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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Not While I
Non classifié
400
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Piano seul
333
Piano Facile
58
Piano, Voix
48
Piano, Voix et Guitare
36
Orgue
22
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
8
2 Pianos, 4 mains
5
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4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
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Guitare notes et tablatures
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Guitare
47
Ukulele
18
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5
Basse electrique
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3
Mandoline
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3 Guitares (trio)
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2 Ukuleles
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17
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15
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15
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12
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10
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9
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9
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9
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8
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8
Ensemble de Flûtes
7
Hautbois (partie séparée)
6
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6
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5
Flute (partie séparée)
4
Saxophone (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
2 Saxophones (duo)
3
3 Saxophones (trio)
3
2 Flûtes traversières (duo)
3
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3
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Cor Anglais
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Piccolo
2
Flûte et Guitare
2
Clarinette Basse, Piano
2
Ensemble à vent
1
Saxophone et Orgue
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Saxophone
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone
18
Cor
11
Trompette, Piano
9
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trombone et Piano
4
Trompette (partie séparée)
3
Cor et Piano
3
Tuba
3
Cor Anglais
2
Trombone (partie séparée)
1
Trombone, Tuba (duo)
1
Tuba et Piano
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Quatuor de Cuivres
1
Ensemble de Cors
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
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2 Cors (duo)
1
2 Tubas (duo)
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Trombone basse
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
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31
Violon
20
Harpe
16
Violoncelle, Piano
15
Violoncelle
14
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
8
Violon, Violoncelle (duo)
6
Ensemble de Violons
4
Harpe, Voix
3
Violon, Alto (duo)
3
Contre Basse
3
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Ensemble d'Altos
2
2 Altos (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
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Alto et Harpe
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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Orchestre & Percussions
Orchestre à Cordes
29
Orchestre d'harmonie
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Orchestre
24
Ensemble de Percussions
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Marimba
18
Ensemble Jazz
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Ensemble de cuivres
16
Orchestre de chambre
12
Jazz combo
10
Cloches
10
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Fanfare
2
Xylophone
1
Percussion
1
2 Marimbas
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Piano et Orchestre
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--INSTRUMENTS--
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Vous avez sélectionné:
Not While I
Trombone et Piano
Partitions à imprimer
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Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Keiko Takashima
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Breeze in The Hearts, Bloom in
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1...
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B-Flat trombone,Piano - Level 5 - SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
High Flight
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Christian Morris
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High Flight
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Hoopla Sheet Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published b...
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Piano,Trombone - Level 4 - SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published by Hoopla Sheet Music (A0.1236631). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
Three Ancient Capitals for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Keiko Takashima
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Three Ancient Capitals for Tro
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digit...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
$29.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
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Not While I
