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175
Piano & claviers
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86
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20
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20
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17
Instruments en Do
10
2 Pianos, 4 mains
7
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2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
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Guitare
36
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19
Ukulele
3
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1
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1
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1
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1
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41
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12
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8
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7
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7
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6
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5
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4
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4
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3
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1
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19
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18
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12
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11
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10
Saxophone Tenor
7
Clarinette, Violon (duo)
7
Clarinette, Trompette (duo)
7
Saxophone Alto et Piano
7
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6
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
5
2 Flûtes traversières, Piano
5
Ensemble de Flûtes
5
Flûte traversière et Piano
5
Hautbois, Flûte
5
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4
Saxophone Tenor et Piano
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Hautbois, Basson (duo)
4
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3
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3
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3
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3
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3
Clarinette
3
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3
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3
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3
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2
Saxophone Baryton, Piano
2
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2
Flûte, Alto (duo)
2
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2
Clarinette Basse, Piano
2
3 Saxophones (trio)
2
Saxophone (partie séparée)
2
Saxophone et Guitare
1
Ensemble de Clarinettes
1
Clarinette, Basson (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Cor anglais, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte irlandaise
1
Saxophone et Orgue
1
Harmonica
1
+ 43 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone
13
Trompette
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres
7
Trompette, Trombone (duo)
5
Trombone et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
3
2 Trombones (duo)
3
Ensemble de Trompettes
2
Trompette, Piano
2
Bass Clef Instruments
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Trompette, Trombone, Piano
1
Cor anglais, Piano
1
Cor
1
Tuba
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
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Quatuor à cordes: 2 violons, alto, violoncelle
42
Harpe
17
Violon
7
Violon, Alto (duo)
6
Violoncelle, Piano
6
Violon, Violoncelle (duo)
5
Violoncelle
4
Contre Basse
4
2 Violoncelles (duo)
3
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
3
Alto seul
3
Violon et Piano
3
2 Violons (duo)
2
Violon (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
1
4 Harpes
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
+ 18 instrumentations
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Orchestre d'harmonie
37
Orchestre
19
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18
Jazz combo
13
Orchestre de chambre
4
Ensemble de cuivres
4
Ensemble Jazz
3
Cloches
3
Ensemble de Percussions
2
Orchestre, Violon
1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
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Trombone et Piano
Partitions à imprimer
4 partitions trouvées
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DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone et Piano
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FACILE
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Trombone - Level 2 - SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
I Love You Truly-trombone/piano
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Trombone et Piano
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FACILE
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Phil Beaman
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I Love You Truly-trombone/pian
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Phil Beaman
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.844626 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #44130...
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Piano,Trombone - Level 2 - SKU: A0.844626 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413053. Published by Phil Beaman (A0.844626). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
In Dulci Jubilo, Gospel Rock
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Trombone et Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Christian Morris
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In Dulci Jubilo, Gospel Rock
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Hoopla Sheet Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1096275 Composed by Traditional. Arranged by Christian Morris. Christmas. Score and part. 8 pages. Hoopla Sheet Music...
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Piano,Trombone - Level 3 - SKU: A0.1096275 Composed by Traditional. Arranged by Christian Morris. Christmas. Score and part. 8 pages. Hoopla Sheet Music #700243. Published by Hoopla Sheet Music (A0.1096275). A rousing gospel rock style version of the popular carol ‘In Dulci Jubilo,’ also known as ‘Good Christian Men Rejoice.’ More Christmas music from Hoopla Sheet Music: Jingle Bells Salsa Emmanuel Rock O Come All Ye Boogie-Woogie Faithful Away in A Country Manger Hark the Funky Angels Sing Bossa Nova Bleak Midwinter God Rest Ye Good King Gospel Mashup Jump Blues Joy to the World We Three Kings (Persian Style) We Wish You a Jazzy Christmas.
$4.99
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