €
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Trombone et Piano
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P
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Sonata No. 4 for Trombone and Piano
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Pete Strohm Music
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SheetMusicPlus
Four By Four for Trombone and Euphonium and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.870836 Composed by Brad Howland…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.870836 Composed by Brad Howland. Contemporary. Score and part. 16 pages. Linden Brass Press Inc. #6623135. Published by Linden Brass Press Inc. (A0.870836). This new piece is great for recitals or concert performances! Range is from low E to high B, with an optional high D in the last bar. Parts are provided in bass clef or Bb treble. Euphonium players: you can of course omit the glissandi!
$14.95
13.67 €
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Trombone et Piano
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Brad Howland
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Four By Four for Trombone and Euphonium and Piano
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Linden Brass Press Inc.
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SheetMusicPlus
Romantic Concerto for Trombone with Piano reduction accompaniment
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin …
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425<br> <br> Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.<br> <br> Below is what the composer has written about his work:<br> <br> "Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.<br> <br> The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.<br> <br> The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.<br> <br> With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.<br> <br> The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."<br> <br> Jan Freidlin <br> <br> The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.Item Number: S0.703425<br> <br> Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.<br> <br> Below is what the composer has written about his work:<br> <br> "Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.<br> <br> The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.<br> <br> The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.<br> <br> With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.<br> <br> The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."<br> <br> Jan Freidlin <br> <br> The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
32 €
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Trombone et Piano
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Jan Freidlin (1944-)
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Romantic Concerto for Trombone with Piano reduction accompaniment
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Cherry Classics Music
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SheetMusicPlus
Gregory Sullivan Isaacs: Song Without Words for trombone and piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.533379 Composed by Gregory Sull…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.533379 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618671. Published by Musik Fabrik Music Publishing (A0.533379). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
10.93 €
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Trombone et Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song Without Words for trombone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Scomorokhs for Trombone and Piano (The Tragicomic Scene).
Trombone et Piano
Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1032838 Composed by Dmytro Malyi. 20th Century,Concert,Contemporary. Score and parts. 41 pages. Dmytro Malyi #5898937. Published by Dmytro Malyi (A0.1032838). The piece is very bright, masterly, can be played as the final piece in your recital. After listening it everyone can remember your performing. It was played at the ITF-2019 in USA. It is interpreted as a scene, where it is involved trombonist, pianist and others additional characters acting (it is not necessary, but according to a composer it is desirable). The main aim of performers is to show psychological image of the scomorokhs, their changeable mood, crying, sarcastic, lashing, etc.
$15.00
13.71 €
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Trombone et Piano
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Dmytro Malyi
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The Scomorokhs for Trombone and Piano
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Dmytro Malyi
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SheetMusicPlus
Rise Up, Shepherd and Follow (Trio for Trumpet, Trombone and Piano)
Trombone et Piano
Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 3 - Digital Download SKU: A0.52324…
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Small Ensemble B-Flat Trumpet,Piano,Trombone - Level 3 - Digital Download SKU: A0.523247 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and parts. 18 pages. John A. Dempsey #3399685. Published by John A. Dempsey (A0.523247). Reimagined as a trio for Bb trumpet, trombone and piano, this arrangement of Rise Up, Shepherd and Follow accentuates the dramatic message of hope, everlasting joy and intense emotion that's at the heart of this tuneful, traditional spiritual celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  14 pages of music (that includes separate two-page parts for trumpet and trombone).  Concert Key (Piano): D minor.  Trumpet Key: E minor.  Trombone Key: D minor.  Trumpet/Trombone Level: Intermediate.  Piano: Late Intermediate   There's a star in the East on Christmas morn,   Rise up shepherd, and follow   It will lead to the place where the Christ was born   Rise up, shepherd and follow.   Follow, follow   Rise up, shepherd and follow   Follow the Star of Bethlehem   Rise up, shepherd and follow.     .
$11.99
10.96 €
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Trombone et Piano
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
Waltzes from Der Rosenkavalier for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792500 Composed by Richard Stra…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792500 Composed by Richard Strauss. Arranged by Ralph Sauer. 20th Century,Concert,Opera,Romantic Period. Score and part. 24 pages. Gordon Cherry #4988387. Published by Gordon Cherry (A0.792500). Strauss's most well-known opera, Der Rosenkavalier has a most convoluted plot. However, knowing all its ins and outs are not necessary with Ralph Sauer's gorgeous arrangement of the suite of Waltzes for Trombone with Piano accompaniment. Written at the very end of the Romantic era in the early 20th century, the melodies are beautiful, the harmonies lush and the rhythms intoxicating.For advanced performers this 12 minute work will be a great addition to any recital.
$22.50
20.57 €
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Trombone et Piano
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Richard Strauss
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Ralph Sauer
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Waltzes from Der Rosenkavalier for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.14 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Impromptu No. 6 for Trombone and Piano
Trombone et Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1422667 Composed by P. F.…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1422667 Composed by P. F. Strohm. 20th Century,21st Century,Classical,Contest,Festival. Score and part. 16 pages. Pete Strohm Music #1004017. Published by Pete Strohm Music (A0.1422667). Impromptu No. 6 for Trombone and Piano is the sixth in a set of one-movement works for trombone and piano from American composer P. F. Strohm, written at the request of trombonist Matthew Driscoll. Unlike the first five impromptus, this is a Medium level of difficulty student solo work that demands tone, technique and musicality. Its passages highlight numerous skills essential for a developing student trombonist, such as a variety of articulations, sustained crescendos and decrescendos, sudden dynamic changes, shifting tonal centers using accidentals, and so on. These are all in the context of a dramatic opening, assertive main theme, flowing counterthemes, and a bravado ending. It is an outstanding student work for contest, concert or recital. Performance time is 5:15. Member, ASCAP.
$10.00
9.14 €
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Trombone et Piano
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P
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Impromptu No. 6 for Trombone and Piano
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Pete Strohm Music
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SheetMusicPlus
Rise Up, Shepherd and Follow (Trombone and Piano)
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.524950 Composed by Traditional …
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Piano,Trombone - Level 3 - Digital Download SKU: A0.524950 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and part. 13 pages. John A. Dempsey #6509725. Published by John A. Dempsey (A0.524950). This festive trombone and piano duet of Rise Up, Shepherd and Follow has been reimagined to accentuate the message of hope, everlasting joy and intense emotion that's at the heart of this tuneful, traditional spiritual celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  Key: A minor.  9 pages of music (that includes a separate two-page trombone part).  Trombone Level: Intermediate.  Piano Level: Late Intermediate    There's a star in the East on Christmas morn,   Rise up shepherd, and follow   It will lead to the place where the Christ was born   Rise up, shepherd and follow.   Follow, follow   Rise up, shepherd and follow   Follow the Star of Bethlehem   Rise up, shepherd and follow.    Â
$6.99
6.39 €
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Trombone et Piano
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
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